It is going to be difficult to do this piece justice in writing, because it is just so damn good. First of all I would say that anything painted here had to be good, very good, because the previous resident was a magnificent turtle by Louis Masai, that had been augmented a while back by 3Dom. This collaboration brings together some of Bristol’s finest talent in the shape of 3Dom, Piro, Epok, Sepr and Feek.
I was fortunate enough to be with Paul H on the day these guys were finishing up and he suggested we go take a look. The message is loud and clear ‘Peace, Love, Unity’ – something we could all do with after such a prolonged turbulent era in British history.
To see 3Dom, Sepr and Feek all at work was a real treat, although I believe Piro and Epok had finished their contribution the day before.
The lettering in the centre is by Piro and Epok and adopts three very distinct design styles all of which are expertly executed. The writing is flawless and the colour selections draw you in like a beacon. The writing alone would be worthy of this wall, but we have so much more packed into this space.
On the left is my favourite bit (perhaps I shouldn’t say it, but it is), which is the female figure By 3Dom. The movement of the figure and expression on the girls face convey a contentedness and presence in ‘the zone’. I love the little details such as her earphones, necklace and belt of planets around her waist – there is a lot of symbolism here.
To the right of the piece is a fine double-act from Feek and Sepr. I am not entirely sure, but the sense I get here is one of celebrating nature and all that is good and nourishing about it. The ‘Green Man’ monster from Feek is an extraordinary piece of art in a cartoon style and a superb foil to the celestial figure by 3Dom opposite. Sepr’s contribution of a robin and a mole add a touch of simple and humorous class to the collaboration. There is so much in this piece to enjoy, and given the location of the wall it is likely to be a keeper. Brilliant.
Some pieces are so unexpected and so awesome that when you see them one is met with surprise and a little bit of confusion, and so it was for me when I came across this unbelievable geometric abstract collaboration from Piro and Epok in Dean Lane.
This very classy piece is what I would term a true collaboration, where it is impossible to unpick which bits were done by which artist. The piece is composed of three overlapping large triangles each with a different fill incorporating all sorts of designs, softened with a few circles. This is a really unusual piece for Dean Lane and is something one might expect to see at a street art festival. Perhaps it was created in lieu of Upfest this year. Pure joy.
This wonderful triptych collaboration from Piro, 45RPM and Epok appeared last september on the garage wall at Dean Lane. Don’t ask me why I never posted it… inexplicable. This collaboration follows the format of sharing a wall and colour scheme with three associated pieces.
On the left is a fabulous piece of graffiti writing from Piro, an artist whose work is almost entirely absent from Natural Adventures, which is a pity, because he has an incredible style and technique. His work is always incredibly tight.
The centrepiece character is by 45RPM depicting a devilish glass of beer or perhaps ginger beer or something more alcoholic altogether. This is a nice feature that joins the two pieces of graffiti writing really well, a segue beer if you like.
The piece on the right is from Epok and is absolutely stunning in my book. The letters spell out EPOK and the design and colour elements of the writing are so very easy on the eye. I haven’t seen much from Epok lately, so finding this one in my ‘coronavirus’ archive was a real treat.
Mina Road, (pronounced my na) rather conveniently runs between the M32 roundabout in St Agnes and St Werburghs, and is a cut-through I use sometimes when I’m out grabbing shots of street/graffiti art. New hoardings are often a magnet for spray-can artists and this spanking new one has landed this splendid Epok piece.
Spelling our EPOK, this is a classic work from the artist, incorporating a complex selection of colours and that wonderful combination of curves and straight lines and angles that he excels at. A really great piece of writing, and how much nicer than the dull woodchip wall.
I have been waiting a long time to be able to post this piece. I have walked past it dozens of times, but cars have been parked in front, blocking anything like a decent picture. Obviously the writing is by Epok but I have a feeling, having seen some tattoo designs on Instagram, that the toadstool is by 3Dom. This is highly possible as the two do like to paint together.
Surrounded by street furniture and what is left of a bicycle it is virtually impossible to get as clean shot of this wall, so this is about as good as it gets. The rather touching thing about this piece is the three tributes to Mibzy, Buzz and CKOne each one a much loved and admired character from the Bristol street art scene.
I have a feeling that this wonderful collaboration by 3Dom and Epok has been here for a little while, but it is a spot I visit infrequently and so cannot be sure. The wall, underneath Brunel Way is one which I find particularly difficult to photograph, due to the light reflections that encroach from the sides.
On the left is a rather large fly by 3Dom with an urban/industrial landscape on its back. The wings are beautifully crafted and the whole insect nicely proportioned…quite what the story is I am not sure.
The right hand side of the collaboration is a piece of graffiti writing from Epok. I never get tired of his beautifully designed asymmetric writing that seems to combine graphic design and street art so perfectly. This is a fine collaboration from this ASK duo.
Every once in a while, this spot gets some TLC which it surely deserves especially as much of the stuff that appears here is not great or gets tagged within an instant. This is one half of a collaborative session from Sepr (to follow) and Epok.
The piece was sprayed as an end of year celebration to see out 2018 (good riddance) and welcome in 2019. A sensational colour selection and all the hallmarks of a classic Epok piece – I love it to pieces.
I like surprises. Perhaps this is why I like photographing and writing about street art, because around every corner there could be another surprise. These days, when I visit Moon Street, I don’t expect to find anything new because turnover has slowed to a very gentle trickle. It was great then to see this rather lovely piece by Epok a couple of weeks back.
This piece by Epok doesn’t quite conform to his usual angular and geometric style, instead yielding to curvy legible piece of writing. It is always good to observe the range of an artist’s talent, and I think this is a marvelous tangent from his norm. Nice to see a high-quality piece on this wall which has gone slightly to the dogs.
I always look forward to Kleiner Shames’ visits to Bristol, because every time he leaves behind something to marvel at. This is a miraculous collaboration with Epok, and demonstrates what can be achieved by two street artists at the top of their game.
The first thing to notice is the fabulous colour selection, which is very much influenced by Kleiner Shames, as I have seen him use these colours several times before. The genius of the piece is in the letters. Epok always writes EPOK and Kleiner Shames writes FOIS. In this piece I can read both…how do they do that?
The highly designed style of the piece works to both of their strengths, but the execution is what makes this piece so good. Clean lines, incredible shapes and some really interesting shadows. It reminds me of so many fine artists of the twentieth century. I love this piece and it is without doubt my favourite writing work so far this year. Bravo boys.