2819. Dean Lane skate park (293)

From the feature image it is difficult to gauge the significance of this collaborative wall from little more than a week ago in Dean Lane skate park. I gave you a little hint earlier this week with a piece by Rusk which is on the left hand side of this wall behind the fence and which can’t be viewed from this vantage point.

Soker, Inkie and Hemper, Dean Lane, Bristol, March 2020
Soker, Inkie and Hemper, Dean Lane, Bristol, March 2020

I had decided to take the dog for a walk to Dean Lane and talk about being in the right place at the right time… this was it, and so utterly random that I had chosen to go down there. Not only were Soker, Inkie and Hemper busy doing their thing, but Rusk was also there and watching on were The Agent, Angus, DJ Perks and Tes (Slim Pickings).

Soker and Inkie, Dean Lane, Bristol, March 2020
Soker and Inkie, Dean Lane, Bristol, March 2020

It was a little bit like I had died and gone to graffiti heaven. To see these established writers all at work simultaneously was a rare treat indeed, and that other artists who had been tipped-off were watching on made the whole thing feel extra special.

Inkie and Hemper, Dean Lane, Bristol, March 2020
Inkie and Hemper, Dean Lane, Bristol, March 2020

I had met all the artists before with the exception of Hemper who seems to have had something of a renaissance of late, but this wasn’t really the right time to introduce myself, more an opportunity to watch how these guys go about their businness.

Soker, Dean Lane, Bristol, March 2020
Soker, Dean Lane, Bristol, March 2020

Soker’s chrome piece on the left is near perfect and spells out Sokem (the R and M are interchangeable in his name). The photographs of the finished pieces were taken a day or two later.

Inkie, Dean Lane, Bristol, March 2020
Inkie, Dean Lane, Bristol, March 2020

Inkie’s central panel is classic Inkie and whilst also in chrome stands out due to the deep 3D shading in a striking scarlet colour. This is the third Inkie I have seen so far this year which is not bad going especially as there haven’t been any festivals in that time.

Hemper, Dean Lane, Bristol, March 2020
Hemper, Dean Lane, Bristol, March 2020

I am less well acquainted with Hemper’s work simply because he hasn’t painted as much as the others until relatively recently. Again in chrome, this third panel of the triptych mirrors the colours of Soker’s piece on the left to give some symmetry to the collaborative work. A landmark wall and a red letter day.

Soker, Inkie and Hemper, Dean Lane, Bristol, March 2020
Soker, Inkie and Hemper, Dean Lane, Bristol, March 2020

2799. M32 roundabout J3 (199)

I’m not sure I would have known that this ‘Blistolian’ piece was by Soker if I hadn’t seen it tagged on Instagram, although it does have all the hallmarks of a highly accomplished artist and was painted alongside a Hemper pece so was likely to be by one of the big boys of Bristol street art.

Soker, M32 roundabout, Bristol, February 2020
Soker, M32 roundabout, Bristol, February 2020

It seems that Soker has ‘awoken’ from a fairly quiet winter period on the streets, with a couple of new works including this one. It is unusual for Soker to write something other than his name, but it does happen from time to time and the script fot used in this one is an absolute winner.

2751. M32 cycle path (51)

Aah! the familiar large letters with deep 3D shading of Bristol’s mighty Soker. It doesn’t seem to matter what design, shapes or colours Soker uses, his supreme qulaity always shines through. I cant’t fully identify what it is that makes a piece stand out from the crowd, but it might have something to do with the assured skill and confidence that the artist embeds into the work at the time of spraying.

Soker, M32 cycle path, Bristol, February 2020
Soker, M32 cycle path, Bristol, February 2020

I aven’t seen too much from Soker over the winter months – perhaps he is more of a fair-weather artist or maybe he has been busy with other projects, either way, it is always a pleasure to see anything by him.

2306. Waterloo Place (4)

This wall at the back of Sofa Project has played host to some of the tightest street art in Bristol, and it is most pleasing to see that tradition continuing with this new collaboration between Paul Monsters and Soker.

Paul Monsters and Soker, Waterloo Place, Bristol, June 2019
Paul Monsters and Soker, Waterloo Place, Bristol, June 2019

when I spoke to Paul Monsters about it, he was full of compliments for his collaboration partner and explained how Soker had worked the horizontal shade in his writing to match up with Paul’s geometric design with complete ease. Looking at it knowing this adds context and insight into the strength and thoughtfulness of this piece.

