6812. Dean Lane skate park (814)

Dibz and Fade, Dean Lane, Bristol, March 2025
Dibz and Fade, Dean Lane, Bristol, March 2025

Although Dibz and Fade have had a reasonably quiet winter, they have still managed to get out frequently enough to collaborate on some very impressive walls. This wall is one of their favourites, and because of its shape requires them to paint closer together than some of the other longer walls they like to paint.

Dibz and Fade, Dean Lane, Bristol, March 2025
Dibz and Fade, Dean Lane, Bristol, March 2025

In this piece, they each get to showcase their style and technique, using different base colours. Stepping back you can see that Fade’s work, in yellow, has a slightly softer finish, with more curves, than the slightly less forgiving angles on the green writing by Dibz. I don’t know too much about the character in this piece, but I am guessing both artists contributed to it. Naturally there is lots more to come from these two.

6739. Dean Lane skate park (807)

Fade and Dibz, Dean Lane, Bristol, January 2025
Fade and Dibz, Dean Lane, Bristol, January 2025

I caught up with Fade a couple of days ago, and he observed that I hadn’t posted much of his and Dibz’ work lately, He was right, but fortunately this collaboration was already in my pipeline, and is a timely reminder of their fantastic work. I would add that they have had a generally quiet start to the year, but are picking up the pace a bit now.

Fade, Dean Lane, Bristol, January 2025
Fade, Dean Lane, Bristol, January 2025

Unlike most of their collaborations, the three elements are a little bit fragmented. The writing from Dibz and Fade is distinct and there is no general colour theme, and the tank is a little bit out of context. Fade has gone for some beautifully finished letters, in the corners of which are a bunch of explosions. The writing is set on a nighttime cloudy sky.

Fade and Dibz, Dean Lane, Bristol, January 2025
Fade and Dibz, Dean Lane, Bristol, January 2025

That brings me on to the tank, which I assume is a joint effort. I don’t quite know what the tank represents, but I guess you could take your pick – Gaza, Ukraine or even a metaphor for Trump’s wreckless and aggressive international policies. Maybe it is just a nice picture of a tank.

Dibz, Dean Lane, Bristol, January 2025
Dibz, Dean Lane, Bristol, January 2025

Dibz’ outstanding writing has a camouflage thing going on, but it is subtlely applied, and contrasts beautifully with the orange (but it looks like copper) 3D drop shadow. This wall has been a great place for Dibz and Fade to showcase their work, and recently, they have painted it again (keeping the tank intact) – to come soon.

6673. Brunel Way (308)

Fade, Stivs and Dibz, Brunel Way, Bristol, January 2025
Fade, Stivs and Dibz, Brunel Way, Bristol, January 2025

Towards the end of the year, the collaborations from Dibz and Fade plus guests, dropped off significantly, and I have a feeling that Fade told me he was making a trip to America in the winter, and perhaps that was the reason. I am sure that this is only a temporary blip and that this collaboration marks the first of many in 2025

Fade, Brunel Way, Bristol, January 2025
Fade, Brunel Way, Bristol, January 2025

This time, Dibz and Fade have teamed up with Stivs, who has provided the centrepiece for this collaboration. In this piece, there is a clear themed palette giving off a rusty red vibe, combined with a deep white drop shadow. Fade has written his FADER letters with accuracy, and the shadow fill is either thin or patterned, and I can’t quite decide which.

Stivs, Brunel Way, Bristol, January 2025
Stivs, Brunel Way, Bristol, January 2025

Stivs has provided the character interest in the centre with a magnificent Teenage Mutant Ninja Turtle portrait (he is going through a bit of a TMNT phase at the moment). The writing at the top says ‘Have a turtlee good 25’ giving away that this is a New Year collaboration piece.

