1737. Upfest 2018 (48)

Unconscious bias is a curious beast, but it lurks in each of us in one form or another. One expression of it in me is the assumption that street artists are male unless they are not…if you see what I mean. I have made some terrible gender assumptions in the past with T-Rex, Skor85 to name just two, and so it was with Zabou. I have seen her work in London, but automatically thought she was a he. How glad I was to actually see Zabou at work during Upfest and to be able to write this post without falling in to the trap of gender assumption.

Zabou, Upfest, Bristol, July 2018
Zabou, Upfest, Bristol, July 2018

To their credit, the organisers of Upfest do not ask for the artist’s gender on the application forms for entry and so never quite know what the gender mix will be at the festival…this year it was about 35% female artists, which, in what we consider to be a male dominated arena, is very encouraging indeed.

Zabou, Upfest, Bristol, July 2018
Zabou, Upfest, Bristol, July 2018

This piece by Zabou, originally from France, but now operating out of London, is a stunning portrait beautifully executed, and it is really interesting to see from these pictures how the layers build up to give the final whole.

Zabou, Upfest, Bristol, July 2018
Zabou, Upfest, Bristol, July 2018

I love the little sprays of colour on the hand, fingers and face of the subject – it is these little details that bring works like this to life. I really love the portrait, and wish I had been able to find a little bit of time to speak to Zabou, but the festival is large and the days short. Maybe next time.

1572. Raleigh Road, Tobacco Factory (12)

Every year in May, Stephen Quick organises a live paint jam at the Tobacco Factory Sunday market and invites along a bunch of friends to paint with him. Somehow I managed to miss it this year, which is a pity, but I did manage to get down eventually to see the results.

Lemak, Raleigh Road, Bristol, June 2018
Lemak, Raleigh Road, Bristol, June 2018

This is a fabulous multi-layered stencil from Lemak who creates these incredible pop-culture pieces. This one is of the legendary Jean-Michel Basquiat whose place in street art history is hugely significant. The crowns around the piece honour the subject as the king. Crowns denote the respect in which a particular artist is held and tend to be reserved for the upper echelons of the street graffiti/art scene.

Lemak, Raleigh Road, Bristol, June 2018
Lemak, Raleigh Road, Bristol, June 2018

It is a while since I last saw a new piece from Lemak (I think he has been busy in his studio) so it was great to see this one. The quality of his work is really out of the top drawer.

1434. Raleigh Road, Tobacco Factory (11)

I’m not too sure when Gregos came to Bristol, but I have a feeling it might have been for Upfest 2015. There are only one or two of his face masks that remain in the city. I took this picture in 2016, and to be honest I’ve not checked to see if it is still there.

Gregos, Raleigh Road, Bristol, July 2016
Gregos, Raleigh Road, Bristol, July 2016

His masks adorn walls all around Europe and beyond, and it is always a pleasure to come across one. These haunting masks retain so much detail from the original mould and you can see wrinkles and eyelashes. His expressions vary from mask to mask, and with all installation artists location is critical. Gregos is the king of this style of street art.

870. Raleigh Road, Tobacco Factory (10)

It is always great to see artists emerge from their studios and create wonderful public pieces like this one. In this case the young artist is Liz Clayton, a graduate artist from University College Falmouth who is now living and working in Bristol.

Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017
Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017

I have heard great things about University College Falmouth and I believe Louis Masai went there too. I have a niece studying there now and she seems to rate it very highly, and what a gorgeous part of the country to be a student in.

Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017
Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017

This is a striking piece and reminiscent of Mexican art celebrating Dia de Muertos (Day of the Dead), which I am sure is entirely deliberate. This is a great stencil piece by Liz, and it is fortunate to have pictured her while she was working on it. I hope to see more of her public work.

Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017
Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017

 

 

819. Raleigh Road, Tobacco Factory (8)

The best part about this picture is that I got to meet the artist Lemak, who I have admired for some time, and who creates some of the very best multi layered stencils I have seen. This piece, space cadet, is an exceptional example of the complex and painstaking work Lemak produces.

Lemak, Raleigh Road, Bristol, May 2017
SAMSUNG CAMERA PICTURES

He was telling me that it takes a very long time to cut the stencils for something like this, which is pretty much life size. The payback comes with selling limited numbers of the stencilled original. Talented beyond doubt, and his income drives further work…something of a virtuous circle.

Lemak, Raleigh Road, Bristol, May 2017
Lemak, Raleigh Road, Bristol, May 2017

Lemak is a real gent, and happy to stop and have a chat. This piece was part of the paint jam organised by Stephen Quick, and sprayed at the same time as the Quick/Adamaszek collaboration featured here a couple of weeks ago. This is a great stencil.

