As mentioned previously, Lee Roy has had an exceptionally busy spring, and although he has been painting for a while he only appeared on my radar in February this year, and for every piece posted, there is at least another one in the archive.
What I like about Lee Roy is that he is constantly rethinking his work and his most recent ‘reimagining’, to use a contemporary word, has been to drape his pieces onto the ground and cascading down steps as in this example from the M32 cycle path. A great idea very nicely executed. Inevitably, there is more to come from the artist.
There is currently no stopping Lee Roy who appears to be extending himself with a series of pieces that are painted close to the ground and spilling out on to it or cascading down steps.
It took me two attempts to photograph this rather dainty piece, because the first time I failed to frame it properly. It is so annoying when that happens. Written in big bold letters, this piece contains a variety of very interesting and original fills and lots of blue water drops. Lee Roy is definitely tapping into his creativity these days.
I seem to remember from my school days that Lee Roy (Leroy) was a corruption of Le Roi, or The King in French. I did a little fact check on Wikipedia and I was kind of right, although the name is Norman in origin. The Normans brought the surname to England, which in medieval times was used as a nickname for a person that behaved in a regal fashion or who had earned the title in a contest of skill. So there you have it. Lee Roy is the king.
Our Lee Roy has been very busy of late and is hitting walls across Bristol irrespective of the north/south of the river thing. This black and white piece at the entrance to St Werburghs tunnel is a cheerful affair with his trademark circles in the fill and a rather nice cheeky character in the ‘O’. More to come soon from The King.
I can’t work out whether Lee Roy has been hiding from me for the last few years or whether I just haven’t noticed him before, but over the last few weeks his writing has appeared absolutely all over the place and I simply can’t keep up with it.
This one on the cycle path is presented in a nice selection of blues and spells out LEEROY with his characteristic letter style. Some of the decorative work is a little untidy, but it sort of works with Lee Roy’s way I think. This is not the kind of perfection you might get with Rusk or Soker or Smak for example, but I don’t think it is striving for that. This piece is fun and that is enough.
Moon Street, once one of the most vibrant and active graffiti streets in Bristol has become something of a forgotten backwater since the gentrification tsunami struck the Stokes Croft area about two years ago. Since that time decent pieces are few and far between, but every now and again there is a little gem, like this dazzling piece from Lee Roy.
Everything about this one screams out ‘look at me.. I’m here and I want to be seen’. As I have said in an earlier post of a piece from Lee Roy, he seems to have gone into overdrive in the last few weeks and is chucking up his unique brand of graffiti writing all over the city. I particularly like this one though. Great for the somber mood we seem to find ourselves in these days.
Not much lasts for long in the street art world, especially in Dean Lane, and the Acer One piece featured in the previous blog post was overpainted with this brash piece from Lee Roy, who has unleashed his energy and desire to cover Bristol in paint in recent weeks.
Although Lee Roy is an established writer in Bristol, I have only recently started to post his work, probably because it is impossible to ignore at the moment. His style is interesting, with irregular and unusually shaped letters, but his fills are very nice indeed, if a little understated in this piece. I love the touch ‘Need Photos’ in the top right corner – well here they are.
This wall has since been overpainted by Mudra yesterday, but he decided to keep the little ‘Need Photos’ message in there.
Yet another debut artist for Natural Adventures in 2021 – they just keep coming. Lee Roy has been writing for a while, but a recent spate of pieces in Bristol has drawn him to my attention and his unique style is worthy of representation on this blog as part of the vast spectrum of talent in the city.
His work is loud and overt and easy to read. This is a bold statement – Lee Roy was here. His letters are framed within a bounded black background and are in an interesting font that is rather forgiving of irregularity. The fills are intricate and fun which grow on you the more you look at them. Lee Roy describes himself as a ‘lazy writer’ which I think is a little bit too modest and self deprecatory. Look out for more coming soon.