So many artists have has a creative rush since the easing of lock down and one of them is Dibz. Ordinarily you’d be lucky to see a new Dibz piece once every two months or so, but I have seen three in the last month of which this is one.
Dibz is a precision graffiti writer. I have never seen anything by him that isn’t really tight, clean and crisp and I have never to my knowledge seen a throw up from him. This is a very classy piece of writing with a beautifully graded fill from dark red through to orange and yellow. The slim yellow edging on the upper sides of the letters creates a lifting effect. This is a piece for connoisseurs.
This is what can happen when two outstanding writers combine their efforts. This supreme collaboration is by Dibz and Shade One, painted in Dean Lane on the same day that Rusk, Soker, Inkie and Hemper painted on the other long wall back in March. A red letter day indeed. The whole collaboration is set on a clean blue background with a magnificent silhouetted cityscape running horizontally through the piece.
On the left is an absolutely faultless piece from Dibz as we have become accustomed to expect. The fills are really subtle, dradig from a lighter blue at the top to a slightly darker one at the bottom, and the letters have just the right amount of accents in red to set the piece off nicely. This is what great graffiti writinng looks like.
On the right we have some equally high-class writing from Shade One, an artist I know relatively little about. In this piece I particularly like the tiny ‘cracks’ in red through the letters and the stellar accents on the first and last letters. Magnificent. I am not too sure what the letters say, nor their significance, it looks like JOBE or TOBE. The only other post I have made from this artist was an Upfest piece from 2018.
How brilliant is this? set on an unprepped wall, this remarkably tight piece from Dibz is close to graffiti writing design and execution perfection, and its magnificence is exaggerated by the untidiness of the backdrop. It is like a black and white TV that has unexpectedly discovered colour.
Dibz is a local graffiti writer whose work is almost exclusively reserved for these walls in Dean Lane. It is rare to find his work elsewhere. Since I photographed this one, he has painted another excellent piece in the same place, on what turned out to be a red letter day on Friday last week. More about that to come soon.
Dibz is a Bristol graffiti writer whose work is always first class and beautifully tight. It is unusual to see his writing outside the confines of Dean Lane skate park, but at Upfest 2018 he ventured a little further afield and sprayed the side of the mock railway carriage with one of his beguiling pieces.
Dibz tends to keep quite a low profile with his work, which is often unannounced, and hey presto he works his magic. This upfest piece, by his high standards, I would say is not his best work and I suspect it might have been somewhat comprimised by the changeable weather experienced during the festival. It is however a great piece.
Tight is probably the best word to use when describing the work of Dibz. Always meticulously thought out, clean lines, perfect 3D shading, crisp fills and more often than not, fabulous colour choices. Dibz really pays attention to his pieces and each one is carefully constructed to produce a complete and stylish work.
This one in Dean Lane is simply another example of just how accomplished the artist is, and what he lacks in quantity, he more than makes up for in quality. There is beauty in this, and I challenge even the most ardent critics of graffiti writing not to concede that this is a high quality piece. Nice one.
Tight. That is the best word that I can think of to describe this amazing piece of wildstyle writing from Dibz. He is the master of executing the most complex of pieces from the sketches and drafts in his black book. This wall was painted in the very good company of Cheo (to the left) and was nicely prepped with the brick-red wash which offers a very clean finish to this work.
With a vanishing point adopted for the shadowing, the piece stands out really nicely and the blue background adds interest and depth. I don’t think I have ever seen a piece from Dibz that isn’t technically excellent.
Not very often, but often enough to satisfy the appetite, Dibz creates one of his extremely precise and complex pieces of wild style writing. I have seen a few where he uses this black and red combination which he seems to favour.
Somewhere in there it probably says DIBZ, but I’ll be darned if I can find it. The whole thing is just so sharp and crisp, and technically pretty close to perfection. This is what the highest quality writing looks like. Bravo Dibz.
Clean, sharp, crisp, brilliant design and a touch and tone that altogether scream out the name Dibz. This is a really classy piece from the local artist, and if I have any complaints at all it is that we just don’t see enough of his work around the place.
Everything about this is good and even if you are not a fan of graffiti writing you must be able to appreciate the quality of this piece. From the cerise background, which acts as a brilliant host colour for the rest of the piece, to the split colours used in the lettering and the graded shading therein, this piece oozes quality. I could go on, but feel that I am in danger of sounding a little too unctuous and so will leave you to judge the piece for yourselves. It is good though.
This is what you get when you pair up two of Bristol’s finest writers and character artists, Dibz and Cheo.THis is a supreme collaboration with Dibz supplying the writing and Cheo paint
The whole piece is extra sharp and just amazingly well painted and I love the way thet Goofy almost seems to lean out of the wall, a hip hop goofy at that fully kitted out with medallion and baseball cap.
I managed to get down to see this piece quite quickly, but the margins had already been tagged – I think that might be a naughty Oner tag in the top left. Typical Bristol brilliance for all to see.
Ooh, what a lovely collaboration between Dibz and Sikoh from a couple of weeks back on 20 April 2018. This collaboration has a wonderful nighttime quality about it, set on a dark blue ‘sky’ background.
I have posted several pieces by Dibz on this site in the past and commensurate with those, this one is clean and sharp and offers lovely complex lettering. It was great to be there when he started the piece to see how he goes about his work.
As wildstyle burners go, you would have to hunt high and low to find more tidy works, he really is meticulous in his execution. What I like about this is that the deep borders have a vanishing point somewhere below the piece, which is technically more difficult than having a shadow going in the same direction.
Now Sikoh I have heard of before, but I haven’t knowingly seen any of his work before. Judging from this awesome piece and equally awesome Instagram feed he is an artist of the highest callibre. This piece is called ‘Plague Doctor’ and probably presses every possible button I have. A perfect piece in pretty much every way.
He doesn’t give away too much on his social media profiles, but I tracked down his profile from the 2017 Upfest programme, although in my pictures I haven’t yet found his piece…time to search harder (just done some homework…I don’t have it, he sprayed his piece at the Hare pub). His profile is as follows:
‘Sikoh is a graffiti writer from Glastonbury with a preference for sharp, flowing 3D letters and semi- Bboy characters. One part of IGK- an international crew, local Bristol crew- PWA and one quarter of Glastonbury’s MOA. Sikoh has been painting since 2013. Much of his commissioned works have been within the UK hiphop scene, for artists such as- Leaf Dog, Smellington Piff and Jack Jetson.’