I was in Cumberland Basin yesterday and this piece by Whysayit was being buffed over to make way for the latest Bristol Womxn Mural Collective paint jam, which is all part and parcel of the street art wall recycling process, without which the whole scene would simply die. I haven’t posted much work by Whysayit (YSAE) since his painting partner, Kleiner Shames, moved to London, which is a pity, because I really like his letter style – I might have to dig a few photographs out of my archive.
Whysayit’s letters are irregular, but they also are quite easy on the eye, with their curvy shapes. The solid ills are in strongly contrasting colours – no fades here. Painted at the back end of the Queen’s platinum jubilee, I don’t thing there is much doubting what Whysayit’s views on the monarchy are. It is nice to be able to post this piece after such a long gap since the last one, (about four years).