Sarah Trotter, Upfest 24, The Tobaccco Factory, Bristol, May 2024
Upfest is a huge opportunity for local, national and international artists to show off their artwork, and it can be exceptionally good exposure for some of our local artists, such as Sarah Trotter. I have only seen one piece before by Sarah Trotter, which was painted in Dean Lane as part of a Bristol Mural Collective paint jam, and I remember very much liking that piece.
Sarah Trotter, Upfest 24, The Tobaccco Factory, Bristol, May 2024
Sarah Trotter’s elaborate and colourful style is a sumptuous feast for the eyes, full of richness and detail. It looks like this piece contains a fair amount of symbolism, with the centrepiece featuring a circle, a triangle and a sphere. Sitting above are wings and some beautiful feathers, and all of it set on a barren orange landscape and turquoise sky. Wonderful stuff.
Since the stormy and wet winter weather started up in earnest about a month ago, fewer artists have been out and about, doing what they do best, a pause which frees me up to post a few pieces from Upfest earlier in the year. This one from SEPC is an absolute beauty, and one of the first I saw at this year’s festival.
SEPC, Upfest 24, Dean Lane, Bristol, May 2024
SEPC is an artist from Manizales in Colombia whose colourful work embodies the connection of people in an urban environment, and his profile on the Upfest website is well worth a read. This was one of two or three pieces that the artist painted while he was in town. I love his humble approach, with plastic bags and boxes full of paint and kit for painting.
SEPC, Upfest 24, Dean Lane, Bristol, May 2024
In his own words, SEPC combines photorealism with use of colour and incorporates various contextual elements. In other words, there is a lot going on in this work alongside the main portrait pieces, and all of it superbly painted. SEPC’s work was one of the real highlights of this year’s festival.
Zoe Power, Upfest 24, The Tobaccco Factory, Bristol, September 2024
At Upfest 2024, the format of the festival changed a bit, and I don’t think that it worked as well as it has in the past. I believe that the changes have come about by the enormous cost of hosting a festival over two days, and the rapidity of the clean-up afterwards have worn down the organisers. So this year we had feature walls which were painted over a three week period, allowing for a lot of high-end murals, and small 1m square boards – there was nothing in-between, which is the bread and butter for most street artists.
The 1m boards were painted on three occasions, and I managed to photograph them on one of those occasions, missing out on the other two. This was a board painted by the wonderful local artist Zoe Power.
Zoe Power, Upfest 24, The Tobaccco Factory, Bristol, September 2024
The stylised painting is full of symbolism, and a story of our time. It features a hand holding an olive branch, and rarely have we needed to see the olive branch extended more than now. There is a simplicity and crispness in the piece that betrays the complexity of the underlying messaging and what it represents. It is always a real treat to see Zoe Power’s work.
Tymon de Laat, North Street, Bristol, September 2024
Although this is one of the more awkward walls to photograph, it often hosts some of the best Upfest pieces. This year it was the turn of Tymon de Laat and he has done the spot proud with this incredible portrait piece of a Mexican man, called ‘Moon over Matalán’. It is simply beautiful.
What is good about Upfest is that you will often get a chance to see the artists at work, and sometimes stop for a chat. Unfortunately the artist was busy up a scissor platform when I was passing by and I never got a chance to say hello.
Tymon de Laat, North Street, Bristol, September 2024
This year I managed to get up onto the roof of the building adjacent to the wall and took some super shots of the piece as it is meant to be seen, but which most people don’t get to see. The old man has paint on his face, which is a trademark feature of Tymon de Laat’s work. There is so much character in the man’s face, and his hat captures the atmosphere of a hot Mexico.
Tymon de Laat, North Street, Bristol, September 2024
Surrounding the portrait is a garland of dried corn and chillies, rounding the piece off nicely and without which the piece might feel a bit stark. This was clearly one of my highlights from this year’s festival. Bravo!
Perspicere, Upfest 24, The Tobaccco Factory, Bristol, September 2024
Sometimes street art takes on a new and vibrant form, and even when you think you’ve seen it all, an artist like Perspicere will come along and blow your mind. I have been aware of Perspicere for a couple of years, but managed to encounter him at work twice this year, both at Upfest and at the Cheltenham Paint Festival.
Perspicere, Upfest 24, The Tobaccco Factory, Bristol, September 2024
Perspicere works with thread that is suspended between rows of hooks along each side of the frame. By threading the line across from one hook to another again and again in a very specific order he builds up a layer of thread that has depth and colour, tricking the eyes. He uses only four colours of thread (red, blue, yellow and white) and the whole thing is worked out using a computer programme, and he has to follow the directions meticulously. The end result is mind-boggling, especially on the scale that he works to.
