Kin Dose (part1)
I am struggling to write this post, mainly because I am lost for words at how very good the mural by Kin Dose, just off Nelson Street in the centre of town, is. In my view this is a worldie and we are honoured and privileged to see a wall of such beauty in Bristol.

The whole scene is of a beautiful geisha under the shade of a paper parasol gracefully holding out her hand upon which a splendid kingfisher sits. This is close to street art perfection, and were it not for the bloody wheelie bins, which I attempted to move, it would pretty much be there.

The background to the piece is composed of layers of graffiti and burners blended into a japanese scene of mountains and buildings. There is something similar to the style of PichiAvo in this.

The face of the geisha is absolutely beautiful and not in any way overcomplicated. The flowers cascading from her hair add a real touch of class. The last component of the piece is the kingfisher perching on her hand.

I feel it would be wrong not to point out that the kingfisher is a small bird, and in this piece, ever so slightly out of proportion. But I am nit-picking and I hate myself for it, because this is a truly wonderous piece and really ups the game for the high-end street art talent in this great city. Bravo! Kin Dose.
But it gets even better. Not content with creating one oriental wall on this building, Kin Dose returned to paint a second one a week or so later…see my next post.
Wow! That’s a great piece and a great location for it too. I sincerely hope it doesn’t get trashed.
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I think this one will be spared by the taggers.
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hope so
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I saw him last night and told him just how good I thought it was
As always he was humble and gracious and perhaps slightly bemused
Typical of an artist striving for perfection and not realising that’s exactly what he’s actually managed to do . . .
It has unfortunately already been tagged but he said he might go down and sort it out
I hope he does . . .
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Tagged already? I’ve not yet met him, but it is just a matter of time.
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