Minto has been painting a string of fabulous pieces recently, most of which are following this style of what I would describe as deconstruction. The architecture of the piece is there, with the scaffolding still left up (metaphorically speaking) and lots of parts are exposed. We are more used to seeing conventional graffiti writing with solid fills and continuity – Minto has blown this convention apart with his fragmentation approach. The overall effect is not unlike Benjimagnetic’s work.
Minto, M32 roundabout, Bristol, July 2023
The letters MINTO can be reasonably clearly seen, with some hint at symmetry (with the exception of the ‘T’ which breaks things up in space and colour). A couple of faces make an appearance, and there is a rather nice little shout out to Soker there too. Really great and different stuff from Minto.
More colourful fireworks from Hypo. This piece reverts to his symmetrical style of lettering, where the ‘H’ and ‘O’ are broadly similar in shape and the ‘Y’ and ‘P’ generally reflect one another. This is a design that Hypo has played with for years and tends to work really well.
Hypo, M32 roundabout, Bristol, July 2024
It is the fills though that grab the attention in this piece, with several horizontal layers of colour, I can count at least four, each of which is decorated with well-placed spots. There is a lot of energy piece, which is provided by the depth created and the sparkles at strategic points on the letters. Another great piece of graffiti writing for the collection.
This amazing combination piece by Stivs is something of a rarity in Bristol, and indeed in many towns and cities in the UK. I have mentioned it before that nudity, realistic or cartoon, tends to be avoided by most artists, which I find a bit strange, because the ‘edge’ that is associated with graffiti culture appears to be ‘missing in action’ in this respect. I think that there are probably two main reasons that we don’t see nude art on our streets; the first is that most street artists probably find it slightly embarrassing territory, the British reserve coming into play. Contrast that however with any art gallery where nudes are mainstream.
The second, and rather more practical reason is that nudes are almost instantly dogged by the ‘sensibility police’, who perceive that they are doing the wider public a service – personally I find that utterly bonkers, but it always happens, and nude pieces don’t last long in their original form. It took only a couple of days before this piece was daubed with black paint over the breasts. A more creative and skilled ‘protestor’ might have painted a bra or top, adding to the humour of the situation, but no… just cross it out with rage and anger.
Stivs, M32 roundabout, Bristol, July 2024
‘Norks’ is slang for breasts and in this cartoon character, Stivs has opted for cheeky exaggeration. The character reminds me very much of those ‘saucy’ holiday postcards that filled the racks in trinket shops in seaside resorts up and down the country during the 1960s and 70s. These days, such things are no longer the norm, and definitely speak of a bygone era.
Stivs, M32 roundabout, Bristol, July 2024
While some may find this combination piece by Stivs offensive, I do not. I like it and celebrate the boldness, taking us to a place that is both uneasy and challenging. Stivs’ artwork is outstanding, and this piece will be remembered for its difference from the mainstream – all part of the very rich diversity of the Bristol street art scene. If nothing else, the piece raised a few eyebrows.
It is a rare privilege to witness a character artist segue so seamlessly into graffiti writing, and Bloem, with this outstanding piece, proves what I already knew, that she is a natural. Not only has Bloem managed to give writing a go, but she has created a very neat and tidy piece, of a standard that many wannabe graffiti writers never reach.
Bloem, M32 roundabout, Bristol, July 2024
Her colour selections are excellent and blended expertly as they transition through the letter fills. The letters are very nicely proportioned and regular enough, without being too regimented. All the borders and lines are clean and crisp, patterns simple and well executed, and the white highlights do enough to create a 3D look to the writing. It helps that the graffiti writing is presented on a white background with some black spots, creating contrast and framing everything very nicely. I very much look forward to more experimentation from Bloem.
Just as I was beginning to think that Minto was going on a bit of a ‘slow-down’ he comes up trumps with several new pieces in a relatively short period of time. This is an interesting piece that was created during a paint jam at the roundabout. I have noticed that Minto has changed his style a little recently and appears to be undergoing a ‘period’ of deconstruction, where the elements of his work appear to be a little fragmented, as if several thoughts are going on all at once.
