On my walks around New York, I somehow ended up near this piece on several occasions, I guess it was easy to recognise and see from a distance, so it had imprinted on my mind. It is an interesting designed writing piece by Felipe Pantone.
Felipe Pantone, Ludlow Street, New York, October 2017
The whole thing, the bright prism colours, the black and white stripes, the precise straight lines all remind me very much of 1980s design, when there was little or no subtlety and everything was vibrant and ‘in your face’. I guess what I am saying is that I get some strong retro vibes from this piece. A nicely thought out and painted piece.
After the fortunate exhibition of doors right next to my work last week, I am left wanting a bit this week. I have gone into my Thursday Doors folder and will share with you three doors from my family trip to New York back in October 2017…is it really that long ago?
So here they are – I don’t quite remember where any of these doors were exactly as I was in my doorscursion infancy and didn’t make a note at the time. In the East Village area I think.
Thursday door, New York, October 2017Thursday door, New York, October 2017Thursday door, New York, October 2017
I cannot for the life of me remember exactly where in East Village this door was. I had been walking for a long while hunting down street art and had little idea of where I was.
No 300, a door in East Village, New York
The outstanding feature of this door is the beautiful cast iron panels either side of the entrance. Somehow these panels have survived, but appear to have been forgotten. A reminder of a bygone era. The graffiti is in itself rather unremarkable but adds to the overall appearance of the door. It is interesting that none of the graffiti or tags seem to stray beyond the border of the door, which appears to act as a kind of frame. An interesting doorway.
A second pair of magnificent Phoebe New York wheatpastes from my (not so) recent trip to the Big Apple last November. I have always loved her work ever since I first saw some paste ups in Bristol at Upfest 2016. Seeing them in her native New York is just that bit more thrilling.
Phoebe New York, East Village, New York, January 2017
The first of these is the largest wheatpaste of Phoebe’s that I have seen to date…pretty much life size and stands in a doorway on a side street. A glamorous look for our Phoebe, with the word ART pasted on in individual letters.
Phoebe New York, East Village, New York, January 2017
The second piece is one of Phoebe’s more normal miniature-sized pieces, with a vibrant yellow costume and striking hat; so very fashionable. This piece has the words ‘be confident’ emblazoned across it.
Phoebe New York, East Village, New York, January 2017
It would be fun to know whether Phoebe New York comes up with the phrase first and then creates the piece to reflect it, ot adds the phrase once the artwork is completed. Maybe it is a combination of the two. I enjoyed pointing out these wheatpastes when we were in New York to my daughter who shares the artist’s name.
One of the things I was most hoping to see during my trip in October to New York was some wheatpastes by Phoebe New York, and I was not disappointed. There were plenty to find in the area around our hotel in Rivington Street.
Phoebe New York, East Village, New York, October 2017
I first came across her work at Upfest 2016, when I found two or three of her pasteups carefully placed in strategic positions along North Street. After that, I found some of her characters in London during my six month spell when I worked two days a week there. I have followed her on Instagram, and strongly recommend her original and quirky feed.
Phoebe New York, East Village, New York, October 2017
The two pieces shown here are the first of several that I found during our four-day excursion to the Big Apple. The first is on a plain white wall and picks out the little Phoebe perfectly – have a beautiful day.
Phoebe New York, East Village, New York, October 2017
The second pasteup is on an altogether different background with loads of flaking pieces of paper from previous wheatpastes and an interesting face for company. I love the placement of the piece, and especially love the dress. Perfect.