What a lovely piece this is by Gage (Oliver Gillard), and actually what a hugely gifted artist he is. Gage is based in Bristol and runs his own business Gage Graphics, offering large mural commissions.
Gage Graphics, Upfest, Bristol, July 2016
In this piece he has some floating 3D writing and a spray can (the tool of his trade) bursting with wildlife and colour. I can’t believe it has taken me so long to really appreciate this piece. I think it is because the images were stored in my archive upside down, and it is hard to appreciate and pick out upside down thumbnails. Lovely work.
It is strange how things come together sometimes. I have only a few days ago posted Hoshiko’s drowned out effort from Upfest 2017, and here I am posting his piece from the previous year. In both cases my photographs don’t really do his work justice – here I have him working but no final picture of the completed board and from 2017, he never actually finished the piece off. Perhaps it’ll be third time lucky if he comes to Upfest 2018.
Hoshiko, Upfest, Bristol, July 2016
This piece is rather cheerful and light-hearted, with a little monster (utterly unscary) roaring. I think the stencil text at the bottom says ‘I’m a dinosaur’. Some similarities with the work of Miss Wah.
Rewinding a little bit back to Upfest 2016 and a series of five more pieces that never quite made it into the blog…because Upfest 2017 happened! This is a lovely piece that was on the hoardings in North Street. It took me a long time to find out who the artist is, but it turns out that it is Pronk-Stukken who also produced this piece at the same event.
Pronk Stukken, Upfest, Bristol, July 2016
This piece has a strong connection with Mother Earth or nature in my view, and there is a calm serenity in the face. Curiously, this was one of my favourite pieces from the 2106 festival and remains embedded in my memory.
I have featured Skor85 a few times on my blog, and had some confusing information about her identity. I have decided to disregard everything I thought I knew and defer to her Upfest profile, which reads:
Skor85 is a Bristol based creative of Polish origin. She is a self taught artist experimenting with any media available at the time from sand grains to spray paint. She has started her graffiti adventure 4 years ago being influenced by the diversity and music scene of some of the most lively European cities like beloved Bristol Barcelona and Berlin. She is heavily involved in Bristol drawing scene organizing sketching events immortalizing city landscape and live music events as well as running the Sketch Factory (themed life drawing sessions). Creative freedom of expression with others is one of her biggest pleasures in life and paint jams are a big part of it. Characters she paints are pure fantasy and often represent current mood- happiness and worries of the day. Often dreamy or scary but always true to that moment.
Part of the confusion arises out of the fact that her online profile is utterly different from his (sic) printed profile. The one above is more aligned with my previous posts.
Skor85, Upfest, Bristol, July 2017
This is a terrific piece and has had a lot of care and attention poured into it. Many of her pieces feel quite raw, often because of the locations she chooses, but this has a finesse to it whilst maintaining her unusual style. There is some symbolism here which is tricky to decypher. Nice piece.
It looks like Hoshiko had a pretty miserable time at Upfest this year. He wrote over his own piece saying what it should have looked like, but for the weather. It was abandoned and unfisnished, but it doesn’t detract from his participation and effort at the festival. He was not alone, some artists didn’t even show up.
Hoshiko, Upfest, Bristol, July 2017
Hoshiko is based in the UK and works mostly with stickers and mixed media paste ups. Heavily influenced by Japanese culture (no shit Sherlock) he has a passion for robots and candy.
This is a wonderful piece by Stephen Quick, a brilliant Bristol stencil artist and, I understand, YouTuber. I have to say that I never got to see this piece in its finished state, which I am really annoyed about, but have seen it on Digital Social Media and it looks spectacular.
Stephen Quick, Upfest, Bristol, July 2017
Stephen has a style that mixes and merges ideas and iconic figures to produce blended stencils of the highest quality. Stephen quick has a lot to say about this piece on his website, and to save myself the time I have pinched his text and offer it below:
‘Pop Girl’ is my modern day mash up, pop culture heroine. My idea being if my recent generation get a call to arms we will arm ourselves with items from our pop upbringing, Inspired by Tank Girl, she wears a R2D2 helmet, armed with the Sword of Omen from Thundercats, with good luck charms from Harry Potter and The Legend of Zelda, she is ready to take on the world!
