Another Dibz piece in one of his favourite spots. This is a magnificent piece of graffiti writing, made all the better with the appearance of a little Marvin the Martian character, adding interest. Marvin the Martian is a bit of a favourite with street artists and has made several appearances on Natural Adventures in the past.
The colours of the letters are sublime, and the explosive oranges and reds around the border work so well. The Marvin the Martian character seems to have a wonderful 3D quality about him, not a straightforward flat cartoon that you might expect. This is a highly accomplished and stunning piece of writing from the master.
For the last year or so, there has been absolutely no stopping Dibz. I don’t know what happened (apart from the obvious pandemic impacts), but his occasional, sometimes rare, appearances turned into something approaching weekly. Of course this is simply great news for those of us who like his work.
There are several key hints that help to identify Dibz’ work and this piece illustrates them nicely. He usually preps his wall nicely so that everything is neat and tidy. The overall form of his writing is diamond shaped, starting and ending small with a fatter middle. His wildstyle letters usually spell out DIBZ but this can be tricky to make out sometimes. He usually adds depth to his letters with a well worked 3D shadow without a border.
So beautifully turned out, this piece is an archetypal Dibz work. Utterly brilliant.
I tend to know what I expect to see from Dibz, so it always comes as a bit of a surprise when he turns out something different, and this was one such surprise from a week or two back at Dean Lane.
The style of the piece might be rather different from the usual fare, but the quality is up with his customary high standard. The desert island scene is cleverly thought out with both day and night views captured inside and outside the DIBZ lettering respectively. Clean, tidy and dreaming of holidays. Soon a time will come when we can put our dreams aside and achieve our heart’s desire, soon.
Let me start with an apology. I realise that keeping up with reading blog posts can be an onerous task sometimes, and I am sorry that I have started posting three instead of the customary two street art pieces of late. This is because there is such a huge turnover of street art here in Bristol at the moment and I want to record as much of it as I am able to. I’ll not be offended if you don’t catch them all.
This is a wonderful collaborative wall from Dibz and Shade One who have produced a succession of these remarkable duets through the year. The distinctive writing style of Dibz has been given a thoroughly vibrant makeover with a superb explosion of colours and shades. Wonderful.
The framed portraits by Shade One have a very special quality about them, always hinting as much at what is beyond the circular frame as what is contained within it. His contemporary portraits fit the street scene perfectly and act as a natural foil to the graffiti writing of Dibz. A stand-out collaboration, alongside many other great pieces from a Funday Sunday paint jam a couple of weeks back.
I don’t know how he does it, but Dibz just keeps on turning out pieces of the highest quality with the minimum of fuss. No fanfare, no selfies, just a modest and quiet approach to his outstanding work.
This is a magnificent piece that draws on the genius of the Jurassic Park film franchise. I’m not sure what the ‘From up Above’ tag line refers to, probably a musical reference that is way over my head. The dinosaur logo is fantastically done, and in such sharp detail.
The writing too is skilfully done with two main colours fading horizontally, and the top half incorporating some red stripes into the green. Such a striking piece and another in a series that has kept people like me very happy over the last six months or so.
Shade One and Dibz have painted some fabulous collaborations over the last six months, but this one is probably the pick of the bunch. I was lucky enough to watch their progress for a while and have a quick chat. I’ve not met Shade One before, but he seems to be an affable guy, and I don’t seem to be able to avoid meeting Dibz at the moment, I think our biological clocks must be in sync.
This is a beautifully crafted piece and both artists are meticulous with the detail and clean lines. Dibz’s writing is as complex as ever with horizontally layered colours and shadows the offer a deep perspective. The writing serves as a foundation for the character piece by Shade One.
There is a wonderful symmetry and balance to this collaboration that makes it very easy on the eye indeed. I think the circle being referenced at the bottom in Dibz’s writing is really clever and brings a resolution to the whole composition. A brilliant piece from a couple of artists in peak form.
Dibz is turning out new work at an extraordinary rate at the moment which is great to see, although keeping up is proving to be something of a challence. I was lucky enough to catch up with him while he was painting this one and he stopped for a bit of a chat.
Even though he didn’t buff the wall to start with, which is something he does more often than not, the quality of this piece shines through. Either deliberately or accidentally, this piece somehow blends in with the Slakarts and Mudra collaboration beneath it, complementing them well.
I guess I am labouring the point a bit, but Dibz is right up there with the very best in Bristol in his finishing. Every piece is so clean and tight, which given the intricacy of the writing is nothing short of miraculous. Another outstanding piece.
There are some artists in Bristol whose style is recognisable from the slightest glance. It might be the shape of the letters, the colours, the form or any number of common themes or motifs. Every now and again though they let their hair down and do something quite different. This is something different from Dibz.
This is a fun and rather small burner from Dibz, which if it weren’t for the letters might be difficult to attribute to him. What you can always be assured of though from Dibz is outstanding clean lines and finishing and this piece is no different. I caught up with him while he was painting another more Dibzy sort of thing on an adjacent wall and asked why he had painted something so different here and he indicated that he was just having a bit of laid back fun. Great to see.
I don’t know the significance of the Irish theme in this piece, other than that he dedicated it to ‘Marie’ who I presume has an Irish connection. As ever the work is meticulous, which is extra remarkable as he finished the piece in double-quick time to avoid the rain.
Spelling out MARIE, the writing is split into three horizontal colour chunks to represent the Irish tricolour. For good measure he has included a four leaf clover at the centre of the piece. Beautifully presented and only slightly water damages, great work from Dibz… again.
These tight collaborations from Dibz and Shade One are becoming something of a feature in Dean Lane this year, and it has been a genuine privilege to see and photograph them.
The precise graffiti writing from Dibz paired with the stylised portraits from Shade One have a crispness and professional look about them. The walls are always nicely prepped and the work carefully done.
On the left, the black and white writing from Dibz is so sharp and painted to appear like a sticker, along with all the surrounding ‘shout outs’. Note the little fold over on the far left, a trick repeated in the top right-hand corner of Shade One’s contribution.
Shade One creates these amazing portraits that have a sophisticated comic book feel about them. What lies behind those eyes? I love the shirt collar too. Overall another excellent production from this pairing.