1568. Raleigh Road, Tobacco Factory (11)

I first became aware of Stephen Quick’s work only a few metres from this spot with his fabulous kiss between Carrie Fisher and Harrison Ford. To this day I am a big fan of his intricate stencils featuring contemporary stars and icons in familiar poses with a commentary twist.

Stephen Quick, Raleigh Road, Bristol, June 2018
Stephen Quick, Raleigh Road, Bristol, June 2018

This piece, a representation of the damage done to the reputation of Facebook in the light of recent scandals, brilliantly portrays the difficulties facing the company. I don’t know if it is intentional or not, but as if to rub salt into the wound, Quick has added his Twitter and Instagram account details at the bottom of the piece in the corporate colour of Facebook. Hah!

Stephen Quick, Raleigh Road, Bristol, June 2018
Stephen Quick, Raleigh Road, Bristol, June 2018

It is not only the witty content of his work that I am attracted to but it is the brilliant technical approach to his multi-layered pieces that amazes. He posts a lot of videos and pictures of his pieces in production on his website, Splintered Studios, and I thoroughly recommend a visit. All good.


1550. Jamaica Street (14)

You may notice that I have once again been rummaging around in my archives, and have found this rather nice installation piece by Will Coles dating back to September last year. There was another of these LOL skulls in The Bearpit, ahich appeared at round about the same time.

Will Coles, Jamaica Street, Bristol, September 2017
Will Coles, Jamaica Street, Bristol, September 2017

This one, like many of his pieces’ is quite easy to miss despite its location directly opposite the People’s Republic of Stokes Croft outdoor gallery. I like the quirky nature of Will Coles’ pieces and particularly like the skill he has for choosing his locations. I wonder how many of his pieces I might have missed in Bristol.

1403. Upfest 2017 (160).

There is an interesting story to this collaboration ‘Girl and Death’ in so much as it was not a planned collaboration at all…it just kind of happened. How do I know this? I discovered it on the Instagram feed of one of the artists involved, Nino Werner:

After a night of crazy partying, we started this painting with no real direction first & just enjoyed the fun show that is Bristol Streetart Festival called @upfest . What first started as two separate pieces merged together in the process when we got to know the very talented fella (Luke) next to our dedicated painting spot, who was also painting in black and white, but also added gold. We like shiny things so we grabbed some golden paint and made the separate artworks merge together. The painting is either a reference to a sketch of famous Norwegian artist Edvard Munch (also called Girl and Death) or the fun party night and the hangover David had the next day when we painted it.

It is always great to get a bit of insight from the artists themselves.

Nino Werner, Javi, David Schumann, Upfest, Bristol, July 2017
Nino Werner, Javi, David Schermann, Upfest, Bristol, July 2017

The girl on the left of the collaboration is by Nino Werner, Javi and David Schermann, who I believe visited Upfest from Austria. And on the right of the piece is an intricate skull in black white and gold by Luke Gray.

Nino Werner, Javi, David Schumann and Luke Grey, Upfest, Bristol, July 2017
Nino Werner, Javi, David Schermann and Luke Gray, Upfest, Bristol, July 2017

Luke Gray has a fabulous website which is well worth a visit. His biography states that he is from the UK and is a nomadic surrealist symbolist painter. He was born colour blind and works in an almost exclusively black and white pallette, using patterns and textures rather than colours.

A fine accidental collaboration.


Thursday doors

Door 24

Door, 161 Essex Street, New York
Door, 161 Essex Street, New York

When I took the picture of this door last October, I was simply capturing an interesting image of street art on a door, nothing more nothing less.

It turns out that there is a lot more to this door that I had thought, which I only found out about when researching for this post. The door is the entrance to Clayton Patterson’s gallery on 161 Essex Street on the lower East Side of NYC.

This is Portal number 7 of an interactive street art experience combining technology, art, urban space and community called ‘13 Portals‘. The project team have created an incredible ‘gamified’ experience that encourages participants to complete tasks and unlock the knowledge of the ancients. The door used to have a QR code in the white space at the bottom that linked up to the experience website.

I’m not sure when all this took place, possibly 2017, but it all looks rather complicated to me. I was just interested in the door.

The artwork itself appears to have ‘borrowed’ a little bit from the Terminator films and combines a skull with features relating to the number seven. This is what the website has to say about this door:

‘The number 7 is Saturn. It is death and transcendence. It is the seven colors of the rainbow, the seven western notes and the seven days of the week. 7. Seven is an exceptionally powerful number and also one of the biggest keys to the mystery. Each color, note or planet, represents a different perspective that we can seek to achieve awareness, clarity and enlightenment. It is the metaphor for the different races and the conflicts before they ultimately find harmony.’

So there you have it, perhaps we shouldn’t simply take things at face value, even a door.

by Scooj

More doors at: Thursday Doors – Norm 2.0




1271. St Michael’s Hill (2)

This is not a new piece by Shab, it has been here for months, but it replaces a piece by him that was here before and which I posted in February 2017. It would seem that Shab has the permission of the owners to claim this spot as his own.

Shab, St Michael's Hill, Bristol, November 2017
Shab, St Michael’s Hill, Bristol, November 2017

I never tire of the abstract form that Shab brings to his work, enjoy the anatomical references he makes in his work, which recently has been the inclusion of an eye. In this piece he includes another eye and also the eye scokets and nasal cavity of a skull.

Shab, St Michael's Hill, Bristol, November 2017
Shab, St Michael’s Hill, Bristol, November 2017

This is an interesting piece and slightly off the beaten track. One for the locals.

1264. Ashley Road (17)

You might have noticed that I am posting quite a few old pieces at the moment. I tend to do this from time to time when I look through my files and see some wonderful stuff that I never got round to sharing. Sometimes I have been holding onto pictures where I didn’t know who the artist was, but that was not the case here. Somehow this wonderful Laic217 piece just got through the net.

Laic217, Ashley Road, Bristol, July 2017
Laic217, Ashley Road, Bristol, July 2017

A spider with a skull and an Adidas logo (disguising the word Laic) – it is all here and a bit weird, but brilliant and such a striking combination of colours. The biologist in me feels I should point out that spiders have eight legs, but that is probably splitting hairs. A Fine piece from July 2017.

1183. M32 roundabout J3 (55)

Regular readers will know how much I love it when ‘guest’ artists come to Bristol and leave us presents, and this is some present.  The work is by Eleduworks who was visiting from his native Barcelona and painting with some of Bristol’s best – Sled One, Sepr, Ments, Epok and 3Dom.

Eleduworks, M32 roundabout, Bristol, November 2017
Eleduworks, M32 roundabout, Bristol, November 2017

There is something very different about this piece, and it really sits comfortably with its neighbours. Another thing that is not obvious from the picture is the scale of this piece – the wall is about 14 ft high, so this really is an impressive imaginary skull. Love it.