6341. Greenbank (133)

Le Imposter Design, Greenbank, Bristol, August 2024
Le Imposter Design, Greenbank, Bristol, August 2024

This is exactly the type of discovery I love to make, and highlights why I do what I do. The Bristol to Bath cycle path is a very busy thoroughfare for cyclists and walkers alike. The vast majority of footfall (or wheel-fall) passing the long hoarding alongside the Chocolate Factory development, will miss this little gem, and some of the larger gems here too, being more focussed on getting from A to B. Observers of the world, however’, will stop and enjoy treats like this one from another first-timer on Natural Adventures, Le Imposter Design.

Le Imposter Design, Greenbank, Bristol, August 2024
Le Imposter Design, Greenbank, Bristol, August 2024

This modest design is dwarfed by the larger pieces of graffiti writing and street art surrounding it, and is easily overlooked, being at about knee to waist height. The art piece sets out a wonderful view out of a window and onto the street. There are lots of little details to enjoy, the plant and pot, coffee with a heart shape in the froth, some paperwork, and even a stall and awning on a building across the street. Wonderful calming stuff in a frenetic spot. A big welcome to Le Imposter Design, I hope to see more of her work before too long.

6321. Cumberland Basin

Acer One, Cumberland Basin, Bristol, August 2024
Acer One, Cumberland Basin, Bristol, August 2024

By the time you read this, I should be some 35,000 feet or so in the air somewhere between Bristol and Copenhagen, so I wrote this post yesterday. I am spending a long weekend in Copenhagen with my mother who gifted me the trip as my 60th birthday present.

Acer One has been smashing it recently with a range of different ideas, including these cryptic boule writing designs that are designed to challenge the viewer to work out what is going on… visual puzzles I guess you could call them.

Acer One, Cumberland Basin, Bristol, August 2024
Acer One, Cumberland Basin, Bristol, August 2024

The gold letters along the top spell ‘Change is inevitable’ and the black letters running along the bottom of the piece spell out ‘Growth is optional’. So this piece is both a puzzle and philosophical. Great technical work from Acer One.

6302. Cumberland Basin

Acer One, Cumberland Basin, Bristol, August 2024
Acer One, Cumberland Basin, Bristol, August 2024

I’m not entirely sure how Acer One finds the time to paint so much, but I am glad that he does. One of the upsides of self-employment I guess. This is a really classy design piece in one of his favoured spots, which he pretty much ‘owns’ these days.

Acer One, Cumberland Basin, Bristol, August 2024
Acer One, Cumberland Basin, Bristol, August 2024

The word ‘love’ is written in the same format as the background, and emerges from it due to the curves in the lettering where they depart from the horizontal background pattern. If the letters were to straighten out, they would disappear into the wall altogether. The piece is nicely conceived, and as always with Acer One, beautifully executed.

6203. White Street (3)

Mr Penfold, White Street, Bristol, June 2024
Mr Penfold, White Street, Bristol, June 2024

I have to confess that I really struggle with promotional pieces. In my purist mind I feel that straying into advertising (whether for mates or for commercial outfits) crosses the line between street art and the ‘edge’ that goes with it, and mainstream commercial activity. This is a personal view, and you may wonder why I post promotional pieces… well I suppose I do it for completeness and to showcase the full spectrum of whet we see in Bristol.

Mr Penfold, White Street, Bristol, June 2024
Mr Penfold, White Street, Bristol, June 2024

Mr Penfold uploaded a video of himself painting this piece, which reveals his techniques for getting his straight lines and curves into his designs. It is a great abstract design from the artist and is perfect for the spot that he chose to paint.

6050. St Augustine’s Parade (3)

Mr Penfold, St Augustine's Parade, Bristol, May 2024
Mr Penfold, St Augustine’s Parade, Bristol, May 2024

At my work, there is quite a strong push to bring people back into the office, after an extended period of being enforced, then encouraged, then allowed to work from home. It seems that the Government direction (driven by Rishi Sunak’s conviction that we aren’t buying enough sandwiches in Pret a Manger, leading to the collapse of urban economies) is to get folk back into those empty buildings. My personal view is mixed. It seems mad that loads of office buildings are empty, but it also feels that we work in a new era, where for many office jobs, we are set up to work from home. I expect that this is a debate that will run and run, and then be overtaken by AI replacing our jobs in any case.

