It took me three visits to this wall to be able to get some decent photographs of the fine collaboration from Laic217, Ugar and Cory. The solution to my photography problems was to visit the spot on an overcast day. On Autumn sunny days, there is a high risk of shadows from the trees and shrubs being cast across the wall.
Laic217 has once again excelled with this fabulous skeleton with a boogie box over his shoulder, a common motif for his pieces. He has once again shown his mastery of painting materials and fabrics with the skeleton’s jacket. Lovely work.
Ugar, who pretty much always paints his name, even though I have seen a couple of character pieces some time ago, has given us characteristically brilliantly filled letters, something that he excels at.
The third piece in this collaboration is by Cort and rather like Ugar’s piece is creatively and imaginatively filled and decorated. His letters though are a bit of a moveable feast and in this instance he has spelled out CORTOS.
From my perspective the Laic217 piece wins the day, it is simply so good and the artist just gets stronger and stronger.
It has been a very very long time since I last posted anything by 45 RPM. There was a time, when I first started doing all this malarkey, that 45 RPM seemed to be out on the streets painting an awful lot. I actually have quite a few of his pieces in my archive screaming out to be published. In time I guess.
I actually happened to be on the cycle path when 45 RPM was starting this piece. Most unlike me, I didn’t introduce myself because at the time I didn’t know who he was. This is a nice Halloween piece or perhaps more Day of the Dead which he did in collaboration with RichT. More to come from this session.
Oh what a fabulous day – deep blue skies after what feels like a month of constant rain and a new Laic217 piece on the curved wall in Dean Lane – it just doesn’t get much better than this. Laic217 just keeps on doing it and with each piece his technique improves. This piece looks like it has been lifted straight off a sketchbook and the tones he gets in this greyscale piece are to be admired. The overall composition is really interesting and has some resemblance to a piece he painted on this wall in March last year with the words ‘Ice Ice Baby’.
Making an appearance, a feature of so many street works, are some ‘Hello, my name is’ stickers. Now can somebody please tell me the significance of these – why do they appear so often? On these, one says Laic217, another says CortOne (one of his painting pals) and the third I’m not too sure about.
In the dim foot tunnels of the M32 it is very easy to miss pieces as the walls tend to be very congested with tagging and bombing. It is the job of a hunter to keep eyes wide open and try to see everything. I had actually walked past these two faces by an artist new to me, Rinsulin, before doing a comedy about turn and taking another look.
The pair of colourful 3 eyed-skulls look rather better in photographs than they do in the tunnel and although naive in appearance are nicely thought out. I would guess that Rinsulin is reasonably new to street art, but I mugight be wrong about that.
It is unfortunate that both pieces have been tagged by Apeks, a nobody whose contribution is negligible, but i have to say that overall I rather like the colourful and anarchic faces that have a style all of their own.
I know that skulls are not everyone’s cup of tea, but in the street art world they are a common subject for many artists from many genres. Laic217 rather specialises in demonic skulls or in distorted faces, but in my view, rather than being something creepy, thay are actually often quite humorous and light-hearted. This piece however is dark, whichever way you look at it.
Laic217 has used the pink eyes before to great effect and they convey a sense of absence of soul, demonstrating just how important eyes are in making judgements. One of the things I love most about Laic217’s work is his attention to the fabrics worn by his characters. He puts a lot of thought into every fold of their clothing, and this aspect of his work just gets better and better. A steady piece along the M32 cycle path.
I got very lucky last weekend when I took the dog out for a ‘street art walk’ to Wilder Street and found Laic217 and Nightwayss painting together. The dog accompanies me quite a lot these days, poor thing, but is most patient when I stop to talk to the artists.
This is an absolutely fabulous piece by Laic217 who, in five years of writing about Bristol street art, I have only met once before. I stopped to ask him for a few tips about controlling the spray pressure coming from a can and other control techniques, and he was very kind with showing me a trick or two.
The completed piece is an upbeat summer special, complete with a beautiful pink shirt emblazoned with smiley faces. Unmistakably a Laic217 work with many of his trademark themes. So good, and so good to watch him at work.
Another artist I will never tire of is Laic217 and this piece in St Werburghs tunnel is so typical of his great work. Another weed-smoking bucket-hatted skull, which he simply gets better and better at crafting.
I feel a real closeness with Laic217’s work because since I started doing this recording Bristol street art thing in 2015 I have watched his work closely and seen his style develop significantly, and although his subjects are often similar, the depth and complexity of his pieces constantly grows. Love this one.