It feels like an eternity since I last saw a Biers piece that actually spelled out ‘BIERS’ rather than ‘OhYeah’, and I have to say it makes me very happy. I remember the first piece I ever posted by Biers – it had a piece of toast in it, and shortly after that I met him on several occasions while he was painting and we struck it off really well – it has been a while since I last saw him though.
This is a regulation piece of Biers writing and all the more splendid for it. His irregular sized letters are expertly filled with black and red patterning. This is a most satisfying piece.
This might look like a solo piece by Decay, but it is actually a collaboration between Decay and Sludge. Now I don’t know much (or indeed anything) about the latter artist, but it appears the pair teamed up at least twice recently, and this is one of those combined efforts.
The work has all the hallmarks of a fabulous Decay burner painted with some bright colours and the customary red Chuck character, but it is the geometric form in the centre in green and purple and some of the surrounding decorations that have been provided by Sludge. As a whole, the piece is bursting with colour and energy – a confection almost. I love it.
Soker got off to a slow start after lock down, but is gathering speed now, which is great for anyone interested in the work of this great graffiti writer. This lovely piece along the M32 cycle path spelling out SOKEM is a real treat.
The colour scheme is one he has used before in Bedminster although the style of writing is quite different. Of particular note in this work are the red stri[es on the 3D shading, proviting extra depth, and the blue bubbl;es for interest. Overall a sumptuous piece.
Unlike other artists in Bristol, Rezwonk has been relatively quiet since lock down restrictions have eased, although I am aware of a couple of new pieces in Lawrence Hill, there have only been a handful from this master graffiti writer.
This gorgeous piece in red, with alternating white and yellow outlines looks deceptively child-like, but is technically complex. The fill, which would have been laid down first, looks almost like crayon, a technique Rezwonk has used before. The two elements that set the piece off nicely are the red detail lines and the copious drips at the bottom of the letters. Great to see,
When DazCat posted this piece on Instagram he accompanied it with the following words ‘Tried something new, perspective is tricky!’. To me though I think he did a fabulous job.
Although Daz Cat does write from time to time he is definitely better known for his cats, dogs and other animals. The perspective works pretty well in this piece, but I am slightly perplexed that I can’t properly read the writing. I’ll let you work it out for yourselves.
The cat is something altogether More Daz Catty. Propped up against the letters the rather bored, sullen or sad looking cat is passing the time drinking from a bottle (of milk perhaps?). Overall this is a nice piece, slightly understated, that should give the artist confidence to try more experimental work in future.
This was a quiet one from Decay that snuck out without fanfare. It is great to see Decay experimenting with some new paint textures and ideas, such as spraying large clouds of paint on the wall as a kind of backdrop to his writing.
The white shading in the letters has a kind of distressed effect, something interior decorators were particularly fond of in the 1980s. The whole thing is high-class and exactly what you’d expect from Decay. There are two crew names on the piece that are HTM – Hold the Mustard, and LRS – Last Radical Souls, they are a loosely based crew operating all over the world since 2001.
Like so many things, once you get your eye in, you up your game. I am now noticing more pieces by Evey and realise that I probably have a fair few in my archives as well. I have known about her work for a little while, but it wasn’t until her BLM collaboration piece under Brunel Way recently that I wrote my first Evey post. This is the second.
Evey’s EVEN letters are well proportioned and the there is a nice twist with the second E reversed. Because I am teaching myself to spray paint I tend to notice little mistakes and the blue shading on the second E is slightly wrong which confuses the eye a little. It is Evey’s fills that I absolutely love though – maybe it is the natural subject of leaves and plants, but there is something very comforting one optimistic about them, and that is a good thing in these troubled times. Looking forward to posting more pieces from Evey.
Colourful is the word that springs to mind when I look at this fine piece of writing from recently discovered (by me) Phour. Many graffiti writers fade their colouring horizontally, but Phour has done this vertically so the colour transitions happen as you read along the piece.
Phour along with graffiti writers like Mr Draws, Oner, Slim Pickings (Tes) and Fiva, to mention but a few, writes his name, clear and simple without too much disguise or wildstyling which makes his work really easy to identify. I find this piece most pleasing. Great colours, neat and tidy and it has a fearless joy about it. Looking forward to seeing a whole load more from Phour.
As with so many artists, Bnie has been very active since the easing of lock down and I can’t ever remember a time when the frequency of her work has been as high as it is now. This all amounts to great news for fans of her beautiful writing.
In typical fashion, Bnie gives us a really tidy and clean BNIE with some complex and stylish fills. Her creativity and imaginative fills are her USP and she really leads the way with these patterned letters. A fine piece.
The last few weeks have seen a rash of Pekoe pieces popping up all over the place and it has been a real pleasure to see. Her distinctive style is the perfect complement to the large and growing cohort of graffiti writers in the city.
This piece by Pekoe is a real celebration of Bristol and articulates exactly how I feel about the city. Bristol has a great culture and with its history steeped in colonialism and the slave trade it is working hard to confront and come to terms with its past and move forward in a progressive and equitable way. The Black Lives Matters movement has had huge support in Bristol and a desire to understand white privilege and to take steps to make things right. We are at the start of something special I hope.
I love the green face and the hairstyle in this piece is a little different, but no less marvellous. A terrific work.