Zake is something of a phenomenon. His output rate and the quality of his work are quite exceptional, and he is always coming up with original ideas based around his central character style. Even though I big him up frequently on Natural Adventures, I think his modesty lends itself to him being a bit of an unsung hero. Well, I am singing!
Zake, Dean Lane, Bristol, February 2024
This face is perhaps a little smoother than some of his recent intricate works, but still presents his mastery of light and shade to create depth. It is sometimes difficult with his work to remember that it is painted on a flat wall, such is the 3D effect he creates. They just keep on coming, with no sign of letting up. Great work from the PWA man.
It is always great fun to come across the hapless Mr Underbite, looking as confused and ever so slightly miserable as usual. This is not the first time Mr Underbiter has appeared on this particular wall, which seems so very well suited to the proportions of the face.
Mr Underbite, Brunel Way, Bristol, February 2024
The letters MUB refer to the artist and the character’s name. I suspect that this was a quick one, as the underlying piece (by Ryder, from recollection) is still partially visible, and it is a simple two-tone affair. I very much hope that we het to see plenty more of this fine character work as things warm up in 2024.
Mr Underbite, Brunel Way, Bristol, February 2024
Just in case you miss the piece, a nearby slap (sticker) reminds us that Mr Underbite comes in many sizes and forms on our streets.
This is not the first time that Slakarts has painted this flaky board, and I suspect it won’t be the last time either. I think it would be fair to say that Slakarts is now a rather occasional painter of Bristol’s walls compared with a couple of years ago, and this is a bit of a pity. I guess that it means he has less time to paint, which implies that he is busy with other things, which is probably a good thing.
Slakarts, M32 Cycle path, Bristol, February 2024
The stylised cartoon face that Slakarts has painted is rather more colourful than some of his earlier versions, but the same basic design remains, which is comforting in a way, perhaps more so knowing that he is capable of painting other things too. The flaky nature of the board makes pieces painted on it look rather old, but in actual fact this was quite freshly painted. I’ll be hoping for more from Slakarts as the year unfolds.
Just a reminder that Face 1st remains one of my favourite Bristol artists. He and his PWA friends provide the rhythm and bass upon which the Bristol street and graffiti art scene thrive. This piece, I think a solo effort, takes us back to a simpler version of Face 1st’s work.
Face 1st, M32 Cycle path, Bristol, January 2024
This laughing girl piece with the letters FACE making up her hair is a theme that Face 1st has used to great effect for many years, and here, he is reminding us that he is happy to keep revisiting the idea, in his unstoppable way. What is a little different to similar pieces from the past is that the letters are made to look chunky and deep some good 3D work. Keep ’em coming.
My rummage through my graffiti archives continues with this beauty from Lupa, painted last February. I have said before that I am attracted to her slightly crude style, which is definitely not to detract from it, but to distinguish it from some of the other writers who paint with knife-edge precision. There is room for all styles on the walls of Bristol.
Lupa, Dean Lane, Bristol, February 2023
Lupa’s letters are large and chunky, giving plenty of scope for creating interesting fills. In this case, she has used some lovely shades of purple and lilac which are carefully blended in several different ways, overlayed with some symbol decorations. Her trademark face in the ‘U’ is looking a little sad, and is joined with a simple smiley on top of the ‘A’. An attractive piece from a graffiti writer whose work definitely appeals to me.
Sako, Face 1st and Zake, St Werburghs, Bristol, December 2023
This PWA collaboration as taken me an eternity to post, mainly because it was sited in the middle of the tunnel and the conditions for photography there are atrocious. These pictures were my third attempt to capture the wonderful work by Sako, Face 1st and Zake.
Sako, St Werburghs, Bristol, December 2023
On the left is a wonderful piece by Sako, who is beginning to make a bit of a name for himself. This piece is telling a wonderful story which seems to represent a made-up mythology of higher beings and the communities around them. The central character (a God?) is collecting poppy heads, which appear to be represented in the landscape behind him. There is a lot to interpret here, thanks to the quality of artwork, and I hope one day to meet Sako to get some insight to what this all might mean.
Face 1st, St Werburghs, Bristol, December 2023
In the middle, Face 1st has some interesting faces that are in different stages of decomposition, or so it would seem, with the two on the right dipping with brains and blood. I don’t know what this tells us about the inner workings of the artist’s mind, but it surely tells us something. There is a nice shout-out to Soap, Chill and Sikoh, PWA members unable to paint on the day.
Zake, St Werburghs, Bristol, December 2023
On the right is a striking portrait by Zake, which, although eye-catching, doesn’t quite work for me. I am not really understanding the shading around the eyes and into the hair. The character is obviously top-lit, highlighted by the orange shading on the ears, nose and eyebrows, but I can’t unsee a mask around the eyes. Nonetheless, as I said before, the piece is striking and interesting.
Well, this doesn’t happen very often. I completely forgot to write my blog posts this morning, and am now in a bit of a panic. I think it must be the disruption to my normal routine, and that feeling that I have an awful lot to do before Christmas. Perhaps the character piece by Zake adequately describes my state of mind today.
Zake, M32 Cycle path, Bristol, December 2023
This piece was part of a PWA paint jam, but alas, by the time I got there this was the only bit of it left. The laughing face full of depth and texture, has a fractured skull through which his brain appears to have turned to jelly. I suspect that there is some Face 1st influencing going on with this fun piece.
Alex Arnell, M32 roundabout, Bristol, October 2023
It is a funny thing, but when you have been observing and documenting street art as long as I have, you get to notice things that many others simply wouldn’t, and you can pretty much always spot talent and promise from the vast spectrum of artwork and graffiti appearing on our walls daily.
Alex Arnell, M32 roundabout, Bristol, October 2023
To Many, this piece by Alex Arnell wouldn’t elicit a second glance, but the child-like scribble is a deliberate style that challenges the status quo. One of the indications that this piece is by a capable artist is the shading on the character’s nose, giving it depth, something a child would not do. The grotesque and alarming face is surrounded with slogans and words, and there is even another head that mimics the central character. I couldn’t end this post without mentioning the butterflies that are associated with some of Alex Arnell’s work, and the little Banksy rat that has been given the Arnell treatment.
As we approach Christmas and the end of the year, I expect my posts to get slightly shorter, possibly a little bit more reflective, and maybe even a little bit rushed. I suffer from ‘ground rush’ before breaking up for a holiday period, when a whole bunch of work needs to be tied up and out of the door in an ever-diminishing time slot. Alright, I get it, I am getting my excuses in early, and that is the way I roll.
Zake, Brunel Way, Bristol, November 2023
Zake has had an extraordinary 2023, where his work has not only been more frequent, but it has blossomed, and he is pushing all of his boundaries to develop his unique portrait style. I first became aware of his work through his column pieces under the M32 in May 2018, and they have been a regular feature ever since, as you can see in this updated gallery of his work. There is lots of depth created by light and shadow in this piece, and a fair amount of expression in those wild staring eyes.
There is a special reason for really admiring this piece by Slakarts, and that is the skill with which he has painted this roughly textured and flaky hoarding without appearing to compromise his final outcome in the slightest. The piece jumps out from the wall and oozes quality.
Slakarts, M32 Cycle path, Bristol, November 2023
Slakarts, as I have mentioned recently, has seriously taken his foot off the gas with his street pieces, so it is always a real treat to find one. The piece tends towards the abstract, merging a couple of his iconic stylised faces into one. The yellow and green colour combination works particularly well on this rather dreary wall. Great stuff from Slakarts.
Natural adventures 