Tag: Spray can

1335. M32 Spot (15)

Laic217 is, as regular readers will know, one of my absolute favourite Bristol artists, and his work has been going from strength to strength over the last few years. One of the things that has really improved is how he creates textures on the clothes of his characters.

Laic217, M32 Spot, Bristol, February 2018
Laic217, M32 Spot, Bristol, February 2018

In this piece the skeleton looks like he is wearing a fleece hoodie, with gentle folds and creases. The colour is outstanding, and lifts the whole thing…it’s in your face.

Laic217, M32 Spot, Bristol, February 2018
Laic217, M32 Spot, Bristol, February 2018

Skeletons clutching spray cans is a speciality of Laic217 and although he does a lot of them, they are all quite different and it is difficult to tire of them. I think it is the combinations of colours that sets this piece apart from others.

Laic217, M32 Spot, Bristol, February 2018
Laic217, M32 Spot, Bristol, February 2018

I first saw this piece piece in Instagram but couldn’t work out where it was. The cycle track that runs alongside the M32 has been closed off while construction work is going on, and this particular spot has become a bit of a cul-de-sac, which I only occasionally visit. I had to ask another photographer where it was…something I don’t like doing too much…it is a pride thing.

 

 

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1178. Upfest 2016 (158)

What a lovely piece this is by Gage (Oliver Gillard), and actually what a hugely gifted artist he is. Gage is based in Bristol and runs his own business Gage Graphics, offering large mural commissions.

Gage Graphics, Upfest, Bristol, July 2016
Gage Graphics, Upfest, Bristol, July 2016

In this piece he has some floating 3D writing and a spray can (the tool of his trade) bursting with wildlife and colour. I can’t believe it has taken me so long to really appreciate this piece. I think it is because the images were stored in my archive upside down, and it is hard to appreciate and pick out upside down thumbnails. Lovely work.

1106. The Bearpit (104)

Here we have another Bearpit piece by the irrepressible NEVERGIVEUP, whose monsters just keep on giving. In this piece there is an inclusion of the Clifton suspension bridge, but I am not certain that he sprayed this or whether it was a part of an existing mural. Somehow the style doesn’t look like his.

NEVERGIVEUP, The Bearpit, Bristol, September 2017
NEVERGIVEUP, The Bearpit, Bristol, September 2017

As with all his monsters, NEVERGIVEUP creates a textured effect on the skin using concentric contours, in this case in red and yellow, dotted around the skin of the creature. I always like it when characters are themselves spraying. An archetypal piece from this artist.

993. Dean Lane skate park (76)

Going back a bit to before Upfest, Laic217 sprayed this unusual and compelling piece on the curved wall. The black and white piece almost looks like a sketch in a book and he has very cleverly and in an understated way added a little bit of pink and blue to the wall in the character’s glasses giving it that 3D out of focus effect, which he has also applied to his signature.

Laic217, Dean Lane, Bristol, July 2017
Laic217, Dean Lane, Bristol, July 2017

This is a classy piece and stayed a long while on a wall that gets sprayed over quite frequently. I haven’t seen much in the way of new work from Laic217 – maybe he has gone away for a while, or is taking a graffiti holiday…it happens sometimes.

Laic217, Dean Lane, Bristol, July 2017
Laic217, Dean Lane, Bristol, July 2017

This piece combines the usual elements we expect to find in a Laic piece. He really has carved out a distinctive and respected style over the last two years or so. More old pieces to come.

913. Bedminster

Another fine skeleton and flame piece from the inexhaustible Laic217. This time in cooler blues and less of the fiery furnace approach. This is a nice spot, and perfect for the kinds of works that Laic217 likes to do.

Laic, Bedminster, Bristol, July 2017
Laic, Bedminster, Bristol, July 2017

The tracksuit is rather special, and I guess representative of things that the artist is familiar and comfortable with. I wonder if setting fire to spray paint is something that people actually do for a bit of a laugh, but it looks rather dangerous to me.

Laic, Bedminster, Bristol, July 2017
Laic, Bedminster, Bristol, July 2017

Laic217 is certainly becoming more and more expert at producing an expressive skull, giving it a plasticity that allows expressions and maybe even emotions. The eyes here are rather good too. A nice piece.

824. Dean Lane skate park (56)

Well it has been a few days, hasn’t it? this is one of the best Laic217 pieces that I have seen. I think he is moving on to a new level, and he has worked this wall perfectly. As tribute to the quality of this piece, it has remained untagged and intact for at least a fortnight, which shows the respect from other artists.

Laic217, Dean Lane, Bristol, May 2017
Laic217, Dean Lane, Bristol, May 2017

Although I have seen this theme before (fire from a spray can) from other artists, I think he has excelled with this, in particular I like the way he has shaded the reflected light on the face and head of the skull, grading from white/yellow to purple/black.

Laic217, Dean Lane, Bristol, May 2017
Laic217, Dean Lane, Bristol, May 2017

I still have many more recent pieces by this most prolific artist in my archives, and I will unapologetically post them all. Really fabulous work.

517. Hoxton Square, Shoreditch (2)

Alongside some lovely work by Fanakapan and Mr Cenz, Unify has painted this lovely spray can. Representing a spray can as the main subject or as a ‘bit part’ is one of the recurring themes that I have noticed in street art. Acknowledging the tools of the trade.

Unify, Hoxton Square, London, August 2016
Unify, Hoxton Square, London, August 2016
Unify’s work has a charming quality about it, although it is often accompanied by a social or political message, which adds to the depth of his pieces. An accomplished and productive artist, who would be very welcome to come again to Bristol anytime.