Angus, The Bearpit, Bristol, April 2017

770. The Bearpit (66)

Street art and graffiti can often tell a story about the ever-evolving scene. The original piece by Angus, which is one of his favourite stencil concepts was sprayed as part of the paint jam in the Bearpit over Easter.

Angus, The Bearpit, Bristol, April 2017
Angus, The Bearpit, Bristol, April 2017

Angus had completed the work by the time I got down there, but it was still in pristine condition. Now, I understand that taggers really have very little time for stencil art, and don’t take long to spoil it, or ‘add’ to it with their own scrawlings and witticisms. By the time I went back the next day there were already quite a few tags on the piece.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

How brilliant then, that Dice 67 went the extra mile and augmented the piece with a fabulous stencil of his daughter spraying the words ‘I must not write on the walls’. How brilliant is that – a living piece that takes a pop at taggers, but in a really clever way, and sets the piece off beautifully. Evolution.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

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scooj

I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.

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