Stephen Quick, Upfest, Bristol, July 2017
In my pictures, the Harry Postter charms are missing. and background not completed, but I didn’t want to leave it out of my Upfest updates. I do like his work very much.
There were so many great pieces on the long wall at Ashton Gate, a new venue for Upfest this year, and I have barely started to cover them yet – several of them were whole crew collaborations and I’m not sure how to post them. However this is a wonderful piece from artist Leo Boyd.
Leo Boyd, Upfest, Bristol, July 2017
Leo Boyd is a Belfast-based screen printer and artist who is branching out into screen printing on walls, which this fine piece demonstrates beautifully. His biography on his website is very funny, tells you little about the artist other than his sense of humour and what is important to him. Worth a read.
Leo Boyd, Upfest, Bristol, July 2017
There is some really interesting stuff going on in this piece, but I am not sure what the story is. My take on it is an environmental one, but I don’t think that is necessarily the artist’s intention. I think it is more about the relationship between mankind and technology. Make of it what you will – it is in my view, a striking work.
Another really high quality piece at this year’s Upfest, this one is by local artist Jody. I think that this piece eclipses his wonderful work from last year, and this wall is really a very special wall.
Jody, Upfest, Bristol, July 2017
Fin Dac had the privilege of painting this wall last year and it is fitting that Jody should continue where Fin Dac left off. This was a labout of love for Jody, and long after all the other artists had packed up and left, Jody was still at it, for several more days…maybe even a week or two.
Jody, Upfest, Bristol, July 2017
I went back a lot, hoping each time that the piece would be complete, but I think Jody was hit by the changeable weather, and possibly the sheer ambition of the wall. On the upside, I have quite a few ‘in progress’ pictures.
Jody, Upfest, Bristol, July 2017
There is so much to love and marvel at in this captivating piece. The beautiful profile portrait, the cut out birds reminiscent of Henri Matisse and the extraordinary pink folds of material in the woman’s hair and neckline. This is a master work.
Jody, Upfest, Bristol, July 2017
In looking at the ‘in progress’pictures, it is interesting to see how Jody appeard to work in strips and patches, where other artists might come at a piece in layers. I guess the scale and scaffolding constraints dictate to some degree how a piece will be painted.
Jody, Upfest, Bristol, July 2017
Along with Nomad Clan’s piece and one or two others, this really shows off the ‘high end’ of what street artists are capable of doing, and in doing it, bringing so much pleasure to so many people. I love this.
I was very taken by Rocket01’s piece at leat year’s Upfest, and equally so by this magnificent overture to wildlife and conservation. I love the green backwash that he uses for his work and the synthesis of nature with technology and futuristic scenarios.
Rocket01, Upfest, Bristol, July 2017
There is something solemn and touching in his work let alone the fine artistry in his execution. I missed talking with him this year, I think he just wasn’t there when I was passing each time. Another really strong piece racked up for this year’s festival.
This extraordinary piece by Nomad Clan is just sensational and very probably my favourite from Upfest 2017. I have visited this wall many times, both during its creation and since, but have failed so far to get a clean shot of it withoug something in the way. I will keep trying.
Nomad Clan, Upfest, Bristol, July 2017
Nomad Clan are a phenomenally talented duo, of CBLOXX and AYLO bosed in Manchester. They tend to work on large murals and have painted some of the largest murals in England.
Nomad Clan, Upfest, Bristol, July 2017
The subject matter of the piece is captivating, and there is some deliberate reflection between the octopus and the old fisherman. Both are painted with tenderness and delicacy, and they have created a story, a dialogue between these two characters. Very powerful stuff.
Nomad Clan, Upfest, Bristol, July 2017
I stopped for a chat with the artists on the Friday before Upfest…they had started a bit early, which given the weather over the weekend, was probably a wise decision… and they were happy to take a bit of time out to talk, particularly AYLO who was very smiley and chatty.
Nomad Clan, Upfest, Bristol, July 2017
I have not seen any of their work in the flesh before, but was really so impressed with this piece. It oozes class and competence and absolutely stands out.
Nomad Clan, Upfest, Bristol, July 2017
The close ups of the two characters may give you a feel for what I mean, and take a good look at the fishing boat tattoo on the fishenman’s head, brilliant attention to detail.
Natural adventures 