It’s Christmas Eve, hooray! I am going to give us all a bit of a break and keep my commentary of this sensational collaboration by Sepr and 3Dom brief. Characters accompanied by writing in this long panel. Great stuff.
This lovely collaboration on the M32 roundabout took me a little while to unravel, although once unravelled it is blindingly obvious. To the left is a very ‘Haka’ Haka piece and the right hand side is a blended collaboration between Logoe and Sepr.
I probably haven’t posted nearly as many Haka pieces as I should have over the years, and might need to do a bit of digging in my archives to get a few more out there. This is a simple but joyful piece of writing from Haka with the ever-present shout out to CK1 RIP.
The Logoe/Sepr mash up is simply brilliant, and the second recent piece in a burst from Logoe who appears to have woken from a long slumber. The letters are by Logoe in his unique script style and the writing isn’t his usual message or lyric, but the year spelled out. The fills are beautifully done and colours reflective of the time of year. Sepr has contributed a face and hand into the mix and as a whole it works really well. This must have been a fun session.
Here we have another outstanding piece from that man Sepr painted as part of the funday Sunday paint jam in the tunnel a couple of weekends ago. There are so many memorable pieces from this event that it would take me a long while to get them all written up. I have selected a few, and the rest will have to wait for a while or longer.
Sepr has really smashed it with this amusing piece in which a king character is preparing to sit down on a throne, and a little mouse is either being a loyal subject and placing the chair under the king, or is being mischievous and removing said chair. I wonder if the golden character is a reference to Goldie who had made the journey to Bristol to join in with the paint jam. A fun piece.
This it the third and final post from this outstanding wall down near Temple Meads station, this section being by Acer One and Sepr. I kind of wish I had posted the whole wall in one go, but I didn’t and there is no point in crying over spilled milk.
Acer One has had such a busy year so far and has collaborated with so many different artists as well as doing solo pieces. Here he has written Hood, which is the first part of the full phrase Hood Rats. The collaboration which included Rowdy and Andy Council had a bunch of rats, including this rather sweet clockwork rat by Sepr. Sepr is another artist who has had an outstanding year so far, but his work has quietened down recently now that his band is back in rehearsal, preparing for the easing of restrictions, and of course there is also his day job as a tattooist.
Bright sun is my enemy (only in the context of photographing street art, you understand), it adds the kind of interest to a piece that I could well do without, in this case the ‘interest’ is a blooming huge shadow cast across this magnificent corner piece by Sepr.
Sepr always has been and continues to be on fire with his distinctive cartoon style of character-based pieces and this one is a masterpiece. The central character is a Pied Piper playing on a flute, surrounded by an entranced troop of rats (mice?).
The rats appear to be dancing to the tune of the piper, seemingly under his/her spell while a bird nonchalantly looks on eating some popcorn. How on earth does Sepr come up with narratives like this? He is a master storyteller, and we are blessed in Bristol that he decorates our walls so beautifully and frequently.
Aah, such deep joy. This is my favourite collaboration of the year so far. For me it simply speaks of spring, of life, of happiness. The colours are strong and vibrant and the execution of the two elements of the collaboration by Billy and Sepr is so natural and so very easy on the eye.
On the right of the piece is a classic Sepr character holding an old wired telephone handset stating that ‘it’s for you’ and expecting at any moment to hand the phone over. The colours are magical and the green shadow is outrageously bold but somehow works brilliantly.
To the left is a visual interpretation of what is being heard in the earpiece of the telephone handset. ‘Hello, this is spring, can I help you’ says Billy’s half of the mural both in words and visually. A rural landscape with a lamb and daffodils and a spring rainbow are contained in a speech bubble. This is magnificent and I would challenge even the coldest hearted critic of street art not to find some happiness in this piece.
I’ve not seen these two collaborate before, but if this is anything to go by I sincerely hope it is not the last time.
I think that Sepr is probably my favourite character artist in Bristol, and let me tell you that the bar is very high, so this is praise indeed. The last few weeks have had me purring because he has been very productive indeed. I guess that he is making the most of lockdown and I suspect that his frequency of street work will drop once things move to a new normal.
This piece was painted as part of an ASK collaborative wall, but sadly has already been over-painted. The subject of the piece is a paintbrush combing his pink hair and looking rather cool, in spite of his half moon spectacles. Sepr has a very special talent for making the inanimate animate and his style has an interesting retrospective feel about it. You can see how his tattoo design style maps across onto walls to create these interesting pieces. I love this.
There are little gifts out there, left behind by artists, all that’s left to do is get out there and find them. Part of my love of photographing and writing about street art is making little discoveries and opening my eyes and looking, not simply seeing. I have been down this lane a couple of times and it is off the beaten track a bit, but my most recent visit was well rewarded with this fabulous saxophone-playing seagull by Sean Sepr. How brilliant is that?
Painted on a clean wall and captured on a gorgeous day, this piece screams out happiness and a carefree feeling, something that has been difficult to find over the last year. For a few moments I was absorbed by this outstanding and humorous piece from Sepr, and allowed to forget about other matters. I have no idea how old this piece is, but it looked pretty fresh to me.
My heart always beats a little faster when I find a new Sepr piece, and this one, part of a full wall collaboration, is pure Sepr at his creative best. As with so many of the great Bristol character painters, it is often very difficult to know what is going on, but art I guess is partly the intention of the artist and partly the interpretation of the viewer.
The rather concerned character seems to be holding a mask with a happy face on it, so maybe this piece is about hiding our true feelings and emotions behind a happy facade. The soft touch and expert spray work from Sepr is epitomised by the shades of orange on the character’s shirt giving the material depth and texture. This is a tour de force from one of the very best in Bristol.
I can’t recall seeing these two collaborating before, but that doesn’t mean it hasn’t happened, simply that my memory doesn’t serve me as well as it used to. Sepr and Acer One is a partnership that I wouldn’t have predicted, as their styles are very contrasting, but this new wall is Cumberland Basin is absolutely spiffing.
The central section is by Acer One and is an amazingly technical piece of writing, based on a geometric design style for which he is known. Standing up close, it is near impossible to work out what these letters say, but by stepping back, the brain interprets it more easily and it says ‘More Love’ – I don’t think any of us can argue with that.
The central panel is bookended by two exquisite characters from Sepr. On the left is a devilish Cupid whose love arrows are finding mischief, in particular with a seagull who appears to be smitten.
To the right a female Cupid character is also firing love arrows across the piece. I don’t quite know what these two characters symbolise, but they are brilliantly painted and a lot of fun. Maybe they are a representation of the frustrations of lockdown and our distance from our loved ones.
All in all a superb collaboration and well worth a visit.