7342. Jamaica Street (31)

Aimes, Esme Lower, Jody and Conrico, Jamaica Street, Bristol, November 2025
Aimes, Esme Lower, Jody and Conrico, Jamaica Street, Bristol, November 2025

There was a time a few years back when this superb hoarding, the People’s Republic of Stokes Croft outdoor gallery, would be refreshed on a regular basis with all manner of collaborations, these days it tends to be used more for social commentary and messaging, which is not entirely surprising, and welcome. On the downside, it doesn’t get painted with the same frequency, as the messages have longevity. This is a superb, and rather eclectic collaboration from Aimee’s Esme Lower, Jody and Conrico in support of Bristol’s homeless.

Aimes, Jamaica Street, Bristol, November 2025
Aimes, Jamaica Street, Bristol, November 2025

The collaboration begins on the left with a colourful piece by Aimes. The creative piece hints at homes with the brick wall, and also recognises one of the backers of the campaign, the Big Issue, an outstanding set up that has been supporting homeless people for years through a model of engagement in the process of creating and selling print/digital newspapers.

Esme Lower, Jamaica Street, Bristol, November 2025
Esme Lower, Jamaica Street, Bristol, November 2025

The next piece is by Melo who has been on fire recently. The comforting piece is a combination of an illustrative cartoon style that verges on the abstract in places. Two characters, one of them drinking a hot drink and some beautiful flowers, gives us a scene full of hope and opportunity.

Jody, Jamaica Street, Bristol, November 2025
Jody, Jamaica Street, Bristol, November 2025

The portrait piece by Jody, is, I believe a copy of the front cover of the Big Issue, featuring DJ James Hype, who was holding a fundraising event at the Beacon to support homelessness. Jody, as ever has smashed it with the greyscale piece.

Conrico, Jamaica Street, Bristol, November 2025
Conrico, Jamaica Street, Bristol, November 2025

Finally, Conrico has painted some low-cost container houses amidst a floral display, and the words ‘building homes from house’ making the connection between the fundraiser and the outcomes. All in all these four artists have combined to support a powerful and valuable message to the people of Bristol.

6471. Lower Approach Road (13)

Merny, Lower Approach Road, Bristol, October 2024
Merny, Lower Approach Road, Bristol, October 2024

This wonderful piece by Merny has been outside Bristol Temple Meads station for ages, but I only recently managed to photograph it. The problem with the station area is that I tend to save the pieces there for when I am going to be travelling by rail, but of course I never leave enough time to photograph them.

Merny, Lower Approach Road, Bristol, October 2024
Merny, Lower Approach Road, Bristol, October 2024

Painted in 2022, the tender piece depicts a man leaning over another who is in a sleeping bag, saying the words “I’ll wake you up when it is over John”. I am not sure what the piece is about but I amguessung that it is a commentary on the state of rough sleeping in our country. The naive style that Merny uses some makes the message even more poignant. A thought-provoking piece.

Vagrant

 

Look beyond my eyes

my unsightly appearance

see the heart inside.

 

by Scooj

Thursday doors

Doors 56

Happy New Year doorsters!

Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018

It would seem that just before Christmas, all my Christmases did actually come at once, which is a rare occurrence.

On my way to work I walk past City Hall, and on one of my last days in the office before the Christmas break, something caught my eye on the long ramps outside the front of the building. That something was not one or two, but several framed doors, each one painted by artists from Bristol.

Naturally I had to take a closer look and of course some photographs. Imagine how I was feeling…doors and street art combined and laid out neatly right next to where I work. I was in heaven.

The only thing missing was any kind of explanation, and it wasn’t until writing this post that I found out what this exhibition was about (Christmas got in the way a little bit).

The exhibition ‘A Year Outdoors‘ was conceived by artist Beau as a way of raising awareness of the pressing issue of homelessness, and these doors were created as a metaphor to challenge austerity cuts. I felt a small whiff of irony that it was the local authority who were hosting the exhibition, perhaps that’s why there weren’t any interpretation boards explaining what the doors were all about.

The doors have been packed away now, but they will be going on tour around the UK and to the United States.

So here they are:

Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Alex Lucas, Street art door, A Year Outdoors, Bristol, December 2018
Alex Lucas, Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Alex Lucas, Street art door, A Year Outdoors, Bristol, December 2018
Alex Lucas, Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018
Street art door, A Year Outdoors, Bristol, December 2018

by Scooj.

More great doors at: Thursday Doors – Norm 2.0

Bag lady

 

All I have is here

my worldly goods and my home;

lonely and alone.

 

by Scooj

Temple Church

 

In the shadow of

the leaning tower, homeless

people sleep in tents.

 

by Scooj

Circumstance

Falling through the cracks

victims of austerity;

my head hangs in shame.

 

by Scooj

 

  • I sometimes struggle with the word victim, and the ‘victim culture’ that thrives during ‘shocks’ of all kinds. In this case I feel the word is valid.