FTurbo Island is a dynamic spot in Bristol. It is in the heart of Stokes Croft and attracts a spectrum of visitors, many high or drunk, who use the space to sit and while away the day. It also has a nice wall that the People’s Republic of Stokes Croft (PRSC) try to curate, but tagging is a real problem here which is a great shame.
I decided to go ahead and post this beautiful portrait by Hazard in spite of the tags because I don’t think it had been up for much more than a day when I photographed it. I spoke to Hazard about it when I met her at the Cheltenham Art Festival and she was fairly philosophical about it and said ‘well it’s Turbo Island, isn’t it?’.
The portrait is another in shades of blue and red and is really beautiful. There is something even more annoying about the tags that are indiscriminate in their destruction, can’t the DBK lot appreciate beauty? Are they incapable of leaving some beautiful things alone? Untouched it would have looked a little bit like the pieces below:
You have no idea how much pleasure Hazard’s work gives me. It always seems to be so uplifting and beautiful and has a purity about it that is unusual in street art. This is a wonderful piece completed perhaps a couple of weeks ago on the hoardings of a development on Wilder Street.
I remember that the first Hazard piece I saw was at Upfest 2016 I think, and I remember commenting on how she combines a beautiful portrait with interesting and elaborate hair decorations, and she does the same thing here. The feathers are just an additional delight to ponder.
I love the skin tones in this piece which run from tans through to oranges and yellow on the cheeks. A classy work that conveys innocence and mystery combined. Thank you Harriet for brightening up the streets of Bristol, and come back from your travels safely.
The Matchbox Gallery is a small shop in Stokes Croft that is run by DNT and hosts occasional exhibitions, although I’ve never quite made it into the shop to see one. If you plotted DNT’s street art on a map, the Matchbox Gallery would be at the centre and concentric circles or art density would radiate outwards from it. This collaboration above the Matchbox Gallery with Hazard would be the pin on the map.
The two artists have created what I would call a true collaboration where their work is woven together and a shared style dominates. The mural depicts a tree and foliage which is emblazoned above the shopfront and a littlwe on the side too. I rather like the face in the window of the shop too. I believe there are plans afoot to move the Matchbox Gallery, but am not certain. Great mural for this part of Stokes Croft.
I love it when it happens, when an unannounced collaboration appears as if by magic. This sensational work from Smak and Hazard is one of those special pieces, and I think they have absolutely smashed it.
Smak has again gone for one of his double burners, where he has cleverly crafted two versions of his name into one piece. If you look carefully, there is one in blue and one in mostly orange. Such an accomplished thing to do from an artist who seems to be at the top of his game at the moment.
Then to Hazard’s fabulous frog, which I have to say has come as a huge surprise because I am more used to seeing her portrait pieces. I am a naturalist by training, and I have always had a bit of a soft spot for amphibians, especially frogs, so this piece really chimes with me.
Everything about this frog is good, the colours and the shading and the light reflecting off the body and the eye. Such an unusual piece to find on the streets of Bristol, but a wholly welcome one. More of this kind of thing please! A great collaboration on Upper York Street, so utterly well worth a look.
Yet another amazing surprise from a week or two back walking on my way to work was this magnificent collaboration by DNT and Hazard. Previously this wall had hosted a fine collaboration by Soap, Hazard and Tasha Bee.
I haven’t seen any animals by Hazard before, only pictures of people’s faces, so this was definitely a lovely new insight for me. The Tiger’s face is brilliantly painted using as spectrum of white through to black spray paints, and it works perfectly on this wall.
The whole piece is brightened up with colourful writing by DNT on then left and Hazard on the right. The only thing I am n ot certain about here is whether Hazard’s name was by her or DNT. If it was by Hazard, then this is another first for me. Turbo Island is becoming a really great spot once again thanks to the efforts of PRSC and others who are working hard to make use of this wall.
Turbo Island has taken on a new lease of life since the PRSC (the People’s Republic of Stokes Croft) and associates tidied things up here. They should be really proud of the work they have done to set this wall up as a viable curated street art spot. Just look at this amazing montage of an old Sepr piece on the right, some monstrous advertising hoarding and an extraordinary collaboration by Soap, Hazard and Tasha Bee below it.
The collaboration itself is nicely balanced and colourful and combines three distinct but complementary styles.
Starting on the left is an interesting combination from Soap and Tasha Bee, who are collaborating a great deal at the moment. It is great to see Tasha Bee working on a different design, this time a rather pretty stylised cat.
In the centre of the collaboration is a magnificent grayscale portrait by Hazard…have I said yet how great it is to have her back in Bristol creating these beautiful artworks around the place? And those flowers and cacti bring an exotic touch and richness to the piece.
Finally, on the right hand side of the collaboration is a trademark Tasha Bee portrait looking on with deep serenity. This is how a great wall should look, and well done to the three artists who do so much to uplift the streets of Bristol.
It is obvious from this collaboration combined with Instagram posts from each of these artists that they not only paint well together, but they are really good friends too. Jointly, Hazard and Tasha Bee are at the vanguard of female street art in Bristol, although if I am honest an artist’s gender to me is not as relevant as the quality of their work, both score highly on the latter measure.
The Hazard piece on the left is a copy of the one she painted in Stokes Croft a couple of weeks earlier and has that amazing blue and red shadow thing going on.
It is so good to have her in Bristol for a while because we get to see her work first hand, rather than via social media – I need to photograph her most recent piece this lunchtime (by the time you read this it was a couple of days ago).
The Tasha Bee piece on the right is in such a different style – flat rather than 3D and highly designed, fitting the ‘Tasha Bee brand’ if that makes any sense at all. I love the work of both of these artists, and although I have met Tasha Bee several times, I would love to meet Hazard too and see her at work. Wonderful collaboration.