A few more striking wheatpastes from Frenchman Tian on the streets of Stokes Croft. Unfortunately with all the rain we’ve been having, several of these have started to peel off and disapppear, but I guess that is the ephemeral nature of street art.
There appear to be two colour variants of this stencil piece of an oriental woman looking so beautiful with flowers in her hair, this blue one, and a slightly less colourful sepia one.
I am so full of admiration for the way Tian works his art – first sourcing a great photograph, then creating a stencil from it, then printing off and cutting out paste ups and finally finding the precise and thought-out locations for each of them. He is a true master of his craft and I am an enormous fan.
So, continuing on from my last post, it seems almost inconceivable that the same artist could paint two street masterpieces on the same building in the space of a couple of weeks, but somehow Kin Dose has done it and pulled it off with consummate style.
In this second piece the artist has created a scene with an oriental ‘Hokusai’ sea and waves harbouring a lotus flower and koi carp. In the centre of the sea is an island with an ornate dragon whose face is highlighted by a full moon.
This piece is rather difficult to photograph because of the nature of the wall, which incorporates a staircase, and the amount of street furniture knocking around, so I would recommend that any Bristolian reading this gets themself down to Nelson Street to witness this for themselves.
The dragon is beautifully painted and nicely detailed, but it is the amazing contrast with the red sky and white moon that really lifts this beast from the wall. The tail of the dragon disappears into the sea to the left of the piece.
The whole thing is magnificent. How much more can Kin Dose give?
I am struggling to write this post, mainly because I am lost for words at how very good the mural by Kin Dose, just off Nelson Street in the centre of town, is. In my view this is a worldie and we are honoured and privileged to see a wall of such beauty in Bristol.
The whole scene is of a beautiful geisha under the shade of a paper parasol gracefully holding out her hand upon which a splendid kingfisher sits. This is close to street art perfection, and were it not for the bloody wheelie bins, which I attempted to move, it would pretty much be there.
The background to the piece is composed of layers of graffiti and burners blended into a japanese scene of mountains and buildings. There is something similar to the style of PichiAvo in this.
The face of the geisha is absolutely beautiful and not in any way overcomplicated. The flowers cascading from her hair add a real touch of class. The last component of the piece is the kingfisher perching on her hand.
I feel it would be wrong not to point out that the kingfisher is a small bird, and in this piece, ever so slightly out of proportion. But I am nit-picking and I hate myself for it, because this is a truly wonderous piece and really ups the game for the high-end street art talent in this great city. Bravo! Kin Dose.
But it gets even better. Not content with creating one oriental wall on this building, Kin Dose returned to paint a second one a week or so later…see my next post.
I am including this piece, in spite of the fact that it has been around forever, because I have only rarely seen it, when I am in this part of town and the shutters are down. It is by DNT, who normally reserves his talents for the Stokes Croft area.
The shutter piece is situated on Nelson Street at the oriental supermarket, and has a western-oriental flavour to it. The cherry blossoms, characteristic of the Far East, fringe a portrait of a girl, almost geisha like but with western eyes.
I like this piece, especially as it is quite different from the kind of stuff I’m used to seeing by DNT. Worth waiting for.