805. Raleigh Road, Tobacco Factory (7)

I had had a tip-off, via Stephen Quick’s Instagram feed that he and Hannah Adamaszek would be doing a collaboration at the Tobacco Factory, on the weekend of 13-14 May, so I managed to sneak over on the Saturday to see what they were up to.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

What a treat. Stephen had organised for a few established, up and coming and debutant artists to spray the car park bays during what was a bit of a Bedminster festival. This work is really interesting because it brings together two distinct styles into a synthesis that joins them. The subject matter is the same, but the techniques quite different.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

Stephen Quick works mostly with stencils and Hannah with freestyle paints and spray. It was interesting watching them concentrating on their respective halves of the collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

It is possible to see that some elements of the original piece obviously didn’t work too well for the artists, so they were removed, for example the purple birds in the background.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

I love the work of both of these artists, and I love the way they have collaborated on this piece. Does it work? I am not sure. Has it enhanced their styles or cramped them? On balance, I consider it a triumph, but it brings into sharp perspective the difficulties of working together. A bit like being married I guess…different styles, a collaboration.

Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017
Stephen Quick and Hannah Adamaszek, Tobacco Factory, Bristol, May 2017

777. Upfest 2016 (121)

This piece is tucked away in one of the parking bays in the Tobacco Factory car park, and is by Fats. Fats is an artist, so her Upfest biography goes, who is based between Dubai and Toronto and whose heavy black line work is in part influenced by Inuit art and Arabic calligraphy resulting in a hybrid style reflecting her own cultural confusion and ambiguity.

Fats, Upfest, Bristol, July 2016
Fats, Upfest, Bristol, July 2016

You can see more of her excellent work on her Instagram feed, and she also has an active Facebook page. It looks like she’ll be paying us another visit for the 2017 Upfest event, according to the Upfest artists page. Something to look forward to.

Fats, Upfest, Bristol, July 2016
Fats, Upfest, Bristol, July 2016

Based on this one piece, I think that I rather like her work. More so when I have checked out her stuff online. The colours, of course, are familiar to me through Decay’s fabulous work, and the abstract style is not too different either. Perhaps the two should collaborate…that could be pretty fun.

739. Raleigh Road, Tobacco Factory (6)

This is a subtle piece that I photographed in August 2016, and so I am guessing must have been part of Upfest 2016. It is by Lost Monkeys who produced this wonderful tiger at the same time. I hadn’t been aware that he did two pieces for Upfest.

Lost Monkey, Raleigh Road, Bristol, August 2016
Lost Monkey, Raleigh Road, Bristol, August 2016

I love the use of colour in what appears to be a black and white piece, and it has the appearance of having been drawn with charcoal…beautifully done. I couldn’t get a great shot of it, because it was stuck behind a parked car when I saw it.

Lost Monkey, Raleigh Road, Bristol, August 2016
Lost Monkey, Raleigh Road, Bristol, August 2016

There is a story going on here, but I am not too sure what. The figures and lines remind me a little of Bristol’s own Shab. This is a fabulous understated piece by a very accomplished artist.

 

488. Upfest 2016 (62)

For years, I have been marveling at the incredible 3D pavement works created by street artists and shared through digital media. I used to enjoy these, even before I was interested in street art…they are absorbing and technically brilliant.

 

Leon Keer, Upfest, Bristol, July 2016
Leon Keer, Upfest, Bristol, July 2016

Until this year, I had never seen a 3D street piece in the flesh, so it was a genuine thrill to see Leon Keer’s work dominating the Tobacco Factory car park.

Leon Keer, Upfest, Bristol, July 2016
Leon Keer, Upfest, Bristol, July 2016

Leon Keer was born in Utrecht, the Netherlands in 1970, which makes him almost as old as me, which is cool. He is described as a pop-surrealist artist and is known for his canvasses and his 3D street art.

Leon Keer, Upfest, Bristol, July 2016
Leon Keer, Upfest, Bristol, July 2016

Leon Keer has a brilliant website, which I strongly recommend you take a look at. It features not only his 3D art, but also some of his paintings, which I find rather compelling.

Leon Keer, Upfest, Bristol, July 2016
Leon Keer, Upfest, Bristol, July 2016

The amazing thing about the 3D art is that it only works from a specific viewpoint. Observed from anywhere else and it looks quite bizarre, as you can see from some of these pictures. This was another highlight from the festival, and something quite different.

Leon Keer, Upfest, Bristol, July 2016
Leon Keer, Upfest, Bristol, July 2016

326. Raleigh Road, Tobacco Factory (3)

This is another piece that was created as part of Upfest 2015. It sits in the covered car park area immediately behind the Tobacco Factory and is by Bristol-trained artist Stephen Quick. On his website, he describes his work as follows:

“My art mainly represents contemporary culture via pop art; I embrace our materialistic nature, which often defines who we are”

Stephen Quick, Raleigh Road, Bristol, January 2016
Stephen Quick, Raleigh Road, Bristol, January 2016

I don’t think he does a lot of street art, which may make this piece rather unusual. At first I wondered if it was a studio piece that was placed here, but I think the spray paint has overlapped onto the fence behind and that it was probably painted in situ. In my view, however it was executed, it is a great work – lovely drips.