I would like to capture more of Conrico’s work than I do, but he tends to paint a lot in places that I don’t go to very often or at all, so it is always great to find a piece like this one in an archway in John Street.
This open air gallery is one of the most refreshing things to happen on the legal wall side of things to happen in Bristol for a long time, and I hope that when the development is finished that the gallery is continued, although I am not optimistic. The piece itself is a little bit weird and I am not too certain what is happening. The central character with big hair appears to be telling the bugs not to touch the light, or he is being warned not to touch the light. Either way, touching the light seems to be a bad idea. This is an unusual pieceand I’d love to know more about the story behind it.
Every now and then we take a walk up at Purdown because it is a wonderful open space for the dog. When we get there he just runs and runs and then runs some more. There is an additional interest for me, which is the twenty or so 6×6 walls which occasionally get a makeover. This one is by the fabulous Conrico.
I haven’t seen too much new stuff from Conrico of late, so this was a nice surprise. For the dog lovers, I think the ‘sniffin balls and hittin walls’ phrase will resonate. I like the freedom in Conrico’s pieces, they somehow feel much more like conventional paintings rather than spray art, the sign of a good artist. Woof, woof.
There are certain artists whose work you expect to see at L Dub, but Conrico is not one of them, so it was a double pleasure to find this piece on my last visit. Conrico has a fabulously imaginative and creative mind, and his pieces are always exploring new ideas and styles.
This is a clever piece of writing that appears to have been sliced apart horizontally almost as if it had been written in the sky or on the surface of water and then disrupted in some way. Conrico has a ‘brush stroke’ touch that is quite unique and that makes it quite easy to spot his work… oh and the big letters are a bit of a give away too.
Conrico came on to my radar a little bit late, even though I had been photographing his work for a while without knowing who he was or anything about him. This was one of those earlier unattributed pieces that I had seen but placed in my files, where it has lingered until today.
This burner from July 2018 is an accomplished piece of writing in one of Conrico’s favoured spots. The cartoon writing style is beautifully filled and given a double shadow in black and brown to push the letters out from the wall. A very nice piece indeed.
Going through the archives is turning out some nice surprises, and I have been fiding quite a few old pieces by Conrico, like this one at the M32 Spot from August 2018, at a time when I wasn’t familiar with the artist.
This wonderful melty column piece I suspect in some way might be drug related. There is certainly something fairly unusual and dreamlike going on and the separation of the character’s head and copious amounts of smoke suggest something weird is going on. Ever colourful and imaginative, Conrico is a lovely bloke whose work really brightens the place up.
I caught sight of this amazing new mural by Conrico from the M32 and I was driving past a week or two back. I had to go back and take another look and found that it is a large commission piece for the ‘Jerusalem Falafel’ shop in Newfoundland Road.
Conrico is an artist who I have only really known about for the last year or so but his work has certainly made an impact on me and he has featured in Natural Adventures rather a lot, which is a good thing. This bright and colourful mural features a young man in a red shirt and baseball cap grasping a wrap framed in a wall of fruit and vegetables. It is all very Conrico. It would be interesting to see how other Bristol artists might have played out this brief… now there’s an idea.
On a wall that is predominantly used for graffiti writing it was great to see this rather unusual collaborative mural appear recently by Kool Hand and Conrico. If I am honest I have absolutely no idea at all what is going on in the piece but when Conrico is involved, there is usually a story of some sort behind the piece.
On the left is a character by Kool Hand who I would more commonly associate with painting animals such as crocodiles or orangutans, but the solid fill and clearly defined outlines give this piece away as being by Kool Hand.
The rest of the piece seems to be made up of floating islands, two of which appear to be at war with one another. Unfathomable, but original and interesting. I am a big fan of Conrico’s work and am enjoying finding pieces by him dotted all over the place. More to come in a day or two.
As you can probably guess from the last post, I have been having a bit of a rummage around in my archive of 2019. Regrettably there are so many great pieces that haven’t made it into Natural Adventures, many of them because at the time of taking the photograph the artist was unknown to me and I try not to post too many ‘unknown’ pieces.
From back in February 2019 this might be one of the earliest works I have from Conrico but it is a really cracking piece of writing, beautifully designed in a cartoon style and nicely set in a coastal scene with the sea, a beach and palm trees – it is details like these that mark it out as a Conrico piece. Nice to see a reference to ‘the Monday Club’ a loose crew that is now well established in Bristol.
Another fine collaboration, this time from Conrico and Crafty Cicada, with a strong oriental theme going on. While I have posted many pieces by Conrico, this is the first from Crafty Cicada who I can only presume was on a visit to Bristol and kindly left us this beautiful work.
The left hand side of the collaboration is unmistakably by Conrico and as always is more than just a piece of artwork because his work always has such a strong narrative, a story going on. In this piece a cartoon character is serenely sitting cross-legged, as if meditating on the back of a very large catfish – so what’s the story?
The other half of this collaboration by Crafty Cicada is an altogether more stylised with a fish (of unknown genus and species), a rising sun, some bamboo and some Japanese Kanji characters. There is a peace and tranquility here, and on seeing this, I would be very interested to see more from the artist.
A lovely and unexpected collaboration on a wall favoured by Conrico.
As a street art hunter (a rather geeky description that I am not very fond of – archivist might be better) it is always worth taking pictures of everything you see, even if you don’t know the artist – you never know, you might be able to find out more later. And so it is with what is probably the first piece I saw by Conrico back in April 2018.
You can tell this is an old piece, because it is from The Bearpit, which has been ‘hermetically sealed’ since the spring this year. The picture is of a coiled snake and a hat without a body – presumably the owner of the hat – has been consumed or crushed by the constrictor, with only his spray cans and hat surviving the ordeal. The patterns on the snake are brilliantly done and this piece was an early indication of the talent that has since been unleashed on the streets of Bristol this year.