3254. John Street (9)

And so on to the ninth archway in the John Street open-air gallery and this magnificent portrait piece by Hazard. My understanding is that this was her second attempt after she had had to buff over her first one for being controversial. This disappoints me a little because art is an expression and reflection of our lives and times and we shouldn’t hide away from difficult issues, otherwise where would we be? China? North Korea? On the upside however, Hazard has rewarded us with this outstanding portrait of Jeff Knight, a Big Issue vendor and big character in Stokes Croft.

Hazard, John Street, Bristol, September 2020
Hazard, John Street, Bristol, September 2020

I love Jeff. He is one of the brilliant things about living in Bristol. He greets everyone in the street with a big smile and kind words irrespective of who they are or what they look like. This piece is not the first piece of street art to feature Jeff, John D’oh sprayed a fabulous stencil of him a few years ago. Hazard’s portrait is an honest representation and skillfully painted. In this one archway we have two legends of Bristol street culture.

John D'oh, North Street, Bristol, June 2016
John D’oh, North Street, Bristol, June 2016

3196. Jamaica Street (22)

I have been meaning to photograph this wonderful portrait by Hazard for quite some time, but the door to Jamaica Street Stores is rarely kept open for long enough to grab a picture. With the coronavirus restrictions in place, the door is kept open to aid ventilation and I grabbed my chance to dive in and take a couple of snaps.

Hazard, Jamaica Street, Bristol, September 2020
Hazard, Jamaica Street, Bristol, September 2020

This is so typically Hazard and couldn’t possibly be by anyone else although it does share some characteristics with Jody’s work, such as a female portrait and plento of delicious flowers. I haven’t eaten at the Jamaica Street Stores, but in preparing this post I glanced at the menu, and I don’t think it’ll be too long before I bring the family down for a meal (restrictions permitting).

Hazard, Jamaica Street, Bristol, September 2020
Hazard, Jamaica Street, Bristol, September 2020

There is a lovely contrast in the piece between the grayscale (tinged with yellow/golden reflected light) face and the surrounding colourful flowers. This is a fine Hazard piece that I am pleased at last to have captured.

Hazard

An gallery of absolutely sizzling murals from Bristol’s Hazard (Harriet Wood)

All photographs by Scooj

Hazard, John Street, Bristol, September 2020
Hazard, John Street, Bristol, September 2020

Hazard, Jamaica Street, Bristol, September 2020
Hazard, Jamaica Street, Bristol, September 2020

Hazard, Jamaica Street, Bristol, September 2020
Hazard, Jamaica Street, Bristol, September 2020

Hazard, Cattle Market Road, Bristol, June 2020
Hazard, Cattle Market Road, Bristol, June 2020

Hazard and Smak, Brunel Way, Bristol, June 2020
Hazard and Smak, Brunel Way, Bristol, June 2020

Hazard, Turbo Island, Bristol, June 2020
Hazard, Turbo Island, Bristol, June 2020

Hazard, Turbo Island, Bristol, June 2020
Hazard, Turbo Island, Bristol, June 2020

Hazard, Wilder Street, Bristol, May 2020
Hazard, Wilder Street, Bristol, May 2020

Hazard, Wilder Street, Bristol, May 2020
Hazard, Wilder Street, Bristol, May 2020

Hazard, Upper York Street, Bristol, April 2020
Hazard, Upper York Street, Bristol, April 2020

Hazard, Stokes Croft, Bristol, November 2019
Hazard, Stokes Croft, Bristol, November 2019

Hazard, Stokes Croft, Bristol, November 2019
Hazard, Stokes Croft, Bristol, November 2019

Hazard, Paint Festival 2019, Cheltenham, September 2019
Hazard, Paint Festival 2019, Cheltenham, September 2019

Hazard, Paint Festival 2019, Cheltenham, September 2019
Hazard, Paint Festival 2019, Cheltenham, September 2019

Hazard, Turbo Island, Bristol, September 2019
Hazard, Turbo Island, Bristol, September 2019

Hazard, Wilder Street, Bristol, May 2019
Hazard, Wilder Street, Bristol, May 2019

Hazard, Wilder Street, Bristol, May 2019
Hazard, Wilder Street, Bristol, May 2019

Hazard and DNT, Matchbox Gallery, Bristol, April 2019
Hazard and DNT, Matchbox Gallery, Bristol, April 2019

