Skronius is an artist whose work I have only ever seen up at Purdown Battery, and I know very little about him. I like what I have seen though, and his style is very illustrative and looks more like canvas work than a spray-painted wall. The Bristol artist I would most liken him to is Conrico.
There is a lot to like in this small piece in which a skeleton (just the skull really) is advancing to cause mischief, no doubt. The colour selections are superb, with the subtle purples creating shadows, rather than black. Skronius has signed the piece with some lovely calligraphic writing (Stivs had better watch out). I am hungry for more from Skronius, and perhaps in some other locations.
I was so pleased to see yet another lovely piece from Maesyhook, especially as it was painted alongside Bristol legends Ryder and T-Rex. Although Maesyhook is, I think, a relatively new resident of the city, she has certainly made herself very much at home, which is good news for all of us.
The piece she has painted here adopts her customary pink and turquoise colour scheme but the dear little kawaii character has been replaced with a rather less cuddly skull and the tag-line ‘scorchio’. This is another in a series of enjoyable pieces from Maesyhook and I look forward to many more.
This is another example of the willingness of Eman to stretch himself and experiment with different subjects and forms, and I for one am thoroughly enjoying the ride. The skull of an ungulate would not be everyone’s first thought for street art, but it is a perfect study for honing the skills.
Eman’s versatility and productivity is elevating the artist’s profile in Bristol, and all the hard work is paying off. Two things I love about this piece: the shadings of blues and whites to give the skull some depth and texture; and the somewhat counterintuitive red border, which is quite a bold thing to do. Great piece.
I am very much enjoying the high level of activity coming from Eman at the moment, and he really seems to be extending himself with a range of character pieces, including this very impressive skull from a few weeks ago.
I’m not sure how long Eman has been doing these kinds of pieces, but he seems to have a natural flair for them, and his soft blending as well as good proportions make this a piece that is easy on the eye. Adding to the impact of the skull is the neutral background with hints of colour that just give the whole thing a bit more oomph. Very nice work.
One of the things I am looking forward to when we return to a new normal is that some of the artists who have had a quiet lockdown may return to the streets more frequently, in particular artists like Laic217 who has been, relatively speaking, on a bit of a go-slow.
This is a nice little skull piece, picking up on some themes used by Laic217 in the past, most notably the brickwork structure of the skull. The folds and textures of the clothing is once again masterfully handled. Always so good to see.
This is a rather unusual piece from Laic217 in so much as it looks rather more like a commission than a graffiti art work. I think that the texture of the breeze block wall has also contributed to the unusual look of the piece.
Carrying the words ‘cans ‘n roses’, this is an obvious nod to the hard rock band and the piece has a hard rock feel to it. Is this where Laic217 gets some of his inspiration from? I guess it is less important where it comes from, instead it is what he does as a result of inspiration, and this is an absolute gem of a piece.
As I already mentioned the surface of the wall gives the piece a kind of matt finish which is so unusual. The can and roses motif is beautifully conceived and executed, Laic217 is an artist who just seems to go from strength to strength.
Of course, a little bit like Nightwayss and his monkeys, no Laic217 piece is complete without a skull or skeletal character and here he doesn’t disappoint. Another triumph from an artist who is having another busy patch.
There is no doubt about it, Rosalita is on a roll, and I can’t help thinking that her friend 3F Fino has had something to do with encouraging her to get out and paint more, because they have recently collaborated and their pieces are appearing in the same places at the same times. This is all good news as far as I am concerned.
Rosalita has a very interesting style, full of bright colour and carnival themes, with a strong focus on life and death. In this piece Rosalita has painted a representation of Mictecacihuatl, the ‘lady of the dead’ from Aztec mythology. This piece would sit very neatly with the Day of this Dead celebrations in November… something to look forward to later on this year? Rosalita has painted a beautiful skull, a difficult thing to do, and the flowers around the outside are stunning. I love this piece and look forward to more.
It has been way, way too long since I last saw a piece from Laic217. He had a burst of activity during our first lockdown, but after that has been fairly invisible on the streets, which is a pity. Somehow he epitomises the Bristol scene with his irreverent skull pieces. Edgy but also brilliantly painted, together with a range of textures and subjects helps Laic217 stand out from the crowd routinely.
This monster piece, on the long wall in Cumberland Basin, features a hoodie-wearing skeleton using a flame-bearing spray can, a theme regularly used by the artist. Simple colours and a sketch-like quality belie the skill in this piece. The bubble writing in the background belongs to this piece and spells out PAD, the crew which includes Cort, whose piece was adjacent to this one. Hurrah!
The Frome side spot is marginally less accessible than most of the other regular spots in Bristol and certainly feels a little more edgy for an old codger like me, but the rewards are definitely worth the effort.
On a recent visit I picked up a whole load of new pieces, including this one from Dabuten Tronko – it is a bit of a beast. Unfortunately the light conditions weren’t favourable for photographing this wall and there is quite a lot of glare. I wonder if dusk might be a better time to visit. The skull and skeleton are nonetheless very nicely done, complete with yellow teeth.
What I assume to be guts form the letters HMR which is the crew of Spanish artists who are becoming so firmly established in the City. The thin green outline is brilliant and helps make the whole thing stand out. Another fine piece from Dabuten Tronko whose work often seems to be slightly off the radar.
What a wonderful, wonderful surprise it was to find this gorgeous piece by Rosalita (RAW) on the M32 cycle path recently, and better than that, it was one of three – others to follow soon. Rosalita is an enigmatic artist, making only rare appearances on the walls of Bristol, but her presence however rare is always welcome.
This previously unpainted column (it had been tagged), quite unusual at this location, is the perfect spot for this amazing little cherub, perching on a skull. The piece is really unusual and the character beautifully painted and filled with a yellow base and red highlights, finished off with some beautiful tattoo decorations in blue. This is a heavenly piece (peace?) and a welcome addition to the writing we are more used to seeing around here. I can’t wait to post her other associated murals.