More from the Minto birthday paint jam, this time from Noise, and what very classy piece of writing it is too. I think I can safely say that this is the best attended birthday paint jam I have seen in Bristol, with both walls of the tunnel occupied.
Noise, St Werburghs, Bristol, November 2025
Noise has used the tried and tested combination of gold (yellow) and red, and fancied up his letters a bit, and slimmed them down fractionally too. I like the ‘wire fence’ effect around the outside of the piece, not something I have seen before – most original.
Although the letters in this piece are a little skinnier than one might expect from Noise, they are nonetheless unmistakably his. Of course, the fact that the letters spell NOISE removes any doubt whatsoever about the artist.
Noise, M32 roundabout, Bristol, October 2025
I would say that this is, in my view, one of Noise’s best pieces yet. By thinning his letters, he has created more scope for borders and intricate design, that perhaps his fatter letters restrict a little. The two tones of red and orange throughout are beautifully blended, and perfectly offset by the light blue border highlight. Even the grey buffed wall has been disrupted and made more interesting with some cracks. A really nice piece.
Noise and Posh, Boiling Wells Lane, Bristol, August 2025
This was a bit of a find, and is a collaboration between Posh and Noise, not a pairing that I would necessarily have expected, but welcome nonetheless. Tucked away in a tunnel that is infrequently painted, but has recently come alive, this is a collaboration that won’t get as much exposure as it certainly deserves.
Noise and Posh, Boiling Wells Lane, Bristol, August 2025
Noise has painted some of his chunky letters with superbly worked horizontal fills and a rather nice midline in pink, which helps to add depth and interest. The ‘O’ of NOISE has been commandeered by Posh and brings together two very different styles.
Posh, Boiling Wells Lane, Bristol, August 2025
Posh has upped his game this year significantly and either works on his own, or in collaborations or augments other artist’s work, demonstrating his versatility. He has framed his little yellow posh characters within the boundary of the ‘O’, and created quite a scene, which seems to include a skateboarding kangaroo? A really unusual and fun collaboration.
Noise has been painting in Bristol for a little over two years now, and I haven’t yet had the pleasure of meeting him. I guess our clocks just aren’t synchronised – I tend to go for my exploratory dog walks at lunchtime or after work usually on weekdays, so I imagine Noise’s paint time pattern doesn’t match… or maybe we just haven’t been at the same place at the same time. It can happen that way.
Noise, M32 Spot, Bristol, July 2025
This is a big fat piece with big fat letters, which is what Noise does best. His letters are like a visual version of onomatopoeia, in so much as their size and imposition looks like noise to me. Does any of that make sense? The letters are filled with yellow, and some murky muddy colour, I suppose I would describe the piece as mustard noise. Great stuff.
Noise consistently turns out great graffiti writing pieces. Never too showy or ostentatious, he always puts his big letters to good use. I have noticed that of late he has been using quite dark colours and tones, which adds a weight to his work.
Noise, Sparke Evans Park, Bristol, June 2025
This is a superb display from Noise, with slightly more elaborate letters than normal, but it is the fill that is most captivating. The lower half of the deep red letters has an incredible cloudy marbling effect, simply stunning, and the white highlights on the letters create superb depth, giving texture to the letters, lifting them off the wall. A top piece of graffiti writing from Noise.
Although he has had a relatively quiet winter, Noise has woken up for the Spring and is starting to make his presence felt once more. This is a wonderful big bold piece of graffiti writing and is set in a Vaughn Bode landscape.
Noise, Cumberland Basin, Bristol, April 2025
It is customary for most graffiti writers at some point in their ‘career’ to pay tribute to the American underground cartoonist who was active in the 1960s and 70s, and Noise has done so with a fabulous Cheech Wizard on the left and a scattering of toadstools along the base of the piece. Nice work.
I’m not quite sure what links there are in this piece by Noise to the World Wall Stylers’ theme of Space Jam, but it was painted alongside Zake who recreated some characters from the film, and this piece reflects the colour scheme adopted.
Noise, M32 roundabout, Bristol, February 2025
Noise has a very distinctive style and usually presents chunky letters spelling out his name. In this piece, the letters are a little skinnier than usual, but unmistakably in his style. The colour selection for this paint jam, isn’t particularly helpful, with everything being a little bit dark and quite ‘heavy’ is that makes sense. A curious interpretation of the theme.
Natural adventures 