Tag: Stencil

891. North Street Hoardings (8)

I think that Sirens must have been squatting uncomfortably on the ground for a while during the creation of this calming piece in North Street. It is tucked in amongst scaffolding and a small alcove, often used by graffiti artists and taggers. The space smells…well what should I say? a bit like a WC, and I guess that plenty of pub goers relieve themselves here after an evening out.

Sirens, North Street hoarding, Bristol, June 2017
Sirens, North Street hoarding, Bristol, June 2017

How fabulous then to see this uplifting piece so typical of Sirens. Silhouetted houses and rooftops with a magnificent setting sun; an inspirational piece so full of hope. I know that Sirens likes to surprise people with his choice of location and he has excelled with this one. I imagine many will walk past it none the wiser, but those who look around will see it and benefit from the joy it brings. Nice one Sirens!

887. Upfest 2016 (154)

This is an extraordinary piece by Random, called ‘Prisoner 46664’ and is a portrait of Nelson Mandela. Random, originally from Liverpool, lives in North Wales and works with stencils, sculpture and wheatpastes, which scores lots of points with me.

Random, Upfest, Bristol, July 2016
Random, Upfest, Bristol, July 2016

The work is an ingenious stencil with letters cut into it, placed over a red background. The letters are like a wordle of key associations with Nelson Mandela, such as ‘Freedom’ and ‘political’ and ‘rebel’ and ‘statesman’.

Random, Upfest, Bristol, July 2016
Random, Upfest, Bristol, July 2016

A magnificent piece from Random.

885. Upfest 2016 (152)

You rarely meet anyone who doesn’t have a fondness for Baloo and his ‘the bear necessities’ song from the Disney adaptation of Kiplings’ the Jungle Book. It was the film I saw most frequently as a child – six times – in the days before videos. I had the LP, and pretty much know the entire film word for word, even now.

Mr Bear, Upfest, Bristol, July 2016
Mr Bear, Upfest, Bristol, July 2016

A digression. This is a fine stencil from Bristol born and bred Mr Bear. I must confess to not knowing much at all about this artist, and I haven’t come across his work, or at least, not knowingly. He is a member of SSOSVA and started painting in 1997 under the moniker ‘Bas’.

878. Upfest 2016 (145)

An unusual and rather unsettling piece from ‘1743’. Ambulances and crows are perhaps not the bringers of joy, and this is a hard-hitting piece, in spite of its small size.

1743, Upfest, Bristol, July 2016
1743, Upfest, Bristol, July 2016

The Upfest programme biography reads:

‘UK artist based in Leeds. I paint stuff because I can and it’s fun. Mostly with a spray can and stencils. Inspired by life and what I see around me.’

875. Upfest 2016 (142)

I love stencils and I love cats…this then is simply heaven. The work is from the self-taught Bizzy (Izolda Lautner) who turned he hand to artwork only some 5-6 years ago. Without any formal training, she gives great hope for street art wannabes (like me?).

Bizzy, Upfest, Bristol, July 2016
Bizzy, Upfest, Bristol, July 2016

This was her first piece in front of a live audience, and I think it turned out fantastically well. I wish I had seen her in the process of spraying it. I will be keeping an eye out for her work, although it looks like she won’t be at Upfest 2017, which is a great shame. You can read more about her on her Stencil Art Prize website profile.

870. Raleigh Road, Tobacco Factory (10)

It is always great to see artists emerge from their studios and create wonderful public pieces like this one. In this case the young artist is Liz Clayton, a graduate artist from University College Falmouth who is now living and working in Bristol.

Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017
Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017

I have heard great things about University College Falmouth and I believe Louis Masai went there too. I have a niece studying there now and she seems to rate it very highly, and what a gorgeous part of the country to be a student in.

Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017
Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017

This is a striking piece and reminiscent of Mexican art celebrating Dia de Muertos (Day of the Dead), which I am sure is entirely deliberate. This is a great stencil piece by Liz, and it is fortunate to have pictured her while she was working on it. I hope to see more of her public work.

Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017
Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017

 

 

849. Upfest 2016 (136)

I don’t know very much about Johnman, the artist who created this wonderful greyscale stencil set on such a colourful background.  I have seen from his Instagram account that the stencil has been used in a piece called ‘Hitching to London’, where the background is a map of London.

Johnman, Upfest, Bristol, July 2017
Johnman, Upfest, Bristol, July 2017

It is funny, but I don’t very well recall this piece from Upfest, but on inspecting it closely now, from the comfort of my desk, I think this is an outstanding work. I look forward to paying a bit more attention this year when he returns for Upfest 2017.

846. Leonard Lane (11)

Sirens is getting rather busy all over Bristol at the moment, and here is a recent piece that he produced in my favourite Bristol backwater, Leonard Lane. What to make of this piece?

Sirens, Leonard Lane, Bristol, June 2017
Sirens, Leonard Lane, Bristol, June 2017

What Sirens has done here is create a green space in a sea of messy graffiti. I believe it is metaphorical as well as physical and therefore has a double impact. Even more unexpected is that this is, so he says on his Instagram account, a six layered stencil and took a long time to do.

Sirens, Leonard Lane, Bristol, June 2017
Sirens, Leonard Lane, Bristol, June 2017

The abstract nature of this work is at complete odds with the chaos that surrounds it. A small green window of tranquility. It has an impressive impact on those that venture down this ancient lane.

819. Raleigh Road, Tobacco Factory (8)

The best part about this picture is that I got to meet the artist Lemak, who I have admired for some time, and who creates some of the very best multi layered stencils I have seen. This piece, space cadet, is an exceptional example of the complex and painstaking work Lemak produces.

Lemak, Raleigh Road, Bristol, May 2017
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He was telling me that it takes a very long time to cut the stencils for something like this, which is pretty much life size. The payback comes with selling limited numbers of the stencilled original. Talented beyond doubt, and his income drives further work…something of a virtuous circle.

Lemak, Raleigh Road, Bristol, May 2017
Lemak, Raleigh Road, Bristol, May 2017

Lemak is a real gent, and happy to stop and have a chat. This piece was part of the paint jam organised by Stephen Quick, and sprayed at the same time as the Quick/Adamaszek collaboration featured here a couple of weeks ago. This is a great stencil.

805. Raleigh Road, Tobacco Factory (7)

I had had a tip-off, via Stephen Quick’s Instagram feed that he and Hannah Adamaszek would be doing a collaboration at the Tobacco Factory, on the weekend of 13-14 May, so I managed to sneak over on the Saturday to see what they were up to.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

What a treat. Stephen had organised for a few established, up and coming and debutant artists to spray the car park bays during what was a bit of a Bedminster festival. This work is really interesting because it brings together two distinct styles into a synthesis that joins them. The subject matter is the same, but the techniques quite different.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

Stephen Quick works mostly with stencils and Hannah with freestyle paints and spray. It was interesting watching them concentrating on their respective halves of the collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

It is possible to see that some elements of the original piece obviously didn’t work too well for the artists, so they were removed, for example the purple birds in the background.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

I love the work of both of these artists, and I love the way they have collaborated on this piece. Does it work? I am not sure. Has it enhanced their styles or cramped them? On balance, I consider it a triumph, but it brings into sharp perspective the difficulties of working together. A bit like being married I guess…different styles, a collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017