Writer – Page 45 – Natural adventures

6809. Picton Lane (19)

Kid Krishna, Picton Lane, Bristol, March 2025

I rarely visit Picton Lane, so when I do, there is usually something new to find, and this piece from Kid Krishna made the trip worth it. Kid Krishna is on something of a roll at the moment, and he is definitely a bit of a ‘peaks and troughs’ kind of artist, but he is without doubt peaking at the moment.

The soft colour palette is easy on the eye and sits nicely on the purple/blue background. As ever, his letters spell CRIE, although I find it a little difficult to see in this piece. His letters are made up of lots of shapes, many of which almost morph into something recognisable and then morph away again. Unusual, clean and tidy work from a superb artist and nice man.

6808. St Werburghs tunnel (483)

Aha! There is a certain consistency and reliability with Nips’ pieces that I am really attracted to. Her letters tend to be similar in shape from piece to piece, but it is in her fills where she really excels and shows off what she can do.

Set on a fairly elementary yellow backdrop, the letters NIPS are filled with a stunning patterned mix of pinks and blues, with some great designs and reversed out spots. The eye is drawn to the female symbol in the dot of the ‘i’, which is assertive and proud. Nips has included a couple of nice shout-outs to Basik and Roma too. I hope we see plenty more of Nips in 2025.

6807. M32 Junction 3 (666)

Hemper, M32 roundabout, Bristol, February 2025

A major feature of the resurgence of Hemper recently has been the way he has experimented and embraced a whole raft of different styles. He has always painted original pieces, full of imagination, but I am not sure that I have seen such variation in letter shapes and overall appearance before.

This large and unusual piece spells out HEMS, obviously, but is also surrounded by a subtly coloured background of mini ‘Hems’ in a kind of bubble graffiti style of writing. This must have taken quite a while to paint, but the overall effect was worth it. Lots more to come from an artist who is on a journey of rediscovery.

6803. Greenway Bush Lane (7)

Desi, Greenway Bush Lane, Bristol, February 2025

Desi has been as busy so far this year as at any time I can remember, which is great news. This piece was painted in Greenway Bush Lane, which is fast becoming a graffiti hotspot, alongside Pekoe and Pura Decadencia.

The orange colours are nicely blended through the VEIL letters, although the paint is a little thin (often the case with oranges and yellows in particular), and there are some nicely reversed out spots for decoration. Desi has added some subtle star bursts, which almost make the piece look slightly out of focus, an interesting effect. Long may this productive streak last!

6801. M32 roundabout J3 (665)

Hypo, M32 roundabout, Bristol, February 2025

This piece by Hypo, who is on a roll right now, symbolises for me a party. If you wanted to paint the word without spelling the word, this is what it could look like. The fierce is full of energy, colour and joy.

The letters spell out Hypo and are full of classical graffiti writing references, such as arrows, drips, starbursts and spots. There is lots here to enjoy, and the overall sense of wellbeing that the piece transmits is palpable. This is another in a series of wonderful pieces from the artist, who has had a great couple of years.

6800. M32 roundabout J3 (664)

Eska, M32 roundabout, Bristol, February 2025

I know that Eska likes to travel around a bit – I think he lives on a houseboat, but I am pleased to note that he spends quite a lot of time in Bristol, and his pieces are becoming familiar landmarks all over the city. I guess the floating harbour is a handy place to moor up, combining his lifestyle with his artwork.

Eska’s highly symbolic pieces are a form of anamorphic writing, but with so much more going on besides, particularly if you have a closer look. I think the letters spell ESKA, but can’t be too sure, but in amongst the platforms and surfaces created by his writing you can find tiny scenes going on.

A close up of the bottom section near the signature shows that this piece was for the World Wall Stylers ‘Space Jam’ challenge. You can also see some tiny figures and their long shadows gazing across the piece.

6799. Cumberland Basin

Werm, Cumberland Basin, Bristol, March 2025

Werm is continuing along his journey, experimenting with bilateral symmetry in his writing. The symmetry in this one is notable, but I think that it might be the colour scheme that initially attracts the eye, with some nice contrasting reds, greens and oranges.

What baffles me about writers like Werm is how they manage to get everything ‘right’ if you know what I mean. For example, in this piece the green drop shadow veers off to the right, but it needs to be perfect across all the letters otherwise something would look out of kilter. I suppose the old adage, practice makes perfect, applies here, but it is still an admirable talent.

6798. St Werburghs tunnel (482)

Mr Klue, St Werburghs, Bristol, February 2025

This trio of pieces in the tunnel, show how busy Mr Klue has been of late in his favourite spot. The one on the left was painted a day or two before the other two, which I think might have been created in a single session.

The left-hand piece, as with all of them, spells KLUE and has a green base palette. Ephemeral, smoky, abstract letters are part of the USP I would expect to see from Mr Klue and he rarely disappoints. There is little more to add from these three pieces, other than their colour differences.

Pinks and purples dominate in this middle piece, with some yellow highlights along some edges.

Finally, the trio is rounded off on the right with a piece that is predominantly white, again with some yellow highlights. All three together show how Mr Klue’s abstract writing is based around the same simple concept, but can look completely different depending on the design details and colour palette. A busy man.

6796. M32 roundabout J3 (633)

Elvs, M32 roundabout, Bristol, February 2025

I haven’t seen Elvs for an absolute age, and his visits to Bristol seem to be on the scarce side, so coming across this wonderful piece of graffiti writing last month was a real treat.

There are a few artists that I have seen about the UK who use a similar style to Elvs, but he is the only one I know of in the Bristol area. His solid letters are broken up by fine lines that provide the letter shapes, and the fill is a nicely joined pair of red colours that bleed into one another without fuss. Elvs has painted a rather nice contrasting blue drop shadow, and of course the whole thing is finished with a clean and crisp black border. I look forward to the next one.

6795. Dean Lane skate park (812)

Squire has only recently come on to my radar, and I think this is the third Squire piece I have posted in recent weeks, each of them quite different, and I think I’m going to enjoy finding their pieces. It feels like having something new to collect, if that makes sense.

Painted onto a skate park ramp, these blue and black letters have a rather nice irregular, almost cartoony style. A nice white surround and red/yellow border finish the writing nicely, which, without highlights or starbursts, looks quite flat, but nonetheless interesting. I think I got to this piece while it was still quite fresh, because it hasn’t been too scuffed. Upwards and onwards with Squire.

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