Paul Monsters and Soker, Waterloo Place, Bristol, June 2019
Paul Monsters and Soker, Waterloo Place, Bristol, June 2019

The geometric backdrop by Paul Monsters is in my view masterful work and creates a most extraordinary illusion that the wall is made of coloured blocks that have bevelled peaks that jut out, and no matter how hard you look at it it is difficult to see it as flat.

Genuinely, this is one of the most enjoyable collaborations I have seen in quite a while. Classy and diverse.

2281. Norfolk Place (5)

Sometimes you’ve just got to go big and bold, and they don’t come much bigger and bolder than this fine piece of writing from Soker. This is a wall that doesn’t seem to change all that often, and is usually occupied by an ASK artist.

Soker, Norfolk Place, Bristol, April 2019
Soker, Norfolk Place, Bristol, April 2019

There is a lot to like about this piece which looks so graceful, clean and simple, but it takes a lot of skill and experience to pull off writing like this. The letter font is easy on the eye, and the green and white highlights help to give a 3D appearance, and the whole thing is set off on a nice background of cool colours and shapes. It is the pink touches that add just a little bit of class. A fine work.

2061. Raleigh Road Vector (28)

Here’s one from Soker that nearly got away. Tucked away at one end of the hoardings in Raleigh Road, hoardings I might add that have now gone as the development reaches completion, this is a piece that could easily have been missed.

Soker, Raleigh Road, Bristol, February 2019
Soker, Raleigh Road, Bristol, February 2019

This stretch has been a productive one, particularly for members of ASK, but no more, they’ll have to find other walls to keep them busy. I rather like this cheerful and colourful piece, which is completely on point as always.

2023. Dean Lane skate park (190)

As long as Soker keeps turning out fabulous graffiti writing, I will keep photographing and sharing them. This one from a few weeks back was part of a wall shared with Dibz, which I have already posted. It is a beautiful chrome piece with blue and black shadows. Showy and subtle both at the same time.

Soker, Dean Lane, Bristol, January 2019
Soker, Dean Lane, Bristol, January 2019

It is interesting that when I post his pieces on Instagram, they generally get fewer likes than street art pieces, which leads me to conclude that graffiti writing is more of an acquired taste…that is except for his Upfest 2018 Simpsons piece, which was my all-time most popular Instagram post. I wish I knew how these things worked.

1982. Stokes Croft, the Canteen

There is a new piece in town on one of the most famous walls in Bristol thanks to Banksy’s ‘Mild Mild West’ piece, which I am privileged to enjoy every time I walk to work. I had noticed a short while ago that the wall below had been prepped and there was a notice indicating that something new was going to be painted soon.

Soker, Stokes Croft, Bristol, January 2019
Soker, Stokes Croft, Bristol, January 2019

The piece in question is this ‘study’ by Soker (yes two Soker posts in a row), and when I first saw it I thought it was incomplete. I read subsequently that it is a piece designed to look like a sketch on lined paper with annotations. In meeting that brief, Soker has once again excelled and the piece will be keeping good company with the teddy bear above. Clever stuff.

1981. Raleigh Road, vector (27)

How can it be that my archive is stuffed full of great art? This is a case in point, a fabulous piece of graffiti writing from Soker from back in June 2017 that I didn’t post at the time. I really ought to pull my finger out, but short of posting four or five pieces a day (which I don’t have time for), I’m not sure how to do it.

Soker, Raleigh Road, Bristol, June 2017
Soker, Raleigh Road, Bristol, June 2017

Should I be more selective in what I post first time round? I don’t think I can really do that, because this blog is about honesty and seeing the world warts ‘n’ all. There are other people who publish sanitised street art for the ‘coffee table consumer’, I like to think that Natural Adventures is a little more inclusive and raw (as well as documenting contemporary Bristol artists). This piece has a retro feel to it and would not look out-of-place on the New York subway. Always great work from Soker.

1964. Dean Lane skate park (185)

The thing I love about Soker is that he is his own man. Quietly and without fanfare, he’ll just saunter down to Dean Lane and create something like this. No fuss, no bother, but just how good is it? If you ask me it is a brilliant , and he must be one of the best writers in the UK right now.

Soker, Dean Lane, Bristol, January 2018
Soker, Dean Lane, Bristol, January 2018

The salmon pink background is quite an unusual colour, and one I haven’t seen much of before. If nothing else, it helps the writing and black outline to it stand out. The three shades to the lettering fill are quite understated, but just to give the whole thing a bit of a spark, Soker has included five orange accents within the lettering. An outstanding piece and one I certainly wasn’t expecting to find.