Mr Penfold, St Augustine's Parade, Bristol, May 2024
Mr Penfold, St Augustine’s Parade, Bristol, May 2024

I mention all of this because I am now starting to return to the office, which gives me a chance to explore and seek out street/graffiti art on my walks to and from work, which are not on my more usual ’rounds’. I saw, for the first time walking to work recently, this commission piece by Mr Penfold in St Augustine’s Parade. It is a wonderful piece of corporate design, but so distinctively Mr Penfold, who has managed to blend his design work with his street art passion – great work if you can get it.

5826. Purdown (66)

Acer One, Purdown, Bristol, January 2024
Acer One, Purdown, Bristol, January 2024

Acer One struck gold with this concept of building a geometric design around an impossible triangle, and this is a sister piece to one he painted about a month or so back. The piece plays tricks with the eyes, because everything inside the concentric hexagonal stripes is three dimensional , which makes the centrepiece stand out from the wall.

Acer One, Purdown, Bristol, January 2024
Acer One, Purdown, Bristol, January 2024

There is a lot of skill to designing and painting geometric pieces like this and there is absolutely no room for error. Unfortunately there were some people sitting on top of the concrete block, and so I have tried to crop them out of the photographs, which is a pity, because it would have been nice to get a shot from a little more distance. These studies by Acer One are a rather fine direction of travel in my view.

Acer One, Purdown, Bristol, December 2023
Acer One, Purdown, Bristol, December 2023

5743. Purdown (63)

Acer One, Purdown, Bristol, December 2023
Acer One, Purdown, Bristol, December 2023

I’m not sure that I have seen any work by Acer One at the Purdown spot before, but with this piece I think he has earned the freedom of the City (metaphorically speaking at least). An utterly mesmerising piece with a pink triangle interlocking with a white cube with hexagonal holes – a masterpiece of geometric design.

Acer One, Purdown, Bristol, December 2023
Acer One, Purdown, Bristol, December 2023

The pink works so well against the black and white hexagons in this piece, and the whole thing is a beacon of classy artwork on the top of a bleak hill. This looks like a bit of a new direction for Acer One, and another new piece (to follow I hope) has some similar design ideas. 2024 could be an exciting year for the artist.

5677. Leonard Lane (42)

Peggy, Leonard Lane, Bristol, November 2023
Peggy, Leonard Lane, Bristol, November 2023

Over the last year or so, we have become used to seeing Peggy’s wonderful floral works, starting with a few modest pieces in Dean Lane, to now, and some large, complex and bold pieces. I love watching street artists grow in confidence and ambition, and Peggy is establishing herself, while sticking to her essential floral designs.

Peggy, Leonard Lane, Bristol, November 2023
Peggy, Leonard Lane, Bristol, November 2023

Leonard Lane is a bit of a ‘go to’ destination at the moment and is as colourful and vibrant as I have ever seen it. This piece bursts with energy and colour, lighting up the rather dimly lit alleyway. Lots of designed curls in pink, orange and yellow surround a central eye, in this piece that definitely grabs the attention. Great work from Peggy.

5676. M32 roundabout J3 (531)

Slakarts, M32 roundabout, Bristol, November 2023
Slakarts, M32 roundabout, Bristol, November 2023

A year or two ago, Slakarts was one of the more prolific artists in Bristol. I have a feeling that he is busy with work these days, which is, of course,  good thing, but it means we get to see fewer pieces on the streets. These days, every piece is a very welcome surprise, like this one on the M32 roundabout.

Slakarts, M32 roundabout, Bristol, November 2023
Slakarts, M32 roundabout, Bristol, November 2023

Slakarts has developed his style considerably, developing his trademark faces into something altogether more sophisticated. This sophisticated abstract piece incorporates his face design into a busy mash up of facial features, letters and symbols to create a bright and exciting experience. I would love to see more of his work, but have to be grateful for small mercies.

5478. Cheltenham 2023 (10)

Inkie, Cheltenham Paint Festival, Cheltenham, July 2023
Inkie, Cheltenham Paint Festival, Cheltenham, July 2023

You can be pretty certain that Inkie will have a presence at the Cheltenham Paint Festival, which is great. What is even better is that although this piece was from the 2022 Festival, I managed to find it this time round… only a year late, but better than nothing I suppose.

Inkie, Cheltenham Paint Festival, Cheltenham, July 2023
Inkie, Cheltenham Paint Festival, Cheltenham, July 2023

The character/writing combination is along the lines that you would expect to see. A beautiful girl with long flowing hair alongside some large block writing. I am not too sure what the ‘St Pauls’ refers to. There is a St Paul’s church very near where this was painted, but it could I suppose be a reference to Bristol’s St Paul’s district. Unmistakably Inkie, the piece is still looking fresh as a daisy. Nice Tribute to Julian too.