33. Thinking of home

Some readers of this blog may not know that it is called Natural Adventures because it was started as a digitisation of adventure I had to the Falkland Islands in 1988 when I was a young man. I was a fisheries scientist working for the Falkland Islands Government and at this point in the Journal was out at sea on a Japanese squid jigger called the Koei Maru 30.

For context it might be worth reading chapter 1, ‘An ill wind‘.

Previous chapters (in reverse chronological order) are listed here.

The adventure continues…

 

Sunday 3 July 1988. Koei Maru 30

Today I had a lovely lie in – woken by the bell some time around 5am and then by the generator at about 6.15 or so. What it means of course is that I shan’t be able to sleep again tonight.

A bird is on  the deck, seemingly knackered, perhaps dying – I gave it some fish livers which it is eating quite happily. I hope it lives – I may take a piccie.

It is a dolphin gull and I think it has thrown in the towel – poor thing – I wish there was more I could do for it.

Watched Lethal Weapon (4th time) ace film, and smoked loads of ciggies and drank lots of beer and whiskey and am now ready for bed. I miss Deb so much – especially now when I know ‘home time’ is only three weeks away.

Whiskey and cigarettes, Koei Maru 30, Falkland Islands, 1988
Whiskey and cigarettes, Koei Maru 30, Falkland Islands, 1988

 

Monday 4 July 1988. Koei Maru 30

One year ago today we sat in the Annex (one of the residences at Bangor University where the overseas students lived) garden stuffing ourselves with home made beefburgers and cake and chicken and potato salad and beer and wine and it was a lot of fun – fighting off the mozzies as the chill of the summer evening set in, lighting fireworks and basically having a good time.

I will never forget Moyo’s dancing or Pia’s shirt. Andy Brooks threw a good party and I was happy. How can it all be a year ago? It seems so unfair that life slips by like this.

My cabin, Koei Maru 30, Falkland Islands 1988
My cabin, Koei Maru 30, Falkland Islands 1988

Life is sometimes a big disappoitment – never waste it, remember it and live the memories, enjoy them – they’re all we have when we die. Memories are all that is left. I remember Jeremy Jones with a good heart – he lives on in my mind. So sad. I shed a tear every now and then. How can he be gone? That’s it, he’s over.

My seagull has disappeared – I pray that it lived and flew off.

Sleep once again accompaned by a wee dram of scotch.

Slept well for a change (probably the five steaks!).

 

Tuesday 5 July 1988. Koei Maru 30

Spoke to Liz on the blower.

I should be getting back to Port Stanley round about the 17th or so, but in looking at this I realise that it is a Sunday, so it will have to be the 15th or the 18th – it will be fun breaking the news to the Fishing Master!

Processsing deck, Koei Maru 30, Falkland Islands 1988
Processsing deck, Koei Maru 30, Falkland Islands 1988

I must be barmy bonkers.

Wrote a letter to Deb in which I told her that I smoke now,

God I wish I didn’t – my lungs now are burning and full of shit. I am in very poor condition. I dislike myself at the moment.

I wish I was home – I wish I didn’t have this blasted job.

Sod the expeience!

Sod this!

I miss home, and I’m ultra pissed off and my cabin is too hot and I’m sweating!

Bollocks!

 

Wednesday 6 July 1988. Koei Maru 30

Slept terribly, only to wake up this morning and celebrate a day of no fishing. What makes today even better is the fact that we are sheltering from the rough seas in the shadow of Pebble Island.

I therefore am relatively happy

Very little else to write about – these non-working days are very long indeed.

Porthkerris

.

Unusually

sunny and warm September

fishing on the rocks.

.

by Scooj

Perfect day

.

And on the high cliffs

rock doves watch our ev’ry move

while we watch our rods

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by Scooj

2431. Upfest 2018 (153)

One of the first pieces I saw from Upfest 2018 was this lovely mosaic by local artist, Angus. Over the last couple of years, Angus has concentrated on his part mosaic/part spray painted pieces, but he remains a highly versatile artist who appears to enjoy working with different materials and concepts. His ideas are key to his work.

Angus, Upfest, Bristol, July 2018
Angus, Upfest, Bristol, July 2018

This piece I guess must be called something like ‘fishing for likes’, or at least that would seem to be the literal translation. Angus was very busy throughout the festival and this was one of at least three mosaic pieces in addition to other work by the artist. Always good to see his ideas coming to life in this way.

Tackle shop

 

Intimidating,

exciting ‘Aladdin’s cave’

full of shiny things.