Dibz, Brunel Way, Bristol, January 2025
Dibz, Brunel Way, Bristol, January 2025

Dibz rounds off the triptych with a reflection (in terms of colour and style) of Fade’s writing, and also has the same effect on the white drop shadow, which leads me to conclude that it is a deliberate, mottled pattern rather than thin paint, which makes sense really, because these masters of their craft would never be happy with substandard fills. A great way to begin the year.

6489. L Dub (60)

Dibz, L Dub, Bristol, October 2024
Dibz, L Dub, Bristol, October 2024

To find the best wildstyle graffiti writing, you really don’t have to go any further than finding a piece by Dibz, and in Bristol, you are never too far away from one of those. This one was painted during a paint jam in October in Lawrence Weston (L Dub).

Dibz, L Dub, Bristol, October 2024
Dibz, L Dub, Bristol, October 2024

This beauty is on fire, almost literally, because a close look at the fill uncovers flames beautifully woven into the letters. Everything is crisp and clean, all the lines, borders, drop shadows and fills, even the background has been cleverly animated. This is a truly outstanding piece.

6338. Dean Lane skate park (745)

Dibz and Fade, Dean Lane, Bristol, August 2024
Dibz and Fade, Dean Lane, Bristol, August 2024

Fade and Dibz need no introduction here given that I have posted dozens of their collaborations already on Natural Adventures this year. Their productivity is admirable and the quality of their work, awesome.

Fade, Dean Lane, Bristol, August 2024
Fade, Dean Lane, Bristol, August 2024

This collaboration centres on the theme of 1980s arcade game Pac-Man, but adopts a modern version of the little yellow character. The yellow dots in the maze are reproduced, although I am a little surprised not to see the incorporation of the four ghosts. Fade has split his letters into two colour assemblages, perhaps adding a little variety.

Dibz, Dean Lane, Bristol, August 2024
Dibz, Dean Lane, Bristol, August 2024

Dibz has also incorporated the maze element as his background and cleverly incorporated an ‘on-brand’ Pac-Man FUA (From up above). The transition of colour fill in Dibz’ letters is outstanding, and the fine yellow highlights help the letters to pop. Magnificent work from the duo.

6275. Dean Lane skate park (740)

Awkward, Fade and Dibz, Dean Lane, Bristol, July 2024
Awkward, Fade and Dibz, Dean Lane, Bristol, July 2024

The FUA (From Up Above) boys are at it again, although this time they are joined by Awkward, and have opted for a smaller wall for this collaboration. In this piece we see our two main protagonists getting closer and closer to fusion in their work.

Fade and Dibz, Dean Lane, Bristol, July 2024
Fade and Dibz, Dean Lane, Bristol, July 2024

Fade on the left and Dibz on the right have opted to use the same colours, 3D drop shadow, decorations and background, and it is only their stylistic differences that separate them. Dibz’ work tends to be a little bit more angular than the smoother edges of Fade. The colour transitions in the fills are excellent in both halves.

Awkward, Dean Lane, Bristol, July 2024
Awkward, Dean Lane, Bristol, July 2024

Awkward, Dean Lane, Bristol, July 2024
Awkward, Dean Lane, Bristol, July 2024

The central piece is book-ended by two characters by Awkward, who has painted with Dibz and Fade in Dean Lane not all that long ago. Messages contained in the speech bubbles are ‘roll the dice’, ‘Awkward’ and ‘Stop the war’. The characters look typically alarmed/animated with their exaggerated eyes and wobbly outlines. A rather nice collaboration from the three artists.

6235. Brunel Way (282)

Dibz, Jody and Fade, Brunel Way, Bristol, July 2024
Dibz, Jody and Fade, Brunel Way, Bristol, July 2024

If ever you want an example of the perfect triptych graffiti writing/character portrait piece then look no further than this magnificent piece by Dibz, Jody and Fade underneath Brunel Way bridge. As always, these three have smashed it, and I just don’t know how many more ceilings they can break with their work.

