Sandwiched between Eraze and Rusk (quite some sandwich) is this rather small and understated piece by Laic217, all the more unusual for the lack of a signature. The piece was painted back in May during what must have been quite some paint jam, during which at least ten artists converged on St Werburghs tunnel.
Laic217, St Werburghs, Bristol, May 2019
Laic217 had gone for a minimum of colours in the portrait but jazzed up the whole thing with a bright gold chain. The elements that link this piece to Laic217 are the zip fastener, the style of clothes and the dripping/melting effect. I’m not too sure about the ear on this piece, which appears to be a little high and large and almost blended into the cap.
Life is so full of surprises, and this piece by Silent Hobo rounded off a fantastic walk around Bristol during which I found several artworks completely new to me. The piece is tucked away on the side of a shop, and easily missed if you approach it from the wrong direction without looking back.
Silent Hobo, Hotwell Road, Bristol, March 2019
In this piece we see a fabulous blend of urban landscape in the form of the M32 and nature trying to get a grip from the ground upwards. The beautiful girl seems to be caught in the middle of the natural world and development… something of a conundrum for us all.
Silent Hobo, Hotwell Road, Bristol, March 2019
I love the work of Silent Hobo, particularly his characters who seem to have so much soul and mystery about them. This is a magnificent and somewhat unexpected piece.
On an environmental leave day a couple of weeks back I was litter picking down on the New Cut, the diverted course of the tidal River Avon in Bristol. During the litter pick, one of my colleagues asked whether I had looked at a piece of street art she has been telling me about for a little while. During the lunch break, I took a short walk into Bedminster where the mural was, not far from the New Cut.
Anderw Burns Colwill, Upper Perry Hill, Bristol, November 2017
I found the piece, and instantly saw that it was by Andrew Burns Colwill, his style is so distinctive. This piece has breathed new life into what was previously a bland wall and brought with it an exotic feel – street art for a local community. It is beautiful.
Anderw Burns Colwill, Upper Perry Hill, Bristol, November 2017
This work has a lovely watercolour quality to it. The details of the piece poke through a misty haze, and the derelict archway give it a classical feel, the whole thing being soulful, peaceful and romantic. I’m not sure if the church is based on a real one or whether it is from Burns Colwill’s mind, probably the latter.
Anderw Burns Colwill, Upper Perry Hill, Bristol, November 2017
I am a big fan of Andrew Burns Colwill’s work, and have found him great company on the few occasions I have met him. One day I will go for that drink with him and get that interview he agreed to some months ago!
