If you take a look at Pl8o’s work over the last few years, it is clear to see that he has made significant progress, added characters to his work and great sophistication in his letters, which are becoming more and more elaborately disguised.
Pl8o, Cumberland Basin, Bristol, July 2022
This recent offering from Pl8o Is beautifully designed and carefully painted with some interesting colour transitions vertically and horizontally. It is the letter designs that steal the show though, he really seems to be putting a lot more thought into these designs. A nice piece from Pl8o.
Dave Sharp and #DFTE, Cumberland Basin, Bristol, July 2022
Sometimes street art is edgy, sometimes political, and sometimes just great fun, and this collaboration by Dave Sharp and #DFTE falls into that latter category. The two pieces on a black buffed wall leap out at you, and it is a sour old soul that couldn’t find something to like about it.
Dave Sharp and #DFTE, Cumberland Basin, Bristol, July 2022
To the left is a fabulous SpongeBob SquarePants piece, by an artist I don’t think I have come across before, Dave Sharp, and what a great job he has done, bringing the children’s cartoon character to life. To the right is a typical philosophical phrase from #DFTE, albeit in a much larger format than his smaller framed pieces. “Happiness is being confidently weird” – I think I can live with that. Nice drips, by the way.
From time to time, the street art community is rocked by the death of one of their fold. It might be felt by everyone or by just a few close friends. When it happens, it is common to produce tribute pieces for the departed friend, and some artists keep the tribute alive for days, weeks, months or even years, for example Haka keeping the memory of his friend CKone in our minds in most of his pieces even now.
Stivs, Cumberland Basin, Bristol, July 2022
This is one of several tribute pieces for Sear by Stivs, and there are several other tributes about the place. I haven’t ever really encountered Sear before, but he was a graffiti writer and close friend of Stivs’. This piece is a fine tribute, beautifully structured and proportioned and the colour combinations perfect. A work of love.
Sometimes, when a piece has been tagged, you have to look beyond the tag and see the piece for what it is underneath the disrespectful scrawl. Inca (the mole) is an artist whose work I simply don’t seem to come across all that often, so when I do, I like to publish it, even if tagged.
The Mole, Cumberland Basin, Bristol, July 2022
Inca on this occasion has painted his mole character, although sometimes he writes INCA, so it helps to know what to look out for. Inca’s mole character is most endearing, and the simplicity of the piece supports the maxim that sometimes less is more. The mole outline seems to have been superimposed on a sunrise landscape, with some lovely horizontal colour transitions, and of course, there is always the subliminal Ukraine flag when blue sits above yellow. A nice piece tucked away.
All I can think of when I see this creature is that it looks like a Mote version of Big Bird. I am pretty certain that it was not his intention, but like an earworm, I just can’t shake it off, so I’ll just have to settle for that.
Mote, Cumberland Basin, Bristol, July 2022
There is no stopping Mote at the moment, and I seem to be meeting him on a fairly regular basis these days – our clocks appear to be in sync. I like the way that Mote really seems to take care with his work, and likes to buff the wall first, before carefully putting down the layers of his piece. Always finished nicely, his work is tight – no blurred lines, no sloppiness, tight.
This piece by Serm, tells a story not only about his work, but also about the street art scene in Bristol, or any other place with a graffiti culture. As a photographer and chronicler of street art and graffiti in our city, I and others like me, have a pretty good grasp of what is going on, of who painted what and when. It is an earned privilege to have this overview, but it is also a rare one. Most artists, quite rightly, are interested in finding a spot where they can paint their new idea, without much consideration for what was there before.
I came to photograph a new piece by Petro, but instead found this lovely piece by Serm. It is obvious that Serm didn’t know that the Petro piece was so new, otherwise he would have perhaps found another space. Serm has, however, broken a convention by painting over half a piece, which is considered to be a bit rude. A collaboration might have been a better option to paint over Petro’s piece. Enough background.
Serm, Cumberland Basin, Bristol, July 2022
I have only seen a handful of Serm pieces and none of them with a character, so this was rather special. The writing is skilfully done in white with some shades of grey fills, but overall rather minimalist. The colour comes in the shape of the Yosemite Sam character on the right-hand side.
