When all else in the crazy world we live in is kicking off and our landmarks and routines are blown apart, there is a beating heart, metronome-like, tick-tocking in the background and that is the quiet, modest, ever-present production line of graffiti writing from Corupt. It is rather comforting when you think about it.
In this outstanding piece Corupt has written STICK, which is one of the two common letter combinations he uses. His humour shines through with this “Happy New Tier” story to welcome all of us into 2021 in a lockdown situation. The letters are beautiful, the fills are beautiful and the colour combinations are beautiful. A beautiful cheery piece.
Corupt is an artist I have not yet met, although I have seen him up a ladder once or twice. His constant turnover of pieces has been on a long and progressive improvement over the years, and he is moving into the higher echelons of Bristol graffiti writers with his CORUPT or STIK letters.
This is a piece full of confidence and competence with some really interesting letter shapes, the introduction of a little character on the ‘C’ and a deep 3D shadow in white brown and tan colours. There are many things to admire in this clever work.
Corupt is an artist whose work is horribly underrepresented in Natural Adventures, and over the coming weeks I will attempt to correct this. His work can be found in all the main spots in Bristol, but he definitely favours the tunnel and M32 roundabout.
The letters in his work have a unique style that makes his writing quite easy to spot, especially as he writes under other names from time to time. This one is a real gem with some clever colour combinations and a cornucopia of fills. So often his pieces in the tunnel don’t photograph very well due to the awful light conditions, but this one has come out really well. Great work.
This is a really nice piece by an artist I call Corupt (because that is what he most commonly writes, although he also writes Stik) unusually he has written BS3 in this piece which is a postcode reference to the Southville and Bedminster area of Bristol (south of the river). It is unusual for an artist to paint a postcode outside the area of that postcode.
The piece is beautifully painted, with a fine spotty fill and nice 3D shading on the letters. My guess is that Corupt may have been a bit pissed off that his background was about six inches shy on the right hand side, it would certainly annoy me. It matters little to the overall quality of the piece.
At the Farm end of St Werburghs tunnel a little while ago was this beautifully colourful piece by Corupt, in fact I think it is probably my favourite of his ever. The letter shapes are typical of his style, from the sloping ‘C’ to the ornate stem of the ‘T’, but it is the upbeat fills and childish colours that make this piece stand out from the crowd.
The whole piece looks like a child’s colouring-in book (in a good way) and has a lightness and joy about it. A magnificent work from this quiet and often overlooked artist. I have so much more of his work to share with you.
Now a little break fom all that heady Upfest stuff and this great piece of writing from Corupt, who as well as writing ‘Corupt’ also writes ‘Stick’ – don’t ask me wht… he just does.
Corupt is one of the unsung heroes of the Brisol graffiti art scene. His work is ubiquitous and he keeps a steady flow of pieces coming year-round, but he is rarely written about or mentioned in passing. I think he keeps himself to himself and paints for the sheer joy of it. This is a lovely sharp clean piece beautifully and thoughtfully constructed.
Things have been hotting up again in St Werburghs Tunnel recently, and although there hasn’t been a formal paintjam to my knowledge, there have been a steady trickle of new piece, including this rather nice 1960s retro piece from Corupt. It rather reminds me of cartoons I watched as a young child.
The colours are a little washed out because of the artificial light in the tunnel, but the design of the letters, the shading and accents and the face painted on to the ‘C’ come together nicely to creat a really pleasing work. We probably don’t get to see enough of Corupt’s work, but this is a real beauty.
There has been a recent spate of graffiti writing from Corupt in recent weeks and this is a piece from the M32 roundabout is probably the pick of the bunch. His work is interesting in that it tends to have quite a wide span from quick and dirty throw-ups to rather more considered and well executed pieces like this one.
Corupt is one of those artists who just likes to get out and paint (I guess that is actually a condition of most street artists). One of the things I have noticed about his work is that he often paints high up, which generally means his work hangs around much longer because most overwriting happens lower down the wall. This is a cheerful and sunny piece looking good in the late winter sunshine.
Although I only recently posted my first piece by Corupt, I have been aware of his work for quite a while. In all the time that I have seen his work, this is the first time I have seen anything by him on a more conventional ‘show’ wall. Usually his work is sprayed high above other pieces in spots with a high turnover.
Often colourful, he sprays his moniker with a deep perspective and variety of decorative fills. This busy piece has a candy, cakes and ice cream feel to it…maybe it is the colours and drips. Looking forward to posting more from Corupt.
This is the first time I have posted any work by Corupt although I have seen tons of his stuff over the years. As a graffiti writer I think he likes to stay well under the radar, and I have only once seen him at work, and I think he quite wanted to keep a low profile.
I have seen a lot of his work on the walls at Dean Lane skate park and here at the M32 roundabout. It seems to me that he rather favours these high up spots, often above other works. I think the idea is that if he sprays high up, his work will be there for longer. Seems to make sense to me.
I must confess that I haven’t paid too much attention to his writing, although I see quite a lot of it, but am breaking that habit now with these first two works. I haven’t yet formed an opinion about his work, which all seems to conform to a particular style format.
Both of these are colourful works, and I will enjoy posting more and seeing how his work develops over time.