3421. St Werburghs tunnel (218)

There has been a surge of activity by Mr Klue over the last month, most of it at the farm end of the tunnel which he seems to favour. This one is a tribute piece, and the first of several from an assortment of artists, to the late rapper MF DOOM whose passing in October last year seems to have been made public only recently.

Mr Klue, St Werburghs, Bristol, January 2021
Mr Klue, St Werburghs, Bristol, January 2021

MF DOOM was famous not only for his music, but also for his face mask which is the central Icon in the tribute pieces being paid to him. In this ephemeral work by Mr Klue, the mask is picked out in the middle in reds and whites, emerging from the wispy swirls all around. A fine tribute piece.

3373. Brunel Way bridge (80)

Underneath Brunel Way in the damp and tortured light conditions is this rather lovely tribute piece by Ments to a person called Sam, you can probably make out the letters.

Ments, Brunel Way, Bristol, December 2020
Ments, Brunel Way, Bristol, December 2020

This is quite an unusual piece by Ments and I think is in part quite experimental. His work is usually organic in nature with fluidity being a central effect. In this piece however, Ments has introduced some quite solid forms and even what appears to be a rock foundation – a more geological approach perhaps. The bright colours speak of joy and happiness. This is a wonderful tribute piece beautifully thought out and painted.

3257. St Werburghs tunnel (200)

I simply haven’t posted enough of Stiv’s work, but I guess the same could be said for a majority of Bristol artists. With publishing only two posts each day on Natural Adventures I am never going to be able to cover everything. At the end of each month I would guess that I only post about a third to a half of the pieces I record. Something for me to do in retirement perhaps?

Stivs, St Werburghs, Bristol, October 2020
Stivs, St Werburghs, Bristol, October 2020

I think that thhis tribute piece must be in some way connected to the tribute collaboration with Frank Riot at the other end of the tunnel, because both are dedicated to a friend who died two years ago and was connected to the music industry. The letters are utterly awesome and the movement and vibe dancing off the piece give off a sense of sound and dance. A fine piece with meaning.

3231. St Werburghs tunnel (194)

I was lucky enough to meet Frank Riot as she was working on this fabulous tribute piece to a friend of hers who had passed away a couple of years ago.

Although he hadn’t started his contribution at that point, the whole thing was actually a collaboration with Stivs albeit not necessarily painted at exactly the same time. Frank Riot is from London but had come to Bristol specially to paint this tribute. I chatted with her for a little while as she was working on the bottom half of the design using a lot of masking tape to get those superb straight lines.

Frank Riot WIP, St Werburghs, Bristol, September 2020
Frank Riot WIP, St Werburghs, Bristol, September 2020

Unfortunately I didn’t get to see her or Stivs completing the piece, but returned a couple of days later to check it out. It has turned out wonderfully well and the huge contrast between the artist’s styles somehow doesn’t seem to matter too much.

Frank Riot and Stivs, St Werburghs, Bristol, September 2020
Frank Riot and Stivs, St Werburghs, Bristol, September 2020

Frank Riot is a designer and that comes across clearly in her work Whereas Stivs is a specialist in beautiful Gothic type script graffiti writing. This wall usually has a high turnover, but I hope this tribute piece receives a little bit of respect for a while, it certainly deserves it.

3050. Dean Lane skate park (332)

A short while ago there were a few tribute pieces that appeared around Dean Lane for the graffiti writer Desire, of which this was one. This piece is by Dibz, 2Keen and Shade One, although I’m not too sure which bit the latter painted because the Dibz bit is obviously Dibz and the 2Keen character is obviously 2Keen. Perhaps he did the rest of the writing, I don’t know.

Dibz and 2Keen, Dean Lane, Bristol, June 2020
Dibz and 2Keen, Dean Lane, Bristol, June 2020

I don’t know much about Desire, but this is a fine tribute and I like the touch ‘Rest in Power’. It is so good to see Dibz so active at the moment, and I haven’t seen a new 2Keen piece for a very long time indeed. This is a high quality collaboration.