Perspicere, Upfest 24, The Tobaccco Factory, Bristol, September 2024
I think that you have to have a special kind of patience and determination to do this kind of thing, but perhaps it is a rather mindful exercise and great for zoning out. A fine addition to the spectrum of art at this year’s Upfest.
Jimmer Wilmott, Upfest 24, The Tobaccco Factory, Bristol, September 2024
Somehow this piece by Jimmer Wilmott passed me by at this year’s Upfest, and I only got to see it recently during a visit to a few spots with Paul H, including the Tobacco Factory. Sunday is the best day to visit this spot, because there are no cars in the parking spaces, which are immediately in front of the wall. Saturdays would also be good, if it weren’t for the market, which clogs things up a bit.
Jimmer Wilmott, Upfest 24, The Tobaccco Factory, Bristol, September 2024
Jimmer Wilmott has been working in the studio on canvass with his ‘alphabetti spaghetti’ pieces for quite a long while now, but this is the first wall I am aware of that he has decorated in this way. The concept is simple and brilliant and somehow he achieves a photorealistic presentation, which causes many a double-take. Spelling ‘Jimmer was ere’, this is a creative delight from one of the most creative talents in Bristol.
Hardy, Upfest 2024, Greville Smyth Park, Bristol, May 2024
It was a real pleasure to catch up with Hardy at Upfest 24 at the time that he was painting this piece, and he had plenty of kind words to say about my posts on Natural Adventures, which I always find a little bit surprising, because I really have no idea (beyond the core readership of the blog) who reads this stuff, and whether they value it. The function of my street art/graffiti posts is to keep a living record of contemporary street art in Bristol, if people visit and enjoy, then I am doubly satisfied.
Hardy, Upfest 2024, Greville Smyth Park, Bristol, May 2024
Hardy has used this space well to spray four of his distinctive stencils, in two sizes and in different colours, and decorated the rest of the area with symbols and patterns, without which the stencils might look a little stark. Brightening up this space for Upfest.
Taqi Spateen, Upfest 2024, North Street, Bristol, June 2024
I think that this might be one of my favourite pieces from Upfest 2024. I have always been a big fan of trompe l’oeil work and love pieces that make use of, and incorporate, the space they are painted in. This pair of murals by Palestinian artist Taqi Spateen delivers in spadefuls on both counts.
Taqi Spateen, Upfest 2024, North Street, Bristol, May 2024
Unfortunately I didn’t get a chance to stop and chat with the artist when he was painting this piece, as I would have liked to have complimented him directly on creating such a charming scene in this little corner at the end of North Street.
Taqi Spateen, Upfest 2024, North Street, Bristol, June 2024
The girl on the left-hand archway is stretching on her tiptoes to reach an unreasonably high door knocker, with a door lock above it, totally out of reach. The girl’s beautiful clothes are wonderfully painted, with all the folds and textures so well observed. The shadows cast by the wall and by the girl add to the illusion of depth.
Taqi Spateen, Upfest 2024, North Street, Bristol, June 2024
The boy on the right has something of a stiffer challenge, attempting to scale his door on a rope, so that he can reach the four locks, using the bunch of keys hanging off his backpack. That we can’t see either of the children’s faces adds to the mystery.
The murals would appear to be some kind of metaphor about inaccessibility and hopelessness, but also about a determination in the face of adversity. My guess would be that the war in Gaza is very much behind the piece, although I might be reading too much into it. Whatever it is about, they are a truly magnificent pair of murals, worth a trip to Bedminster alone.
Ejits, Upfest 2024, Greville Smyth Park, Bristol, May 2024
A few weeks after Ejits painted this piece for Upfest, I was fortunate enough to meet her while she was painting a larger wall at the Cheltenham Paint Festival. She told me a little bit about her style and that she uses brushes for her work, because although she uses spray paint, her can control is not up to it for fine detail.
Ejits, Upfest 2024, Greville Smyth Park, Bristol, May 2024
This is the second farting character piece I have posted in a matter of days, the other one was by Pl8o, this one however is a farting unicorn, farting rainbows, as they do. I have a feeling that Beep Monkey painted a rainbow-farting unicorn a few years ago. Obviously it is a thing. Ejits has painted this beautifully over a challenging wall with plenty of different textures to contend with. Neat, tidy, fun and cute… nice work all round.
Billy, Upfest 2024, Myrtle Street, Bristol, May 2024
Being a young parent can be tough for anyone, but Billy and Merny managed admirably while Billy was painting this wonderful mural at Upfest this year. Merny was on dad duty around the corner selling merchandise, allowing mum to complete her work. Merny completed his piece a few days later.
Billy, Upfest 2024, Myrtle Street, Bristol, May 2024
Billy has painted a repeating puffin mural on this car park wall, which is difficult to photograph without obstructions (cars). Each puffin has a different and uplifting symbol in its middle, and each is painted in a different colour palette. A really nice piece adjacent to a school, so age appropriate too. Great work from Billy.
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