Words cannot really describe how wonderful this enormous mural makes me feel. Hazard, or Harriet Wood to give you her proper name, has produced a landmark piece that launches her onto the world-class stage. It is not only the scale of the piece, but its stature that is so special. Somehow Hazard has found a new level and it is all very exciting.
Wilder Street in St Paul’s has been at the heart of the Bristol street/graffiti art scene for many years, although recently, the amount of gentrification of the area has slowed things somewhat. This piece bucks that trend and makes a positive statement for beautiful public art in the area.
The piece was supported by The Arts Council through its Developing your Creative Practice (DYPC) fund, and thank goodness for initiatives like this one that bring so much joy to so many people while supporting the work of our most creative people.
Hazard, in going big, has not compromised on her ability to compose a piece fit for a particular space, and this colourful portrait, almost cubist in its presentation, has been worked perfectly into the fabric of the 20m high facade. With the magnificent colours bleeding off to the right, Hazard has created a shadow portrait just to the right of the main portrait adding emphasis and interest.
There have been so many extraordinary murals painted in Bristol this year, and the bar has been set very high. I feel however that Hazard, with this piece, has surpassed any other I have seen. I genuinely hope that this piece will launch Hazard onto the international stage that she clearly deserves. My favourite of the year so far.