Hazard, Upper York Street, Bristol, April 2019
Hazard, Upper York Street, Bristol, April 2019

Hazard and DNT, Stokes Croft, Bristol, March 2019
Hazard and DNT, Stokes Croft, Bristol, March 2019

Hazard and DNT, Stokes Croft, Bristol, March 2019
Hazard and DNT, Stokes Croft, Bristol, March 2019

Hazard, Stokes Croft, Bristol, January 2019
Hazard, Stokes Croft, Bristol, January 2019

Hazard, M32, Bristol, January 2019
Hazard, M32, Bristol, January 2019

Hazard, Stokes Croft, Bristol, December 2018
Hazard, Stokes Croft, Bristol, December 2018

Hazard, St Werburghs tunnel, Bristol, January 2018
Hazard, St Werburghs tunnel, Bristol, January 2018

Hazard, Stokes Croft, Bristol, January 2018
Hazard, Stokes Croft, Bristol, January 2018

Hazard, Upfest, Bristol, July 2017
Hazard, Upfest, Bristol, July 2017

Hazard, Upfest, Bristol, July 2017
Hazard, Upfest, Bristol, July 2017

3037. Cattle Market Road (2)

This is the second outstanding piece from a gathering of great street artists a week or two back orchestrated by The Hass. On Cattle Market Road, a theme has emerged on some of the pieces, involving a cow/cattle, the first one by Sled One that I posted yesterday.

Hazard, Cattle Market Road, Bristol, June 2020
Hazard, Cattle Market Road, Bristol, June 2020

This beauty is of course by Hazard and it really is an absolute stunner. Hazard talked about this a little in her Instagram feed saying that the vibrant red colours were chosen to reflect the sizzling lay hot day on which the piece was painted. The cow is magnificent, but it is the whole composition that screams out Hazard, with the amazing flowers and soft touch she creates with her spraying.

I hope that these hoardings remains intact for a while and that the taggers keep clear, because here we have a great showcase of Bristol talent.

3025. Brunel Way bridge (39)

On now to part 4 of the Black Lives Matter wall organised by Pekoe, mobilising the RBF crew into creating one of the most memorable collaborations of the year so far. This part of the wall is by Hazard and is similar to the clenched fist that she painted on Turbo Island a week or so earlier.

Hazard and Smak, Brunel Way, Bristol, June 2020
Hazard and Smak, Brunel Way, Bristol, June 2020

This is such a strong image made stronger by Hazard’s mastery of colour and shading, creating an almost iridescent effect. A beautiful and emotionally charged piece. There is a rather nice little cameo appearance by Smak whose ‘no justice, no peace’ writing edges the top of the fist. So good to see this as part of this collaboration.

RBF Crew + friends, Brunel Way, Bristol, June 2020
RBF Crew + friends, Brunel Way, Bristol, June 2020

 

Hazard, Turbo Island, Bristol, June 2020
Hazard, Turbo Island, Bristol, June 2020

2984. Turbo Island

Clearly, this piece is more about the subject than it is about the artist, however as a chronicler of street art in Bristol I reserve the right to acknowledge and praise the artist Hazard for painting such a poignant and striking piece for #blacklivesmatter.

Hazard, Turbo Island, Bristol, June 2020
Hazard, Turbo Island, Bristol, June 2020

This is yet another wonderful and uniquely Bristolian piece from this brilliant artist. How lucky to have had two new pieces from her in recent weeks.

Hazard, Turbo Island, Bristol, June 2020
Hazard, Turbo Island, Bristol, June 2020

Of course, the Bristol BLM demonstration has hit the headlines at the weekend for the pulling down and throwing into the floating harbour of a statue commemorating Edward Colston, a Bristol slave trader. This lawless act has caused consternation at the highest levels of government, but I have to say it was completely understandable and rather predictable. The Bristol constabulary were amazing in the way they dealt with the demonstration and prevented anything flaring up by keeping a light touch approach to policing. One really has to ask what a statue commemorating Colston was doing in the centre of town in this day and age in the first place.

Without denying our history (a dangerous avenue) perhaps it is time to have a review of our commemorative monuments in today’s context and to mothball or place into historical museums statues that are inappropriate today.

2960. Wilder Street (40)

Ah what joy, a fabulous new piece from Hazard in the middle of St Paul’s. I understand the piece has been painted in lieu of the St Paul’s carnival, which of course won’t be happening this year.

