3796. Upfest 2021 75×75 (13)

What a treat it was to meet Ant Carver while he was painting this beauty, not once or twice, but three times. Perhaps this was because I visited the area quite a few times but also because he took his time completing the piece. It is funny how some artists can fly in and out in a day while others take considerably longer.

Ant Carver, Lime Road, Bristol, June 2021, Upfest 21
Ant Carver, Lime Road, Bristol, June 2021, Upfest 21

Ant Carver used a technique called a doodle grid to paint this magnificent portrait piece. The way it works is a little bit like a combination of grid squares and tracing paper. The wall is painted with squiggles and patterns that act as reference points. The doodle is photographed and then the desired design superimposed onto the photograph of the doodle and made slightly transparent, so that the doodle comes through. The artist is then able to look at the photograph composite on their phone and use it to get all the lines and detail in exactly the right place on the wall. Worth checking out on the Interweb if you are interested.

Ant Carver, Lime Road, Bristol, June 2021, Upfest 21
Ant Carver, Lime Road, Bristol, June 2021, Upfest 21

This portrait has been painted on a new wall for Upfest, adding capacity, which is great because you can never have enough walls.

Ant Carver, Lime Road, Bristol, June 2021, Upfest 21
Ant Carver, Lime Road, Bristol, June 2021, Upfest 21

The piece is called ‘The Hand We’re Dealt’ and can best be described using the artist’s own words from his Instagram account:

‘‘The Hand We’re Dealt’ is the latest piece in my series of work exploring loss. Over the past few months I’ve been using my paintings as a way to reflect on my experience with grief. This is the latest painting in that series. Each element of the painting can be interpreted differently by the viewer, but to me the candle represents the passing of time and the luxury it is for that to happen. The skull symbolises life and death, and the cards reference the lottery of life and the hand we’re dealt.’

Ant Carver, Lime Road, Bristol, June 2021, Upfest 21
Ant Carver, Lime Road, Bristol, June 2021, Upfest 21

This is another superb piece from the London-based artist. I only wish my photographs could do it justice.

3795. Upfest 2021 75×75 (12)

This little gateway at the back of The Malago was until recently home to a lovely mural by Alex Lucas featuring two white rabbits hares on the phone. Now it has been re-painted as one of Upfest’s 75 new walls in 75 days by Natasha Kirby.

Natasha Kirby, Greville Road, Bristol, June 2021, Upfest 21
Natasha Kirby, Greville Road, Bristol, June 2021, Upfest 21

The new mural is very beautiful indeed, bursting with colourful flowers on a deep blue background and creating a little bit of summertime in this otherwise sunless summer. Natasha is a self-confessed flower obsessive and flowers are at the heart of her design and print work which can be seen on her website. You can see that the mural has a very strong design element and has such balance making it very easy on the eye. This spot is a devil to photograph, because there is nearly always a car parked in front of it. 

This is another Upfest classic.

Alex Lucas, Upfest, Bristol, July 2018
Alex Lucas, Upfest, Bristol, July 2018

3786. Upfest 2021 75×75 (10)

One of my all time favourite artists in Bristol is Hazard, and it is not difficult to understand why.  Her portraits, so full of depth, emotion and colour, can be found dotted around the city, and although many have long-since gone, there are still several to be found. This new piece for the Upfest 75 walls in 75 days initiative, is breathtakingly beautiful. It is also frustratingly difficult to photograph.

Hazard, North Street, Bristol, June 2021, Upfest 21
Hazard, North Street, Bristol, June 2021, Upfest 21

I passed by while she was mid-way through painting the piece and was going to stop for a chat, but I could see that she was in full flow and I didn’t really want to disturb her. I rather like the ladder on the side of the building, taking away a little bit of the glamour we might associate with being a muralist.

Hazard, North Street, Bristol, June 2021, Upfest 21
Hazard, North Street, Bristol, June 2021, Upfest 21

The piece itself is a gorgeous portrait of a woman in deep red colours with blue hair and a Garland of what looks like clouds and vapours in a pinky orange hue. The connection with nature is obvious, as it is in so many of Hazard’s pieces, with the leaves to the right of the piece.