Serm, Cumberland Basin, Bristol, July 2022
I am minded to do a gallery of cartoon characters, just for fun, because there have been so many painted by artists over the years, and all of them worth celebrating (of course time will be the limiting factor). The last time I saw a Yosemite Sam was in New York in October 2017, by Crash. This one by Serm compares very well to that one.
Anyone who reads this blog will know that Mr Underbite, who only emerged on the Bristol scene earlier this year, has become a firm favourite of mine. The character is nicely thought out and now the artist is playing with this concept in this fun piece in Cumberland Basin.
Mr Underbite, Cumberland Basin, Bristol, July 2022
Mr Underbite has created a mash-up of his character (of the same name), with the SpongeBob SquarePants character Patrick Star, which is probably not a combination that would naturally spring to mind. The outcome is mildly grotesque, but both elements easily identifiable. I look forward to plenty more of these mash-ups, if indeed it is a direction that Mr Underbite chooses to go in.
When you are familiar with the street art scene in a place, it is amazing how quickly you notice something slightly out of the ordinary, a new artist for example, and how that piece immediately fires up one’s curiosity. This was one of those pieces. I knew the second I saw it that it was not by a Bristol artist, but rather annoyingly I had no clues who the artist might be – it turns out that one of my fellow street art photographers/chroniclers had a bit of luck and unintentionally discovered the pairing that collaborated to create this striking piece.
Ansley Randall and Britt, Cumberland Basin, Bristol, June 2022
The piece is one of those Upfest ‘spill over’ pieces that are a real bonus for Bristolians, where we get to see free art on our streets beyond the confines of Bedminster. Both Ansley Randall and Britt (paints a lot) were in Bristol for Upfest, and both had travelled from America, which gives you some indication of the draw of the festival.
Ansley Randall and Britt, Cumberland Basin, Bristol, June 2022
The eyes are by Britt and the design and patterning by Ansley Randall. The overall effect is superb, and this really is a rather special piece. I don’t know if these two artists have collaborated before, or whether they hooked up at Upfest and gave it a go, but however the piece came about, I am pleased that they did it, and they chose a great wall to decorate too. Added benefits of Upfest keeping us all happy.
I was in Cumberland Basin yesterday and this piece by Whysayit was being buffed over to make way for the latest Bristol Womxn Mural Collective paint jam, which is all part and parcel of the street art wall recycling process, without which the whole scene would simply die. I haven’t posted much work by Whysayit (YSAE) since his painting partner, Kleiner Shames, moved to London, which is a pity, because I really like his letter style – I might have to dig a few photographs out of my archive.
Whysayit, Cumberland Basin, Bristol, June 2022
Whysayit’s letters are irregular, but they also are quite easy on the eye, with their curvy shapes. The solid ills are in strongly contrasting colours – no fades here. Painted at the back end of the Queen’s platinum jubilee, I don’t thing there is much doubting what Whysayit’s views on the monarchy are. It is nice to be able to post this piece after such a long gap since the last one, (about four years).
It is not only the quantity of graffiti and street art that is being painted in Bristol at the moment, but the outstanding quality of some of it that is quite mind-boggling, and you know that when Smak, Sled One and Ments get together that you are going to be in for a treat.
Smak, Cumberland Basin, Bristol, May 2022
On the left of this triptych Smak has absolutely smashed out his letters with extraordinary class and style in what I can only describe as a very Smacky way, which I hope makes sense. Although quite well disguised, once you get your eye in you can clearly see the letters SMAK. Great colours and a confident piece.
Sled One, Cumberland Basin, Bristol, May 2022
A surreal and utterly bonkers elephant character by Sled One is in the middle section of this collaborative wall. Alongside 3Dom, Sled One is the leading character artist in Bristol and his weird creations are always something to look forward to. It is his details and textures, tones and depth that makes his work completely stand out from the crowd.
Ments, Cumberland Basin, Bristol, May 2022
To the right is a fabulously etherial piece from Ments, who seems to reinvent his style on an annual basis while always maintaining an organic and rather abstract nature with his letters. This piece feels almost more like a canvas study than a piece of graffiti writing. Superb skills all round, this is a wonderful collaborative wall.
Natural adventures 