Oh my oh my. This utterly outstanding piece by Elafil was the biggest head turner of the festival. I had to revisit it several times, just to enjoy the bold brash colours and expression knock me over. I seriously rate this piece as a brilliant piece of street art. The bottle green and copper tones work so well together and create something that assault your eyes – ‘hey look at me’ the piece is saying.
Another thing about this particular piece is that it is unquestionably photogenic, which is great for someone like me who likes to present great pictures of street art in my posts. The only downside is that when I got to see it, the artist had already finished and fled the scene. Next time!
Elafil is from Spain although I’m not sure which part. He clearly has ambition to join the international circuit and on this evidence shouldn’t have any problem at all. He has a website which showcases some of his great work, but alas no ‘about me’ tab.
The other day, just before heading off to Italy, I had a quick trawl around my favourite spots in Bristol just to get as up-to-date with new pieces as I could before missing out on a week of photographing street art. Dean Lane was fairly busy, as it was being prepped for the annual Hardcore funday that weekend. Feek was working on one of the large ramps (to follow) and I met DJPerks (a fellow admirer of street/graffiti art) for the first time. I think that we ‘hunters’ (I’m not sure if I like the tag) are almost as elusive as some of the artists. While talking to him, this green piece caught my eye.
It is by Nightways, a visitor to Bristol, but I am not too sure where he calls home. He sprayed this piece as a three colour challenge, and I think it has turned out rather well. His Facebook page is a little cryptic, and he seems to have a thing for bears, although looking at his Instagram it all seems to be monkeys. Whatever his thing is, I rather like this piece, and hope he comes to visit again soon.
I have featured quite a few pieces by Nevla recently and this one is the least like all the others. Pretty much all of his work that I have seen so far is of cartoon characters. This one is slightly different in that it is a little less lighthearted than the rest, more of a study than a cartoon.
I am nearly at the end of the Nevla pieces that I have, and I haven’t seen any recent work although I am constantly on the look out. As I mentioned in a previous post, I like his unique style and would like to see him produce work in other hotspots around the city. Nice green face.
A convenient narrative adopted by pro-Brexit campaigners urging a return to the ‘good old days’ before we were told what to do by Europe. The facts rather contradict this romantic notion, and certainly my recollection of growing up in London in the 1970s is not a pleasant one – choking car fumes, filth and litter everywhere and heavily polluted rivers, our countryside didn’t fare much better. What did European regulations ever do for us…? (Habitats Directive, Water Framework Directive, the Birds Directive, Bathing Waters Directive, Air Quality Framework Directive and others).
Sirens is getting rather busy all over Bristol at the moment, and here is a recent piece that he produced in my favourite Bristol backwater, Leonard Lane. What to make of this piece?
What Sirens has done here is create a green space in a sea of messy graffiti. I believe it is metaphorical as well as physical and therefore has a double impact. Even more unexpected is that this is, so he says on his Instagram account, a six layered stencil and took a long time to do.
The abstract nature of this work is at complete odds with the chaos that surrounds it. A small green window of tranquility. It has an impressive impact on those that venture down this ancient lane.