Hazard, Wilder Street, Bristol, May 2020
Hazard, Wilder Street, Bristol, May 2020

Hazard has painted a stylish and colourful face with an incredibly ornate headdress loaded up with feathers and flowers. It is a really stunning piece and sits right up there with some of her very best work.

Hazard, Wilder Street, Bristol, May 2020
Hazard, Wilder Street, Bristol, May 2020

I sometimes have to pinch myself when I see her work here in her home town, we are truly blessed and privileged to see her pieces around us and in our manor. I suspect that unlike much of her work, this one will be around for a long while. An outstanding beauty from Hazard.

2873. Upper York Street (21)

I have been to this hoarding three times and each time the light has been overpowering (whatever happened to those overcast days?). The sun reflects off the windows of buildings behind the camera which reflect dappled sunlight all over this wall, ruining any chance of a decent shot. To take these pictures I waited 20 minutes for the slowest-moving solitary cloud to pass over the sun (I guess I was lucky), and then had to act fast.

Hazard and Smak, Upper York Street, Bristol, April 2020
Hazard and Smak, Upper York Street, Bristol, April 2020

The beautiful collaboration is from Hazard and Smak and I think was one of the very last pre-lock down pieces in town. The hoarding surrounds a whole block that has been demolished, bar one single house, which you can see  in this photograph. It is like a scene from the Disney Pixar movie Up.

Hazard, Upper York Street, Bristol, April 2020
Hazard, Upper York Street, Bristol, April 2020

On the left is a stunning leopard by Hazard (Harriet Wood) which speaks for itself really. The whiskers are particularly good, and I like the way the whole thing bleeds into the Smak writing next to it.

Smak, Upper York Street, Bristol, April 2020
Smak, Upper York Street, Bristol, April 2020

Smak consistently produces graffiti writing of the highest order and this is another one to enjoy. Book-ended by leopard spots the mixture of angular and rounded letters is beautifully presented and filled thoughtfully with blues and yellows. Altogether a lovely collaboration.

2610. Stokes Croft

Oh what a beauty… a little piece of heaven just dropped onto the wall beneath Banksy’s Mild Mild West, and it is an absolute humdinger by Hazard. Painted only last week, Hazard has smashed it out of the park (to use a modern phrase – my kids would be laughing if they read this, but not much chance of that ever happening).

Hazard, Stokes Croft, Bristol, November 2019
Hazard, Stokes Croft, Bristol, November 2019

I love Hazard’s work, and it is great to see that she is capable of so much more than her trademark portraits. This piece is so good in my view that I actually think it is my favourite of hers… ever. She has captured the colours and proportions of the pigeon perfectly and has somehow created an irridescence on the bird’s breast with greens, whites, yellows and purples – what a job eh? And.., the flowers, flipping heck, the flowers!

I think I might be able to call myself a pigeon fancier, at least this pigeon.

I believe that there is some explanation on the fence in front of this piece, but it wasn’t there when I took these pictures, so I can’t tell you what it says.

Happy days.

2514. Cheltenham 2019 (13)

This is an absolutely terrific piece from a Bristol fave, Hazard, and she has really stuck to the brief by painting a piece that links to literature and in this case the Maya Angelou autobiography ‘I Know Why the Caged Bird Sings’. I have not read this book, but clearly it is a favourite of the artist, and she has created a beautiful atmosphere of reading with this long wall mural.

Hazard, Paint Festival 2019, Cheltenham, September 2019
Hazard, Paint Festival 2019, Cheltenham, September 2019

What I like about this piece is that it has a real sense of calm about it, from the soft decorative bookends to the gentle light touching the reader’s face, a reader who it utterly absorbed by what she is reading. The piece is in stark contrast to its surroundings but cleverly draws you in so that all you can see is the reader.

Hazard, Paint Festival 2019, Cheltenham, September 2019
Hazard, Paint Festival 2019, Cheltenham, September 2019

I was fortunate enough to meet Hazard for the first time when she was setting up to paint the wall, and I was pleased to discover that she knew about Natural Adventures and had read some of my posts about her work.

I always feel a little embarrassed about striking up a conversation with street artists, because what I do is a little bit niche and consuming and I am prone to being a little bit star-struck on a first meeting. This is an utterly irrational position, because in my experience street and graffiti artists are some of the most down-to-earth and decent people that I know.

I love this Hazard piece.