1589. River Avon

Another unmistakable feline portrait by Daz Cat, this one is on the path on the south side of the River Avon near Cumberland Basin. I don’t think that this is his best work, but even a quick one like this requires a lot of skill. I can say this with some authority, having hadf my first two hours with a spraycan earlier on today (as I write this post (about three days ago)).


Daz Cat, River Avon, Bristol, June 2018
Daz Cat, River Avon, Bristol, June 2018

I can’t quite figure out what the thing growing out of his face just above the mouth is, but it looks like a mouse tail to me. This is a great wall in a fine location, but not one that gets a lot of attention (I think). I’ll have to drop by soon for another look.

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1552. The Bearpit (150)

One of the nice things about ‘coming out’ about discovering a new artist is that you can trawl through all your old images and start to post some of their older work, and so it is with Daz Cat whose pieces I have only been posting for the last two or three months.

Daz Cat, The Bearpit, Bristol, November 2017
Daz Cat, The Bearpit, Bristol, November 2017

This great cat face in one of The Bearpit tunnels is from November last year and is a really good example of the work of this artist. I always feel that his work is quite simple, but take a closer look and there is a lot of detail and finessing in there. This is a great example of themed work and a distinctive style.

1503. Stokes Croft

I love this wall. It is next to a bus stop in Stokes Croft, and the hoarding was erected about two years ago or more around a building that had been a rather hip bar. For an eternity, it seemed, nobody tagged or sprayed the wall, but slowly the inevitable succession of vandalism and creativity emerged, and the hoarding has become part of the furniture for some of the more adventurous artists. I believe the owner of the site is not overjoyed.

Daz Cat, Stokes Croft, Bristol, April 2018
Daz Cat, Stokes Croft, Bristol, April 2018

This is a nice piece from Daz Cat, who once again presents us with a dog and not a cat although I think it is a very fine dog and not too unlike my own cocker spaniel. Sprayed at the time of Trump and May joining forces to bomb Syria, the message here is loud and clear. Definitely bomb walls not Syria.

Much of the work here is pretty rubbish, but every now and again we get a gem like this one.

1458. The Bearpit (140)

This is the second piece I have posted by Daz Cat and interestingly this time it is a dog. I’m not sure what the slogan ‘Without a pack the dog days are back’ is all about, but it has a nice ring to it.

Daz Cat, The Bearpit, Bristol, April 2018
Daz Cat, The Bearpit, Bristol, April 2018

My initial reaction to this piece is that it looks a bit rough and ready, but actually I think that might just be an artifact of the style Daz Cat uses. If you look closely, the shading and shapes used in crafting the dog’s head are sophisticated and cleverly done, giving an appearance in places almost of a stencil (for example around the nose). I like his work, and I am pleased to see a proliferation of it at the moment. It is always nice to see new work about the place. This piece was created for the Spring paint jam.

1448. The Bearpit (137)

I have featured a lot of new artists on this blog recently, and this is the latest of them. Daz Cat is a Bristol-based illustrator and graffiti artist who I think is reasonably recent of the street art scene, although I would happily be corrected as there is not an awful lot of information in the Internet to go by.

Daz Cat, The Bearpit, Bristol, April 2018
Daz Cat, The Bearpit, Bristol, April 2018

His works tend to feature the heads of cats or dogs and often a little message – the one here ‘in fine style’ is used in other pieces too. He has had a recent burst of activity with some pieces, of which this is one, that were painted during the Spring Paint Jam in The Bearpit. More of his work, and perhaps more insight to follow soon.