1603. North Street

The great thing about visiting wheatpasters is that rarely do they come to town and leave only one paste up. Rather they tend to leave a trail of little treasures dotted about the place, and that is exactly what qWeRT did on a recent trip to Bristol.

qWeRT, North Street, Bristol, July 2018
qWeRT, North Street, Bristol, July 2018

I particularly like this one of our googly eyed hero riding a scooter. The placement is in a little alcove that has been a honeypot for small stencils and wheatpastes, but is in its last throws as a street art spot due to the completion of a new development adjoining it. This is one of the things I am noticing about Bristol at the moment, it seems that there is a decreasing number of places where street artists can do their work. Gentrification is on the move and with it comes displacement. Of course, we all want a prosperous and attractice city, but beauty is in the eye of the beholder.

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1588. Melville Terrace (2)

A yellow man in swimming trunks and a rubber duck’s head. This could only be the work of one man, and just in case you were in any doubt, he has rather helpfully signed the piece over the top. It is of course Face the Strange.

Face the Strange, Melville Terrace, Bristol, June 2018
Face the Strange, Melville Terrace, Bristol, June 2018

I’m not entirely sure when he pasted thie piece up, it looks quite old, but I don’t recall seeing it at Upfest 2017, so maybe he visited Bristol after that and put it up, or maybe I just hadn’t registered it before. It is a fine wheatpaste and appeals to my surreal tastes.

1561. Melville Terrace

Ooh, look at this magnificent wheatpaste by qWeRT on a side road just off North Street. In my eyes this is beautiful, not only for its cuteness, charm and sentiment but also because of the perfect placement.

qWeRT, Melville Terrace, Bristol, June 2018
qWeRT, Melville Terrace, Bristol, June 2018

I have said before on this blog that half the art of paste ups is the location, and qWeRT has absolutely nailed it with this one. There is a framing with the red line on the wall and the little bit of vegetation sets it of brilliantly. I love the artwork, I love my picture and this makes me happy.

1531. Stokes Croft

I have said many times before that I like artists from out of town coming to visit and leaving behind little gifts. I haven’t seen any new work from qWeRT in quite a while in Bristol, so it was great to stumble upon this one in Stokes croft last week.

qWeRT, Stokes Croft, Bristol, June 2018
qWeRT, Stokes Croft, Bristol, June 2018

These cute wheatpastes feature a goggle-eyed character, in this instance assuming the shape of a broom with its fingers creating a heart shape. It is difficult not to like these paste ups. I only wish qWeRT would make the trip from London more often.

1477. The Bearpit (143)

Well this pasteup is a little out of the ordinary, and not something I would immediately associate with Object…, but it is a reasonably recent piece from this Bristol (Stokes Croft) based artist which appeared with one or two others in The Bearpit.

Object..., The Bearpit, Bristol, May 2018
Object…, The Bearpit, Bristol, May 2018

I would probably not like to delve too deeply into what is going on here, frankly it all looks a little bit scary. Regulars will know that I love a good wheatpaste, and this one certainly stands out with its arresting subject and exaggerated features. And what large teeth you have grandma…

1466. Upfest 2017 (165)

This is the last set of Losthills’ Jake the Dog pasteups from Upfest 2017 and what fun they are. Part of the joy of Upfest is finding these little gems attached to urban infrastructure in the Bedminster area, and if you are lucky, other pieces are left in other parts of town too. This was certainly the case with Losthills, and I still have a couple of those to share.

Losthills, Upfest, Bristol, July 2017
Losthills, Upfest, Bristol, July 2017

The Featured image at the top of this post sees Jake holding a ghost from the computer game Pacman. The Jake immediately above is dressed for the Daft Punk single Doin it Right.

Losthills, Upfest, Bristol, July 2017
Losthills, Upfest, Bristol, July 2017

I have no idea at all what cultural reference is being made in the wheatpaste above, but Jake appears to be wearing a basket hat and conducting electricity from his hands…if you know more feel free to let me know.

Losthills, Upfest, Bristol, July 2017
Losthills, Upfest, Bristol, July 2017

Finally, in the pasteup above, Jake is holdig a heart with the word Hex and is standing in a rather creepy horror-style environment. I am guessing this is a reference to the film Hex, which I will not have seens because horror movies frighten me and I won’t watch them.

1193. East Village, New York.

One of the things I was most hoping to see during my trip in October to New York was some wheatpastes by Phoebe New York, and I was not disappointed. There were plenty to find in the area around our hotel in Rivington Street.

Phoebe New York, East Village, New York, October 2017
Phoebe New York, East Village, New York, October 2017

I first came across her work at Upfest 2016, when I found two or three of her pasteups carefully placed in strategic positions along North Street. After that, I found some of her characters in London during my six month spell when I worked two days a week there. I have followed her on Instagram, and strongly recommend her original and quirky feed.

Phoebe New York, East Village, New York, October 2017
Phoebe New York, East Village, New York, October 2017

The two pieces shown here are the first of several that I found during our four-day excursion to the Big Apple. The first is on a plain white wall and picks out the little Phoebe perfectly – have a beautiful day.

Phoebe New York, East Village, New York, October 2017
Phoebe New York, East Village, New York, October 2017

The second pasteup is on an altogether different background with loads of flaking pieces of paper from previous wheatpastes and an interesting face for company. I love the placement of the piece, and especially love the dress. Perfect.