Tag: Feathers

2213. Wilder Street (31)

You have no idea how much pleasure Hazard’s work gives me. It always seems to be so uplifting and beautiful and has a purity about it that is unusual in street art. This is a wonderful piece completed perhaps a couple of weeks ago on the hoardings of a development on Wilder Street.

Hazard, Wilder Street, Bristol, May 2019
Hazard, Wilder Street, Bristol, May 2019

I remember that the first Hazard piece I saw was at Upfest 2016 I think, and I remember commenting on how she combines a beautiful portrait with interesting and elaborate hair decorations, and she does the same thing here. The feathers are just an additional delight to ponder.

Hazard, Wilder Street, Bristol, May 2019
Hazard, Wilder Street, Bristol, May 2019

I love the skin tones in this piece which run from tans through to oranges and yellow on the cheeks. A classy work that conveys innocence and mystery combined. Thank you Harriet for brightening up the streets of Bristol, and come back from your travels safely.

627. The Bearpit (38)

Another political message and contorted body from the philosophical ObjectØØØ. The tunnels of the Bearpit provide probably the best space in Bristol for political comment as the area attracts some of the most socially deprived or uncared for people in the city. It is a place where culture and the impacts of government cuts converge in an angry outpouring and sense of injustice.

Object000, The Bearpit, Bristol, February 2017
Object000, The Bearpit, Bristol, February 2017

ObjectØØØ’s pieces always capture this sense of outrage – you are never in doubt about what he cares about. It is good that he chooses to do something about it through his artwork. This is a powerful piece, carrying the slogan ‘lucky not better’. In the piece, ObjectØØØ has painted a pained figure, a fallen angel maybe, appearing to crash to the ground. His trademark feathers and wing mark this out as one of his works. A really great piece.

Object000, The Bearpit, Bristol, February 2017
Object000, The Bearpit, Bristol, February 2017