In the dim foot tunnels of the M32 it is very easy to miss pieces as the walls tend to be very congested with tagging and bombing. It is the job of a hunter to keep eyes wide open and try to see everything. I had actually walked past these two faces by an artist new to me, Rinsulin, before doing a comedy about turn and taking another look.
The pair of colourful 3 eyed-skulls look rather better in photographs than they do in the tunnel and although naive in appearance are nicely thought out. I would guess that Rinsulin is reasonably new to street art, but I mugight be wrong about that.
It is unfortunate that both pieces have been tagged by Apeks, a nobody whose contribution is negligible, but i have to say that overall I rather like the colourful and anarchic faces that have a style all of their own.
I know that skulls are not everyone’s cup of tea, but in the street art world they are a common subject for many artists from many genres. Laic217 rather specialises in demonic skulls or in distorted faces, but in my view, rather than being something creepy, thay are actually often quite humorous and light-hearted. This piece however is dark, whichever way you look at it.
Laic217 has used the pink eyes before to great effect and they convey a sense of absence of soul, demonstrating just how important eyes are in making judgements. One of the things I love most about Laic217’s work is his attention to the fabrics worn by his characters. He puts a lot of thought into every fold of their clothing, and this aspect of his work just gets better and better. A steady piece along the M32 cycle path.
I got very lucky last weekend when I took the dog out for a ‘street art walk’ to Wilder Street and found Laic217 and Nightwayss painting together. The dog accompanies me quite a lot these days, poor thing, but is most patient when I stop to talk to the artists.
This is an absolutely fabulous piece by Laic217 who, in five years of writing about Bristol street art, I have only met once before. I stopped to ask him for a few tips about controlling the spray pressure coming from a can and other control techniques, and he was very kind with showing me a trick or two.
The completed piece is an upbeat summer special, complete with a beautiful pink shirt emblazoned with smiley faces. Unmistakably a Laic217 work with many of his trademark themes. So good, and so good to watch him at work.
Another artist I will never tire of is Laic217 and this piece in St Werburghs tunnel is so typical of his great work. Another weed-smoking bucket-hatted skull, which he simply gets better and better at crafting.
I feel a real closeness with Laic217’s work because since I started doing this recording Bristol street art thing in 2015 I have watched his work closely and seen his style develop significantly, and although his subjects are often similar, the depth and complexity of his pieces constantly grows. Love this one.
This is a wild, weird and wonderfully executed piece at the entrance of the Nomadic Community Garden just off Brick Lane by the London-based artist Woskerski. I know that skulls are not everyone’s cup of tea, but they play a hugely important part in the street art scene… don’t ask me why, they just do.
Now any skull has a rather dark look about it, but this one is both dark and slightly crazy. There is something disconcerting about that eye floating in its socket and the X in the other socket. What I love about the piece though is the textures and lines and shading that give the piece definition and depth. A masterful work.
Another fine combo from Laic217 and Cort in St Werburghs tunnel. I feel like I haven’t seen too much from Laic217 in recent months, although actually he is still reasonably productive and I see maybe a couple of new pieces each month.
The Character piece has several themes that we have seen from Laic217 before. A skull, a brick wall, this time in the form of glasses and a brilliantly crafted hoodie jacket complete with zip.
More than other pieces that Laic217 has produced, this one feels surreal, probably because the brick wall obscures the eyes, or more correctly the eye sockets, so the character is dissociated from its surroundings… warning, beginning to sound a little pretentious.
It would seem that Cort recently has been rather fond of extending the length of his name, and in this case to CORTONE. I wonder if by lengthening it he gives himself more scope to play around. I like what he has done here, and I particularly like the random white surround with trios of black dots in it. All in all a nice collaboration from these two friends.
Sweet Toof is a London artist who has always had strong links with Bristol especially through his long-standing friendship with Rowdy. Even now, there are several toothy pieces dotted around the city. It is funny, but I have always thought of him as a Bristol artist, because of his legacy here.
It was extra special to find this triptych of shutters, that look rather recent, when in London last weekend walking in the Brick Lane area with my sister. It doesn’t seem to matter where I pitch up in the world, there always seems to be a Sweet Toof piece close by.
These three are really rather special, and have a feel of ‘see no evil, speak no evil, hear no evil’ about them. It is nice to see the three different aspects of the skulls. Obviously that Master’s degree from the Royal Academy of Arts was not wasted.
I do like Sweet Toof’s work very much indeed, always blending mortality with humour in his incredibly distinctive style. Great find.