This is the second of several recent wheatpastes from Copyright scattered around Bristol that I have found. Obviously it has been here long enough for the elements to damage it a little, but it still holds that extraordinary charm he seems to create with ease and grace.
Copyright often presents his work in this symmetrical way, and symmetry seems to play a large part in many of his pieces. The beautiful model is created using a stencil, and the symmetry comes from reversing the stencil or the print. Whatever the technique, the outcome is stunning. Now to find the other wheatpastes… if they still exist.