I am going to be honest with you. My excitement at finding this collaboration piece by Nugmoose and Mudra was a little offset by the rather creepy and unsettling nature of the images. Nugmoose likes to experiment with alien forms and Mudra’s work is always pushing creative boundaries. The result in this case is decidedly odd, and the location slightly dingy.
Having said all that is it great that these two, and Slakarts too, have hit upon a friendship that is highly productive just at the moment. In this piece, Nugmoose’s figure is being drawn towards a hand clutching some flowers. The monster appears to have lost its eyes and is navigating its way forward using the sense of smell. Is that what is going on here? A weird piece, but a nice one to have found.
I don’t get over to Lawrence Hill roundabout all that often, so there is always something there that I haven’t seen before. However, the disadvantage of not regularly visiting is that any pieces new to me can be quite tired looking or tagged.
Mudra has had a big impact since arriving in Bristol last year and has made his presence known all over the city with his distinctive pink faces and colourful writing. Although tagged, this moustached character with a distinctive outlined red nose is still looking rather bright, and I am pleased to have stumbled across it. Not long before I’ll have enough of his work to post a gallery.
A few years ago, it was the wheatpastes of Kid Crayon that fired up my curiosity about street art, but they are not common in Bristol, so whenever I find one it is always cause for celebration.
Mudra arrived in Bristol last year and immediately made an impact with several of his characteristic face pieces and writing. Now, if you hunt around in the Cumberland Basin you will find this beauty ‘data muncher’ which I very much hope is the first of many wheatpastes from him. Classy.
It is possible to access some fine walls and columns (I call the location Frome side) where this piece from Mudra is, but I don’t like to go down there on my own, just in case I slip and fall into the river, so I have to make do with photographing things through railings from the skate spot.
Of all the newcomers to Bristol this year, I think that Mudra has been the most productive, and he has been quick to find several of the great spots for spray-painting around the city. This is one of his colourful, capped characters that is so typically Mudra. Although he has his little @ tag, he doesn’t need to use it because his style is so unique and recognisable – having said that I like his tag and how he incorporates it. At this rate it won’t be too long before I have enough of his work to create a gallery.
Discovering new artists about the place is definitely part of the fun of seeking out street art, and meeting Mudra and subsequently finding several of his pieces in quick succession has been very rewarding. Although he has not been in Bristol long, he is certainly making his mark.
This piece is on the long Cumberland Basin wall and incorporates his soft pastel colours into the letters MUDRA. The writing is really clever with the letters being concealed through the piece – can you find them? In the centre is one of Mudra’s pink faced characters wearing a cap. This is a fine piece of work which stitches in all sorts of ideas and techniques. Lots more to come…
It seems that everywhere I look in Bristol I am coming across new pieces by Bristol newcomer Mudra, and a most pleasurable experience it is too. Incoming artists and new artists keep the whole scene nice and fresh and add to the extraordinary diversity of art in the city.
When I first spotted this one in Dean Lane, I wasn’t too sure who it was by, and guessed it must be from a visiting artist, but then I saw the @ with a hat signature and the penny dropped that this was so obviously a Mudra piece. I guess the letters spelling Mudra and the signature ‘Mudra’ ought to have indicated who the artist was, but it is all about familiarity and context. The piece has some lovely colour combinations and unusual letter shapes. I reckon this would have made a superb 1970s album cover, it has that kind of feel about it. Great work and so much more to share with you.
This is the second piece I have posted by Mudra, but it was the first that I photographed, and as with any first discovery I am rather fond of this modest piece. Bold and yet subtle colours have been used to create this funny looking portrait of a moustached man.
There is something aboout the simplicity of the piece that makes it all rather interesting. In particular, I can’t keep my eyes off the dark pink nose. Like the last piece I posted, this one also has a little @ with a hat, which I am assuming is Mudra’s tag. Lovely stuff from the Bristol newcomer.
It is always a pleasure meeting an artist for the first time and I was lucky enough to catch Mudra, just as he had finished this unusual and striking piece. This young artist has recently moved to Bristol from Bournemouth (I think that is what he said) and lives locally, hence choosing this spot. This is one of two recent pieces by Mudra and I will be posting the other one soon.
Most interestingly it seems that Mudra and Slakarts have been in contact with each other, and if they get together we could be in for some mouthwatering collaborations… I’m keeping my fingers crossed. This style of portrait falls into the Slakarts/Lobe arena which is really rather exciting.
I like the bold colours and solid fills, and I haven’t seen so much pink in a piece since Stupid Stupid Meathole was active a year or two ago. Particularly interest.ing is the little icon, a bit like an @ with a hat. I am guessing that this is like a signature for the artist. It is always great to report on artists breaking through into the Bristol scene. Look out for more from Mudra.