Well it has been a few days, hasn’t it? this is one of the best Laic217 pieces that I have seen. I think he is moving on to a new level, and he has worked this wall perfectly. As tribute to the quality of this piece, it has remained untagged and intact for at least a fortnight, which shows the respect from other artists.
Although I have seen this theme before (fire from a spray can) from other artists, I think he has excelled with this, in particular I like the way he has shaded the reflected light on the face and head of the skull, grading from white/yellow to purple/black.
I still have many more recent pieces by this most prolific artist in my archives, and I will unapologetically post them all. Really fabulous work.
Laic217 seems to enjoy finding new spaces to spray his exceptional works. Moon street is a street familiar to graffiti artists, but I don’t believe these doors have has anything more than tags on before.
I particularly like this skull by Laic217 as it incorporates the Clifton suspension bridge, Bristol’s most significant landmark. Note to self…publish a special post containing works with the suspension bridge.
The picture is somewhat enhanced, in my view, by the fact that the doors would not close properly, adding another dimension to this piece.
This is not the first time that I have seen a collaboration wall between these two. Some time ago I posted a piece by Laic217 from Moon Street, but left the Cort piece out, which was on reflection a bit unnecessary. This time I have kept Cort’s half. I know little about Cort apart from these two pieces mentioned.
Laic217 again seems to be experimenting with his grayscale work, with just a touch of accent colour in his signature. I have noticed too that in shared walls like this one, Laic217 always seems to occupy the left hand side – is this a thing for street artists? is it like having a preferred side of the bed?
I like this collaboration a lot, and am pleased to have got a clean photograph of it, something that is getting more and more difficult to do in Bristol.
The missing Cort photos from March 2016 are below…
Well this is a bright wall from Laic217 and Hire. Regular readers will be familiar with the work of Laic217, as I tend to feature a piece by him almost every week, however this is the first work by Hire that I have posted.
I think that this is another of those painting together walls rather than a collaboration per se. There is an element of sequence between the two pieces, but the main link is the background wash selected, and the skeleton spraying on the Hire piece.
No major surprises from Laic217, but consistent with his progress over the last year, the quality of his pieces improves with each work.
I know very little about Hire, except that I am certain I have pictures of other work he has done in my archive. I will try and dig some out if I can. This is a lovely wildstyle piece, with some similarities to the style used by Dibz. A great combination.
Sorry to say that I returned a few days later and the whole thing has been obliterated with this:
Quite by chance I came across Laic217 spraying over one of his old pieces in Moon Street on my way to the ‘paint jam’ on 8 April. This was indeed a bit of a red-letter day for me, and I hadn’t even arrived at The Bearpit yet.
I have been really wanting to meet Laic217 for some time, because his work is so different and distinctive and he is so incredibly prolific at the moment. Now was my chance to say hello and ask him a few questions.
He seemed to know who I was (probably from my Instagram account), so I didn’t need to explain too much why I was interested in his work. He implied that he tries not to be influenced by other artists or what people write about him, preferring instead to plough his own furrow. He tends to spray alone and does not belong to any local crew. I picked up an accent which to my untrained ear sounded German.
When I asked him how can he be so prolific, he stated what I suppose is obvious, he said “It is what I do and I love to do it”. This is another skull face and bucket hat combo (I was glad to see he sports such a hat) with a gold tooth, joint, brick wall behind sun glasses and shattered smiley. It is all there and all absolutely wonderful.
Such is the prolific nature of Laic217, I am having real difficulty keeping up with his work that just keeps popping up all over Bristol. It seems to be about one a week at the moment, which is kind of crazy.
This piece is in a quiet side road off Stokes Croft, a site frequented by Epok and Deamze, but this sits comfortably in their company. Laic217 gathers several of his regular themes into one with this piece, the acid house influence, the toking smilie, the bucket hat, the skull and the brick wall.
He posted his black book draft of this piece on his Instagram feed, and the only variation from the draft is the colour of the LCD display, which was lilac in the draft. Much better as green. More to come form the busy Laic217. I forgot to say how much I like this piece…there I’ve said it now.
Following on directly from the previous post, here is another wonderful piece from the concrete sprawl under the M32. This is by 3Dom from back in September 2016, and you might get a flavour of what he thinks of it from a hashtag he used on his Instagram feed: #skullsareprettyboringafterawhile.
I happen to rather like it, and it works well in the troglodytic surroundings. I don’t think it took too long to spray, although I don’t know, I just have a feeling. He has real flair for attention to detail, the shading, the folds around the eye, the reflection in the eye and drips from the skull. The piece is humorous and the fly coming out of the hole at the top sets it off nicely.