 

by Scooj

Thursday doors

Doors 47 – Fowey

My sister and family have recently bought a farmhouse in Cornwall not too far south of Bodmin. This is excellent news for me, as there is a ready-made bolt-hole for short breaks with the family and dog. In fact I posted some Fowey doors a short while back on such a visit with my daughter in August. Even better than that is that it can serve as a new base for my annual fishing trips with my fishing partner of thirty years.

At the start of September, he and I went away for a few days and our primary task was to check out the coastline from St Austell to Plymouth. Now I am very familiar with Cornwall and spent pretty much every school holiday in Flushing, opposite Falmouth, staying with my grandparents, but this South East coastline of Cornwall has largely remained off my radar.

On our last day we decided to pop into Fowey for some breakfast before fishing on the other side of the estuary in Polruan. As it happened, we abandoned that idea and instead fished the most beautiful bay imaginable called Lantic Bay, a few miles East of Polruan.

Enough context setting – in short, I found myself back in Fowey, so here are some more doors from this recent fishing trip.

Basement door and thick walls, Fowey, Cornwall, September 2018
Basement door and thick walls, Fowey, Cornwall, September 2018
Basement door and thick walls, Fowey, Cornwall, September 2018
Basement door and thick walls, Fowey, Cornwall, September 2018
Boat builder's yard door, Fowey, Cornwall, September 2018
Boat builder’s yard door, Fowey, Cornwall, September 2018
Cottage door, Fowey, Cornwall, September 2018
Cottage door, Fowey, Cornwall, September 2018
Quay House door, Fowey, Cornwall, September 2018
Quay House door, Fowey, Cornwall, September 2018
Door, Fowey, Cornwall, September 2018
Door, Fowey, Cornwall, September 2018
Dangerous secret door, Fowey, Cornwall, September 2018
Dangerous secret door, Fowey, Cornwall, September 2018
Lantic Bay, a hidden jewel, Cornwall September 2018
Lantic Bay, a hidden jewel, Cornwall September 2018

And that’s it for this week.

by Scooj

More doors at: Thursday Doors – Norm 2.0

 

Bass fishing in Lantic Bay

.

Standing sentry still

hook baited, rod presented;

hunter gatherer.

.

by Scooj

Tandem

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Peaceful solitude

a brotherhood of silence

fishing together.

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by Scooj

1399. Upfest 2017 (156)

I absolutely love this piece for many reasons. Firstly, it taps in to my love of fishing and is one of several angling-related pieces at Upfest 2017. Secondly, the cartoon style is really unusual and quirky…it has a great many similarities with the style of Bristol’s own Sepr, which in my view is a really good thing.

Mariojin, Upfest, Bristol, July 2017
Mariojin, Upfest, Bristol, July 2017

Mariojin, the artist, comes from Milan in Italy and in the picture above it looks like there might be an element of collaboration going on.

Mariojin, Upfest, Bristol, July 2017
Mariojin, Upfest, Bristol, July 2017

Apart from Mariojin’s fabulous website which shows off some great work, I don’t know too much about the artist beyond what is in his Programme notes for Upfest:

Mariojin grew up in the outskirts of Milano, where the cohabitation of different cultures offers inspiration to the first movements of the Milan writing. He develops the passion for drawing and colours since childhood, inspired at first by his aunt’s canvas, artist and teacher, and subsequently, from the garish colours, forms and dimensions of Graffiti’s world. Attracted by this world he begins to paint with sprays at the end of the 90s. He is Member of Nuclear1 crew, which organizes an important graffiti jam “Meeting of Styles” Italy since 2014. He paints using a mix of influences between illustration and graffiti.

1134. Upfest 2017 (99)

I am rather fond of this fishing collaboration between Shane Ha and Niall O’Lochlainn, neither of whose work I have come across before (I think). Both are artists and illustrators from Dublin although I’m not sure if they have collaborated before.

Shane Ha and Niall O'Lochlainn, Upfest, Bristol, July 2017
Shane Ha and Niall O’Lochlainn, Upfest, Bristol, July 2017

In doing just a little Instagram research on this piece I have rather fortuitously come across a couple of extra pieces they left behind in Bristol, so I will be popsting those before too long I hope.

Shane Ha and Niall O'Lochlainn, Upfest, Bristol, July 2017
Shane Ha and Niall O’Lochlainn, Upfest, Bristol, July 2017

I was trying to establish which artist did which character, but I’m not sure I can tell, and this might be one of those examples of a collaboration where they both did bits of both. I’m not sure I will ever know. Nice piece.