
In the main, Scrapyardspec tends to paint his work in ‘cheeky’ spots that others might avoid, or simply not consider worth painting. His adaptable character lends itself very well to filling spaces in landscape or portrait orientation, again something that graffiti writers for example often struggle with.

This piece is at the entrance of the tunnel and makes use of a textured wall that has plenty of plant growth spilling over it. Scrapyardspec’s goofy character, reverts to its more basic form – no limbs or hair here – and reminds us of his iconic and unique design. I have lots more pieces by the artist and might have to do mini gallery at some point just to catch up.