It is so good to see Hazard back out painting our walls, it has been a quiet eighteen months from her.

3783. Upfest 2021 75×75 (9)

It is a funny thing, but I think that this is the first time I have seen this wall painted with a single piece. It is a long wall with quite a few challenges, such as the notice board and the telegraph poles, but Molly Hawkins has done a splendid job, creating this wonderful mural for Upfest’s 75 walls in 75 days initiative.

Molly Hawkins, Greville Street, Bristol, June 2021, Upfest 21
Molly Hawkins, Greville Street, Bristol, June 2021, Upfest 21

I have not come across Molly Hawkins before but I understand, from doing a little research, that she is a Bristol-based mural artist and illustrator. I believe she has other murals in Stokes Croft and Bedminster that I am going to have to track down at some point.

In this piece she has concealed a female figure holding a triangle that contained a whole lot of symbolism for the artist. She explains this on her Instagram account as follows:

I read up on the symbolism of a triangle, and found a meaning that resonated with me, and inspired the design for this piece:

‘A triangle represents manifestation, enlightenment, revelation and a higher perspective. It is often used to mark the cycles of growth that lead to a higher state of being. Spiritually, it represents a path towards enlightenment or connection to an omnipresent being.’

A very nice mural and addition to the Upfest event

3776. Upfest 2021 75×75 (8)

What an absolute beauty from Irony. I want this post to be about the outstanding art and not the difficult light conditions, so I will get my apology in early. The sun was bright and behind the wall, so the artwork is a little on the dark side. This wall needs to be photographed on a dull day probably to get the full weight and beauty of the piece.

Irony, Greville Street, Bristol, June 2021, Upfest 21
Irony, Greville Street, Bristol, June 2021, Upfest 21

Irony is known for his incredibly detailed high-end murals and has appeared at many festivals around the UK, but he also paints walls all over London and he is far from a ‘pop star’ celebrity, preferring to keep his anonymity as far as that is possible. He is a modest talent.

Irony, Greville Street, Bristol, June 2021, Upfest 21
Irony, Greville Street, Bristol, June 2021, Upfest 21

These giant rooftop pigeons, painted on the rear wall of The Hen and Chicken, are close to perfect. Their fluffed up ruffles so accurately portrayed and their general demeanour is so life-like. Irony has gifted Bristol yet another classic piece. But one that you have to look out for as it could easily be missed.

Irony, Greville Street, Bristol, June 2021, Upfest 21
Irony, Greville Street, Bristol, June 2021, Upfest 21

Upfest has definitely triumphed this year with its 75×75 event, and this is only the eighth one I have posted… so much more to come.

3772. Upfest 2021 75×75 (7)

Our household self-isolation is about half done now and it is getting a bit boring. When you can’t leave the front door for anything, the fear of missing out (FOMO) starts to build, and for me, this is manifested in how many new pieces of art I might never get to see, such is the high turnover. I confess, it really gets to me, but on the other side of this, it exposes my obsession, which probably needs moderating. A time for introspection.

Meanwhile, I have got a vast reserve of unpublished photographs that could keep me posting for a couple of years at least. Upfest pieces will always get prominence on Natural Adventures, and this astonishing piece from Peter Sheridan is really absolutely stunning.

Peter Sheridan, North Street, Bristol, June 2021, Upfest 21
Peter Sheridan, North Street, Bristol, June 2021, Upfest 21

This one seemed to creep under everyone’s radar, and I don’t think I have seen any work in progress shots on social media. The finished piece was suddenly there, appearing as if by magic. The character piece creates an extraordinary atmosphere and sensation of being locked up, one I can utterly relate to at the moment, and one that probably reflects the past 18 months or so.

It is so good, I’ll just pause and leave you to enjoy it.

3769. Upfest 2021 75×75 (6)

Oh my goodness! There are some pieces that you look at and, well, they simply take your breath away. For me, this is one of those pieces. Painted for Upfest’s 75 walls in 75 days event, this astonishing collaboration from Mishfit and Mazcan simply blew me away, and I look at now as I am writing and wonder at its magnificence.