Minto, M32 roundabout, Bristol, June 2024
Concealed within the piece are the letters MINTO, with the ‘INT’ being reasonably clear, but the ‘M’ and ‘O’ are more tricky to see. For clarity, he has signed it in yellow bubble writing on the left. The colourful piece is full of eclectic decorations and a couple of characters, but for me lacks a little cohesion. The blue and grey background I would guess has some kind of meaning, but it is a little lost on me. Lot more to come from Minto soon.
I love Conrico’s work. He has the most incredible capacity for telling stories through his art. Rarely is there a static portrait or lettering that does nothing more than look good. The other thing that I admire in his work is his spray style that looks more like brush strokes than spray – clever stuff indeed.
Conrico, M32 roundabout, Bristol, June 2024
This piece was painted during the paint jam to celebrate Wispa’s birthday (in absentia). I am guessing, but can’t be sure, that Conrico has painted a portrait of Wispa in honour of her birthday, which would make sense. He has included some writing, which I think might be Japanese, which I cannot read. A nice piece that is so typical of his unique style.
What a wonderful surprise it was to come across this outstanding collaboration from Hypo and Ulow. Regular readers will be familiar with Hypo, especially as he has been so productive over the last year or so, but Ulow’s appearances are rare these days, so this was a real treat.
Hypo and Ulow, M32 roundabout, Bristol, June 2024
This collaboration is out of the top drawer. Hypo’s super-colourful writing is as good as I have seen from him and has a touch of Hemper in its presentation and depth… praise indeed. Ulow has an incredible talent for painting the perfect graffiti characters, and his dancer on the right hand side of the collaboration matches the energy of Hypo’s writing. This is a supremely good piece, and one of my favourite collaborations so far this year. Bravo!
Face 1st and Zake, M32 roundabout, Bristol, July 2024
It looks like Face 1st and Zake have an insatiable appetite for painting at the moment, and they are teaming up, with or without the rest of PWA friends to get out there and decorate our walls. This time the pair have chosen the M32 roundabout to express themselves.
Face 1st, M32 roundabout, Bristol, July 2024
Face 1st continues to work on his 3D blocky letters, which in fairness he has been tinkering with for a few years, but seems to be really concentrating on them at the moment. This is a familiar format, where he spells out FACE with the letter ‘A’ being replaced with a laughing girl.
Zake, M32 roundabout, Bristol, July 2024
Zake has been creating some rather zany and at times mildly disturbing cartoon portrait pieces lately, and this one fits that description quite neatly. Whenever I see a heart in street art, I read it as meaning one of two things – love, or heart break. It is possible in this instance that it is neither and might be illustrating the tussle between heart and mind. The character has been cleaved in two, which makes for not the most attractive sight. All in all a nice collaboration from the busy pair.
Although she doesn’t hit the walls all that often, it is always a treat when Nips produces one of her pieces of writing. She tends to have a fairly consistent approach to her letter shapes, but like many other artists who demonstrate this consistency, it is the fills that are king.
Nips, M32 roudabout, Bristol, July 2024
Tucked away on the M32 roundabout the graffiti writing is filled with a wonderful selection of green tones that transition beautifully with a combination of shape changes and blending. Nips creates great depth to her letters by using white accents on the right hand edges them, and using this device the letters pop really well. This is a very nice, in not a little modest, piece by Nips.
For the last year or two, Hypo has been turning out terrific pieces of a consistent high quality and on a pretty regular basis. His letters HYPO lending themselves to a certain degree of symmetry, which often comes across, which is well demonstrated here and can be spotted if you focus on the positions of the five light blue arrows.
Hypo, M32 roundabout, Bristol, May 2024
The colours are nicely presented and transition well in the fills. There is also a lot of depth to the letters created with mid-lines, shading and accents. Hypo is a specialist at creating this kind of energy and effervescence in his writing, perhaps learned from and shared with his friend Hemper, who is a master of this kind of wildstyle graffiti writing.
