I can’t work out whether Lee Roy has been hiding from me for the last few years or whether I just haven’t noticed him before, but over the last few weeks his writing has appeared absolutely all over the place and I simply can’t keep up with it.
This one on the cycle path is presented in a nice selection of blues and spells out LEEROY with his characteristic letter style. Some of the decorative work is a little untidy, but it sort of works with Lee Roy’s way I think. This is not the kind of perfection you might get with Rusk or Soker or Smak for example, but I don’t think it is striving for that. This piece is fun and that is enough.