The incredible Laic217 has been out and about again although his efforts over the last year or so have very much been in fits and starts. It is a long time ago since he has painted in this particular spot and how his work has come along since then.
I am a complete sucker for his work and every time I find a piece my endorphin levels are suitably topped-up. This is an absolute belter, and I think one of my favourites. The woolly hat reminds me of the cap that my all time hero Jacques Cousteau used to wear and is so perfectly sprayed. Laic217 has become such a specialist in painting different fabrics and textures and the black and red puffer jacket is a perfect example.
The pose of the skeletal character is typical of a Laic217 piece with a spray can at the ready. Some great detail, imagination and craftwork have been combined to produce this fine work… one that is so utterly worth a look if you get a chance.
This is the latest in a sequence of new Laic217 pieces, but one that alas only lasted a few days before being over-painted. Set on a nicely prepped black background, this piece has a skeleton (of course) and some throw up writing about the place. This is quite clever, because it looks like the tagging looks like it was already there and Laic217 has planted his piece over the top of it, but it is all his work.
At risk of repeating myself, something I do a lot of on Natural Adventures, it is the textures in the clothes and materials that Laic217 carries off so well. On this particular piece, the zip is the star of the show. If you like street art with clothed skeletons, then Laic217 is yer man.
I am very much enjoying this little pulse of activity from Laic217, and from all over the city too, what a treat. This is a tidy piece in which he recognises his PAD crew by name, and possibly represents some of them with his skeletal characters… who knows?
The black and white skeletons on a magenta background almost look like charcoal sketches and are very nicely done, and he has managed to achieve expressions from expressionless skulls – very clever. His crew (or kru as he calls them) are Cort, Ugar, who seems to have left Bristol, MRB and Zios (I don’t know either of them) Zbok (followmyrabbits) and Laic217 himself. Some great Polish/Hungarian talent there.
Lockdown isn’t all bad (although it is pretty bad, granted) because it seems that it triggers some activity from certain street artists, including Laic217. Since the New Year, Laic217 has been hitting walls fairly regularly and that is a great thing – I am guessing that perhaps he can’t work or has been furloughed or something like that.
This piece, close to another one at L Dub shows Laic217 at his graffiti art best, a skeleton figure in a subversive pose giving a double bird in a flaming background. As usual, the creases and folds in the hat and clothes is a speciality of his and something that seems to come so naturally these days. A fine fiery piece.
It has been way, way too long since I last saw a piece from Laic217. He had a burst of activity during our first lockdown, but after that has been fairly invisible on the streets, which is a pity. Somehow he epitomises the Bristol scene with his irreverent skull pieces. Edgy but also brilliantly painted, together with a range of textures and subjects helps Laic217 stand out from the crowd routinely.
This monster piece, on the long wall in Cumberland Basin, features a hoodie-wearing skeleton using a flame-bearing spray can, a theme regularly used by the artist. Simple colours and a sketch-like quality belie the skill in this piece. The bubble writing in the background belongs to this piece and spells out PAD, the crew which includes Cort, whose piece was adjacent to this one. Hurrah!
Immediately after lockdown, Laic217 was on fire. I am guessing that he was not working and so was able to paint the streets without restraint. In recent weeks he has slowed down considerably, so it was great to see this quick one on one of the ramps in the skate park.
This stop-start nature of activity from street artists is common and probably reflects the employment model they adopt. Self-employed artists seem to have a bit more flexibility around when they can paint where as those with 9-5 jobs probably find it all a little more challenging. Of course coronavirus and Furlough have played havoc with these regimes.
The piece itself is straightforward, a skull with a woolly hat bearing the letters PAD, a crew name. Even in these quick pieces, Laic217 still manages to achieve a high standard of artwork. I hope he gets some leave soon, I am suffering from withdrawal symptoms.
Cort is one of Bristol’s regulars who will often be found painting alongside Laic217 but occasionally paints alone. His writing is quite different from other people’s and has a very distinctive font which is perfectly demonstarted in this piece.
Painted on a grey-buffed wall the letters spell out KORT . These have a nice 3D shading off to the left and contain some nicely painted red dots. Adding a bit of interest behind the lettering is a red splosh and some little orange circles for good measure. A nice touch is the two yellow rings joining the O and R of the piece. Great work.
Well this is just brilliant. A really clever and really well crafted piece from Laic217 who, it has to be said, has been on fire since the lock down restrictions were eased. A skeleton character taking a photograph of a piece by Laic217. It reminds me a little bit of me, although I carry a little more weight than this character.
The whole thing has been painted in a spectrum of shades of black, grey and white apart, that is, from the red camera strap bearing the name Laic217. This is a work of an artist really enjoying his craft and employing his creativity with freedom. On of my favourite Laic217 pieces to date.