Mishfit, King William Street, Bristol, June 2021, Upfest 21
Mishfit, King William Street, Bristol, June 2021, Upfest 21

These two portraits work so incredibly well together and are perfect for the space vacated by Caro Pepe and AgeAge. To the left is a stunning portrait from Mishfit painted with incredible graded skin tones and a beautiful headdress, the colours of which are reflected in a cloud to the right of the subject. I haven’t seen any of Mishfit’s work before, but what an introduction.

Mazcan, King William Street, Bristol, June 2021, Upfest 21
Mazcan, King William Street, Bristol, June 2021, Upfest 21

Mazcan on the other hand has visited Upfest on a couple of occasions, but this piece is definitely a step up from before, and I think she must have been practising. This blue face has quite a lot of attitude and there is so much depth and bone structure created with clever use of shading. The red streaks in the hair add so much to the depth and contrast of the piece too.

Mishfit and Mazcan, King William Street, Bristol, June 2021, Upfest 21
Mishfit and Mazcan, King William Street, Bristol, June 2021, Upfest 21

Genuinely, this is a bloody brilliant collaboration and will definitely stick in my memory for a long, long time.

3761. Upfest 2021 75×75 (5)

Five down, and only another 70 to go. Upfest have absolutely nailed the festival in this most extraordinary of years by spreading the painting over a long period and thus avoiding the huge crowds that normally attend the long-weekend event. This piece by Hannah Edwards is on North Street, not too far away from the Upfest shop.

Hannah Edwards, North Street, Bristol, June 2021, Upfest 21
Hannah Edwards, North Street, Bristol, June 2021, Upfest 21

Hannah Edwards is an illustrator/window painter/mural artist/signwriter from Bristol, but I am not familiar with her work, so it is great to see this piece. The style is reminiscent of those GWR posters from the thirties and has a wonderful sense of motion. Unusual and fun, and yet another new artist for Natural Adventures.

3758. Upfest 2021 75×75 (4)

With this year’s Upfest being spread over 75 days on 75 different walls, it is quite a challenge to know what is being painted where and by whom. On the upside, you get to meet a lot of artists while they are working, but on the downside, there are some pieces that go under the radar and are quite easy to miss. The watch word here is vigilance combined with keeping your ear to the ground.

Kleiner Shames, Argus Road, Bristol, June 2021, Upfest 21
Kleiner Shames, Argus Road, Bristol, June 2021, Upfest 21

I found this outstanding mural by Bristol old-boy Kleiner Shames while looking for another piece nearby, and what a surprise. One of my absolute favourites so far. I actually have a couple of Kleiner Shames originals hanging up in my home which I bought from before he moved to London and I have a hugh soft spot for his work. Many of his pieces used to spell out FOIS, but I’m not sure if I can see it in this one but I do think there is writing in there somewhere. The shapes, colours and overall design are magnificent, and remind me of what we are missing since he moved away. Bravo!

3748. Upfest 2021 75×75 (3)

I have a feeling that this was the first of this year’s Upfest 75×75 pieces (75 walls painted in 75 days in lieu of a full blow street festival over a long weekend) and is by the magnificent artist Will Barras who is no stranger to Upfest.

Will Barras, St Francis Road, Bristol, May 2021, Upfest 21
Will Barras, St Francis Road, Bristol, May 2021, Upfest 21

There is a lot to love about this piece, in particular the local references to rock climbing, spray-painting and of course the moonlit Clifton suspension bridge. The night scene is painted very cleverly in muted colours to give it that dusk or nighttime feeling which works so well, and the mural seems to suck the light away from its surroundings.

Will Barras, St Francis Road, Bristol, May 2021, Upfest 21
Will Barras, St Francis Road, Bristol, May 2021, Upfest 21

The perspectives and energy of the cyclist seem to create a sense of energy and movement. There is a lot of dynamism in the piece, in spite of its dark tones. Replacing the Caro Pepe piece that existed here before was always going to be a big ask, but Will Barras has risen to the challenge and given us something unusual and rather special.