Dibz, Brunel Way, Bristol, July 2024
Dibz, Brunel Way, Bristol, July 2024

Fade, Brunel Way, Bristol, July 2024
Fade, Brunel Way, Bristol, July 2024

To the left, Dibz’ writing in black and pink is reflected on the right-hand side by Fade, where their writing is almost becoming indistinguishable except to the most experienced eyes. The key difference is that Fade’s letters tend to be ever so slightly softer than Dibz’. Both have created something special and finished it off with a splash of ‘liquid’ gold running behind the collaboration.

Jody, Brunel Way, Bristol, July 2024
Jody, Brunel Way, Bristol, July 2024

Sitting pretty between the graffiti writing is this outstanding skull painted by Jody. One of the great benefits of Jody joining these writers over the last couple of years is that we get to see so much more of his work on the streets, which I dare say we wouldn’t see so much if he was painting alone. When I see Jody’s work, I am still baffled how he manages to get such extraordinary detail and texture using a spray can. A trio at the top of their game.

5868. Dean Lane skate park (693)

Fade, Dean Lane, Bristol, February 2024
Fade, Dean Lane, Bristol, February 2024

It is rare to find a Fade piece these days that is not immediately associated with a piece by Dibz and at times his work can be eclipsed by the overall collaborations they create, so it is great to see a fabulous standalone piece of graffiti writing from Fade, and this is a beauty.

Fade, Dean Lane, Bristol, February 2024
Fade, Dean Lane, Bristol, February 2024

Painted in greyscale on a black background, the impact of the letters has to be really strong, and it is. Spelling out FADE in  letters that pop out from the wall, especially along the bottom edge. A nice touch is the little black ‘ink’ trail all around the outside of the piece. All in all, a fabulous and rather special piece of graffiti writing.

5822. Dean Lane skate park (688)

Dibz, Dean Lane skate park, Bristol, February 2024
Dibz, Dean Lane skate park, Bristol, February 2024

Something a little different from Dibz on the curved wall in Dean Lane skate park, illustrating the point that Dibz is anything but a one-trick-pony (some trick at that). The writing feels a little bit retro, and the incorporation of a series of black and white pixels adds to that effect.

Dibz, Dean Lane skate park, Bristol, February 2024
Dibz, Dean Lane skate park, Bristol, February 2024

Interestingly, the pixel squares are a little uneven and most unlike Dibz’ precision work – I wonder if there is a tiny chink in his perfect armour… The piece includes the word Metal Headz, which I assume means something to Dibz, but sadly nothing to me. Some fun and variety from the maestro.

5706. Dean Lane skate park (670)

Fade and Dibz, Dean Lane, Bristol, October 2023
Fade and Dibz, Dean Lane, Bristol, October 2023

Dibz and Fade have been a tour de force this year and I have featured a lot of their work on Natural Adventures along the way. I think that this collaborative piece might be the last this side of Christmas, and it is yet another cracker from the duo, a Christmas cracker if you like.

Fade, Dean Lane, Bristol, October 2023
Fade, Dean Lane, Bristol, October 2023

Adopting their usual format for long walls of a piece of graffiti writing from each artist, positioned either side of a central feature piece by either of them or a ‘guest’ artist like Jody or Sikoh. To the left, Fade has written a lovely sharp FADER FUA in pink and green letters, either side of which are cartoon characters, although I have utterly failed to identify what film/series they come from.

Dibz, Dean Lane, Bristol, October 2023
Dibz, Dean Lane, Bristol, October 2023

On the right, Dibz has written his name in glorious gold with a sumptuous purple drop shadow and pink border, all as crisp as you’d expect from him. The character in this piece is, I think, Count Duckula, and some green gloop oozes from the piece in an evil way on the sides.

Fade and Dibz, Dean Lane, Bristol, October 2023
Fade and Dibz, Dean Lane, Bristol, October 2023

The feature in the middle portrays a full moon with the letters FUA KREW, which is their From Up Above crew name. I don’t know which artist painted the letters, but they are 100 percent on point, in quite a challenging arrangement. Some great work from two of the tidiest artists around.