Greenbank – Page 2 – Natural adventures

7123. Greenbank (165)

This is another contribution to the Bristol Mural Collective paint jam, protesting against the war in Palestine from a couple of weeks back, painted, quite obviously, by Werm.

Werm has used has symmetrical writing to great effect, incorporating three horizontal stripes of red, green and white to represent the Palestinian flag, with the tidy 3D drop shadows providing the black colour. While I wholeheartedly support such protests, I wonder how much they will change anything. It seems that while Trump is in power, the Israeli Government will act with impunity, knowing that Trump is only interested in some kind of business transaction outcome that will make him richer and adored. He cares nothing for people, for victims.

Thank you, Bristol Mural Collective, for organising this paint jam.

7118. Greenbank (164)

Conrico, Greenbank, Bristol, August 2025

Conrico has been knocking out some outstanding pieces this year, and continues on that journey with this belter, painted as part of the Bristol Mural Collective paint jam in support of the people of Palestine.

This is a vibrant piece which mixes up Conrico’s themes. The wonderful landscape, and small house are inspired by Japanese culture, into which he has incorporated a Palestinian flag and a woman wearing a keffiyeh scarf. The dramatic sunset sky complements the piece perfectly.

7114. Greenbank (163)

Zoe Power, Greenbank, Bristol, August 2025

I have mentioned many times before on Natural Adventures how much I love the way street artists capture the moment or the mood of the city or country as a whole. In saying that, I would reflect that most, not all, street artists are aligned with progressive or left leaning sympathies. It is rare to see right-wing or fascist street art that evolves beyond slogan tags. This potent piece by Zoe Power is one of many painted during a paint jam organised by the Bristol Mural Collective up a Greenbank a couple of weeks ago.

Zoe Power has kept her message and artwork simple and unambiguous. The captivating piece features two faces looking at one another with tears, symbolising sadness and tragedy, painted in the colours of the Palestinian flag, with the words ‘Boycott Apartheid’ book ending the work. Who, in their right mind, could support the slaughter of innocent civilians on such a mass scale? Has the Israeli leadership learned nothing about attempted eradication of a people? Zoe Power and her collaborators are keeping the tragedy unfolding in front of our eyes out there and protesting through their art.

7087. Greenbank (162)

It looks as if the building work at the development alongside the Bristol to Bath cycle track has ground to a halt, for whatever reason. This has offered a stay of execution for the long hoardings that provide a wonderful spot for graffiti/street artists. Painting on borrowed time. These two pieces from Nice One are a curious pair that bookended existing pieces (I think).

Nice One has a wonderful touch that is quite unlike other artists in Bristol. His work looks much more like charcoal sketches or paint brush watercolour sketches, and bring something totally different for us to admire.

The two pieces are hidden portraits in greyscale that speak of threat and suffering, and I wonder if they are an oblique reference to the appalling situation in Gaza. Both are superbly presented and such unusual examples of artwork at this spot. Although the pieces are not signed, the appearance of an ‘N’ and an ‘e’ give him away. Classy stuff.

6970. Greenbank (161)

Conrico and Werm, Greenbank, Bristol, May 2025

This is a fine collaboration from two artists who never seem to stop, both totally dedicated to their art and sharing it with us. This is the kind of collaboration which is more about artists painting together rather than any kind of fusion between their styles, colours or design.

On the left, Conrico presents a portrait of a woman in the foreground, who looks like she is taking a selfie in front of an island paradise – probably a Japanese island in the East China Sea. Conrico’s portraits are improving all the time and becoming more of a feature of his work. Of course, he has enough paint to add in his letters, with a feint reflection in the inviting sea.

To the right, Werm’s letters are beautifully presented, with the middle two letters a little smaller and ‘sitting on top’ of the rest of the piece. Lots of depth and intricate design work in this graffiti writing. Both artists have very different technical styles, but this collaboration works incredibly well.

6945. Greenbank (160)

I hate to labour the point, but I am going to anyway. I don’t much care for brown paint, unless it is being used in context, for example to depict a chocolate bar or a tree trunk, but decorating graffiti writing using brown colours is, to my mind, such a waste of a good design.

I am going to suspend my prejudice in this instance though, because Logoe has somehow made the brown colours of this piece rather attractive. His script graffiti writing is filled with layer upon layer of brown shades, set on a dark brown background. The piece is a symphony of brown, and probably because it is Logoe, I rather like it. Three Hail Marys for me.

6939. Greenbank (159)

Dirtygypo, Greenbank, Bristol, March 2025

I think that I must have delved back into my archives a little with this one from Dirtygypo. I also recall that it was my second attempt to capture the piece, because the light conditions here make photography challenging to say the least. Even here there are shadows of tree branches!

This is a really classy one from Dirtygypo, with lightening strikes flashing through the lettering. I am still no clearer to working out the letters, but feel that I can see the word DIRTY there somewhere. The whole piece is clean, the colour palette subtle, and the drop shadow very nicely executed. It is always a pleasure to find Dirtygypo’s work.

6932. Greenbank (158)

Normally, when Haka paints one of his graffiti writing/character combination pieces, I recognise the character from a children’s picture book. This time Haka has stumped me – I am not familiar with any books containing a lizard, and can’t tell you too much more about it.

Some classic HAKA letters sandwich the lizard, although I note that only the right-hand side has been decorated with stars. I wonder if that is an omission, or whether it is the lizard that has emitted the stars from its claw. The lovely piece was difficult to photograph on such a sunny afternoon, something that has been a constant problem during our glorious spring.

6924. Greenbank (157)

Scrapyardspec, Greenbank, Bristol, May 2025

There are a number of artists who have a signature piece or style that through repetition become recognised, and lean towards iconic. Examples in Bristol would include Full Time Ghoul, Mr Underbite and perhaps most famously, Slim Pickings, who writes TES. The visiting Scrapyardspec is one of these artists.

This is a fine double character piece from Scrapyardspec, looking a little golden in the late afternoon sun. His endearing, wibbly/goofy characters haven’t deviated much from the archetypal form and are beautifully filled with green and yellow colours that match the parched grass verge perfectly. His regular visits to Bristol are more than welcome.

6899. Greenbank (156)

I have only one big regret about the Greenbank spot, and that is that I was very late joining the party, and missed hundreds of fabulous pieces, simply because I didn’t know where the spot was. The hoarding is now entering its final age, as the developments accelerate towards their completion. In the twinkling of an eye, this spot and all the great art it has hosted will be gone forever and largely forgotten.

I don’t know how old this little piece of installation art from LIS is, but I don’t recall seeing it before. It is a wonderful scene painted onto a wooden disc and stuck high up on the Greenbank hoarding. This feels like a bit of a throwback to the kind of work I first saw by the artist, before she discovered spray cans. The delightful scene looks like the corner of a room or studio filled with lovely plant and fungus pictures on the wall. A beautiful little miniature, that I was sorely tempted to purloin, but I am not like that.

	paulh121 on 7350. Hillgrove Street (9…
	Bill Bisgood on Thursday doors – 11 Dece…
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	scooj on Thursday doors – 11 Dece…

	paulh121 on 7350. Hillgrove Street (9…
	Bill Bisgood on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…

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