Tag: Angus

1994. Upfest 2018 (130)

You can always be sure that you’re going to get something pretty fun from Angus, and at Upfest 2018 he was playing around with a fusion of mosaics incorporating film/TV characters in a Banksy setting. Clever and engaging stuff.

Angus, Upfest, Bristol, July 2018
Angus, Upfest, Bristol, July 2018

In this piece, which must have taken days of preparation, Angus presents us with robots (in the place of chimps) from Star Wars, Futurama, Wall-E and one other that I can’t identify and the immortal words ‘laugh now but one day we’ll be in charge’. I rather hope that Banksy approves of this updated variant on his idea…another one made in Bristol.

Angus, Upfest, Bristol, July 2018
Angus, Upfest, Bristol, July 2018

In terms of scale, Bender, the Futurama robot on the right was about human size – this mosaic was no small undertaking, and this was just one of three (or more?) that Angus worked on at Upfest. Hats off to his lateral thinking and endeavour…a great piece.

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1709. Upfest 2018 (34)

Ahhh, this is what you get when the Simpsons meet mosaic meets Banksy all orchestrated by the brilliant Bristol artist Angus. This young artist is usually one of the busiest people during Upfest, producing his creations all over the place, some official and one or two slightly less so.

Angus, Upfest, Bristol, July 2018
Angus, Upfest, Bristol, July 2018

I love this take on the famous Baloon Girl by Banksy, and I understand that ‘the people’ from The Simpsons rather liked it even though it was not strictly approved, as these things tend to be when dealing with enormous corporates or franchises.

Angus, Upfest, Bristol, July 2018
Angus, Upfest, Bristol, July 2018

I have been an admirer of Angus’s art over the last few years, and he is always so welcoming and accomodating when I bump in to him. Always adapting and seeking new ways to strecth his art, his great strength is in his ideas linking contemporary themes with wit. I like the man and I like his art.

1352. Upfest 2017 (138)

Angus was a very busy fellow at Upfest last year. Not only did he create this magnificent mosaic, but he also found time to collaborate with Chinagirl Tile and also lay down several other mosaics dotted about the place. Added to all of that business, he still had time to schmooze and chat with visitors over the two days.

Angus, Upfest, Bristol, July 2017
Angus, Upfest, Bristol, July 2017

This piece will be familiar to anyone who has played Street Fighter – I do not count myself amongst this happy crew – specifically it is move called ‘hadouken’…now go and consider yourself educated. Writing about street art really does take you on many new discoveries, tapping into the popular culture that influences the artists.

More from Angus to follow at some point.

Angus, Upfest, Bristol, July 2017
Angus, Upfest, Bristol, July 2017

1071. Upfest 2017 (77)

This is what you get when two mischievous artists collaborate, each with their own inimitable style. When Chinagirl Tile and Angus got together at Upfest this year, they produced this rather special piece which arguably was the most controversial of the festival, causing offence to some.

Chinagirl Tile and Angus, Upfest, Bristol, July 2017
Chinagirl Tile and Angus, Upfest, Bristol, July 2017

The raccoons are by Chinagirl Tile and the mosaic hand gesture is by Angus. Unfortunately the piece in its original state didn’t last too long at all before it was ‘redacted’ with some black tape.

Chinagirl Tile and Angus, Upfest, Bristol, August 2017
Chinagirl Tile and Angus, Upfest, Bristol, August 2017

Not long after that, the hand was completely replaced by yellow tiles, and the piece has really lost something. I will leave you to judge which version of this you prefer. For my part, this work challenges the ‘sanitised’ art you tend to get at festivals by being provocative and edgy, which is where most street art and graffiti art has its roots. Some really interesting perspectives being played out here.

Chinagirl Tile and Angus, Upfest, Bristol, August 2017
Chinagirl Tile and Angus, Upfest, Bristol, August 2017

I like the original, but I would wouldn’t I.

770. The Bearpit (66)

Street art and graffiti can often tell a story about the ever-evolving scene. The original piece by Angus, which is one of his favourite stencil concepts was sprayed as part of the paint jam in the Bearpit over Easter.

Angus, The Bearpit, Bristol, April 2017
Angus, The Bearpit, Bristol, April 2017

Angus had completed the work by the time I got down there, but it was still in pristine condition. Now, I understand that taggers really have very little time for stencil art, and don’t take long to spoil it, or ‘add’ to it with their own scrawlings and witticisms. By the time I went back the next day there were already quite a few tags on the piece.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

How brilliant then, that Dice 67 went the extra mile and augmented the piece with a fabulous stencil of his daughter spraying the words ‘I must not write on the walls’. How brilliant is that – a living piece that takes a pop at taggers, but in a really clever way, and sets the piece off beautifully. Evolution.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

537. Dean Lane skate park (30)

This is a piece from back in July, and one that was probably overlooked by many. It is by the fabulous Angus and was sprayed at about the same time as his ‘Purple Rain’ tribute to Prince. It would seem that Angus was experimenting with 3D circles/spheres at the time, and I think they work rather well.

Angus, Dean Lane, Bristol, July 2016
Angus, Dean Lane, Bristol, July 2016
The writing in the centre of this piece on a skate ramp spells out the four elements – earth, air, fire and water. This is a nice simple, but technically well executed piece by one of Bristol’s regulars. It is always a pleasure to find an Angus piece.