 

 

2821. Raleigh Road (8)

Painted at the weekend (I think) this is a real beauty from Rusk (I told you there was more from him coming) and Jody. I can’t really articulate just how good this collaboration is and although the writing and the portrait don’t integrate, they certainly complement each other brilliantly.

Rusk, Raleigh Road, Bristol, March 2020
Rusk, Raleigh Road, Bristol, March 2020

On the left The expected high standard and tight work from Rusk delivers in bucket loads. A horizontal mix of bright and dul colours with some ‘glinting’ accents together with some nice inter-linking letters, a lilac outline and grey shadow – a lesson in how to make the complicated look simple.

Jody, Raleigh Road, Bristol, March 2020
Jody, Raleigh Road, Bristol, March 2020

To the right is a sensational portrait which is a tribute to Nipsey Hussle by the brilliant Jody. OK, so I’m old and my musical tastes although broad are not comprehensive and I have never heard of Nipsey Hussle before. He was an Ameican rapper, activist and entrepreneur who died in 2019, shot outside his Marathon clothing store in Los Angeles. I might have to go and dig out some of his music, and I thank Jody from bringing him to my attention.

Rusk and Jody, Raleigh Road, Bristol, March 2020
Rusk and Jody, Raleigh Road, Bristol, March 2020

I had seen this collaboration on Instagram and got myself down to Rakleigh Road a quickly as practical because one never knows just how long these things might last. This is a real beauty.

2606. M32 roundabout J3 (180)

This is a beautiful and touching tribute piece by Bnie to her late grandfather – or so I understand. I love the way that street art can accommodate such public and overt ways of recognising one’s loved ones.

Bnie, M32 roundabout, Bristol, November 2019
Bnie, M32 roundabout, Bristol, November 2019

The piece itself is beautifully painted with soft tones of green and purple, and it has a sombre feel to it. Her mastery of fading the colours acoss the letters is really improving and the 3D fill is really interesting. I am drawn to the zebra stipe decoration at the top of the piece above the A – it is a halo I think – I know that Bnie has been favouring this pattern recently and it is great to see it here.

2363. Star and Garter (3)

The tribute on this wall, to Dutty Ken by Haka, is most fitting and appropriate as it is painted on the side wall of the Star and Garter pub where Dutty Ken had been landlord and DJ since 1993 up until his sudden death in early 2017.

Haka, Star and Garter, Bristol, July 2019
Haka, Star and Garter, Bristol, July 2019

Although the portrait is not the truest likeness it conveys the fondness in which Dutty Ken was held, and if you look carefully you can see another tribute on the same wall. This wall was given the makeover in time for this year’s St Paul’s carnival. A touching piece from Haka.

1835. Prince Street

Mystery solved. Regular readers will know that I am really quite uncomfortable with posting pieces if I don’t know who created them. Occasionally I post them anyway because I don’t think I’ll ever find out who did them. In this case, I have held on in with the firm conviction that I would find the artist. And I have.

John D'oh, Princes Street, Bristol, October 2018
John D’oh, Princes Street, Bristol, October 2018

I recently bought John D’oh’s excellent book ‘Street Art and Graffiti‘ and there on pages 40 and 41 is this wonderful stencil piece. These photographs were taken this October, but I have some much older ones somewhere in my archive. The original installation had a little red word ‘why’ to the left of the piece and it was placed on 16 November 2015 as a tribute to those who lost their lives in the Paris terror attacks of 13 November that same month.

There is a little shelf beneath the piece which had little battery operated flickering candle lights to give the piece a shrine appearance. Beautifully conceived and executed. This is a poignant and touching piece from a great Bristol artist who puts a lot of thought, time, energy, passion and effort in to his work.

I was thrilled to find out it was by John D’oh. Good things come to those who wait (and buy books).