It’s in my head now, so I have to say it, but while looking at this wonderful bunny by Nevergiveup (#followmyrabbits), I hear the football chant “you see him here, you see him there, you see him every f***ing where” and that adequately describes this artist’s rabbits.
This charming fellow can be found in anything but charming surroundings at the top of some rather unpleasant concrete steps rising up from Nelson Street. It is great that this artist brings a glimmer of light and hope to such places. So many more rabbits to come.
I have walked past this pioece by Mr Penfold a handful of times, but not until recently did I have my camera with me, which is a pity really because it has been rather spoiled with a tag. It is in a little alley just off Nelson Street and close to St John the Baptist church.
His work always contains these abstract designs in bright colours, often incorporating animal print patterning. The colours in this piece are typical of his work, which can often be seen brightening up shop fronts and public spaces. Something about his work reminds me very much of the 1980s, it might be the brashness of the placing together of contrasting patterns and colours. Always instantly recognisable, and usually upbeat work.
So, continuing on from my last post, it seems almost inconceivable that the same artist could paint two street masterpieces on the same building in the space of a couple of weeks, but somehow Kin Dose has done it and pulled it off with consummate style.
In this second piece the artist has created a scene with an oriental ‘Hokusai’ sea and waves harbouring a lotus flower and koi carp. In the centre of the sea is an island with an ornate dragon whose face is highlighted by a full moon.
This piece is rather difficult to photograph because of the nature of the wall, which incorporates a staircase, and the amount of street furniture knocking around, so I would recommend that any Bristolian reading this gets themself down to Nelson Street to witness this for themselves.
The dragon is beautifully painted and nicely detailed, but it is the amazing contrast with the red sky and white moon that really lifts this beast from the wall. The tail of the dragon disappears into the sea to the left of the piece.
The whole thing is magnificent. How much more can Kin Dose give?
I am struggling to write this post, mainly because I am lost for words at how very good the mural by Kin Dose, just off Nelson Street in the centre of town, is. In my view this is a worldie and we are honoured and privileged to see a wall of such beauty in Bristol.
The whole scene is of a beautiful geisha under the shade of a paper parasol gracefully holding out her hand upon which a splendid kingfisher sits. This is close to street art perfection, and were it not for the bloody wheelie bins, which I attempted to move, it would pretty much be there.
The background to the piece is composed of layers of graffiti and burners blended into a japanese scene of mountains and buildings. There is something similar to the style of PichiAvo in this.
The face of the geisha is absolutely beautiful and not in any way overcomplicated. The flowers cascading from her hair add a real touch of class. The last component of the piece is the kingfisher perching on her hand.
I feel it would be wrong not to point out that the kingfisher is a small bird, and in this piece, ever so slightly out of proportion. But I am nit-picking and I hate myself for it, because this is a truly wonderous piece and really ups the game for the high-end street art talent in this great city. Bravo! Kin Dose.
But it gets even better. Not content with creating one oriental wall on this building, Kin Dose returned to paint a second one a week or so later…see my next post.
My oh my! A couple of weeks ago this utterly remarkable collaboration by Smak and Sled One appeared on the hoardings in Nelson Street which have in recent times been a bit of an ASK playground. It is quite one of the best collaborations I have seen for a long while, and I don’t think that Bristolians, in the main, realise just how privileged we are to have art this good decorating our streets.
On the left of the wall is a magnifcent oriental style leopard in rampant attitude rather menacingly advancing towards a poor unsuspecting child.
This is one of the finest character pieces I have seen by Smak, and it seems that he is planing on doing more, which is great news.
The whole collaboration is set on a grey background and shares a general colour palette of greys, reds and yellows.
To the right of the wall we are spoiled by a magnificent story from Sled One, where a crane is delivering a little baby suspended in a cloth from its beak. It looks like the baby is prepared to take on the leopard as it is armed with a samurai sword and is wearing a mask. Even the red decorations on the grey patches of the piece ooze class.
This is not the first time that Sled One has incorporated a samurai into his work and is would appear to be a theme he enjoys. This is a world-class collaboration that we in Bristol are lucky to have and I thoroughly recommend that anyone living in Bristol makes a detour to Nelson Street to see it if planning a shopping trip to the centre.
Blink and you might miss it! Sited right next to one of the best collaborations in this part of Bristol that I can remember, between Smak and Sled One (to follow very soon), is this beautiful cat stencil by the utterly awesome Kin Dose.
Continuing on from his Upfest utility box theme, Kin Dose has blessed those right in the centre of Bristol with this little gift. Looking rather innocuous and disguised as a bit of tagging many citizens will have walked by without noticing this charming piece. Suggestion… get yourself down there and take a look.
This is quite an unusual hoarding in the centre of Bristol for a couple of reasons. First, I’m not sure what it is protecting, it certainly doesn’t look like anything is being redeveloped. Second, it seems that graffiti writers from ASK are tolerated. Perhaps it is a curated wall, I don’t know.
The middle piece of this ASK collaboration is by the brilliant Voyder, and is one that incorporates his clever brush stroke effect. He really is the master of playing with his audience and introducing stunning ideas and effects. Quite an old piece, but I’ve not had my camera when walking past it before.