Fade and Pekoe, St Werburghs, Bristol, May 2024

6032. St Werburghs tunnel (424)

Fade and Pekoe, St Werburghs, Bristol, May 2024
Fade and Pekoe, St Werburghs, Bristol, May 2024

Ah! Bravo! Bravo! What a magnificent and, if I am honest, slightly unexpected collaboration from Fade and Pekoe in the tunnel. Although the pair have painted together in the past, it still somehow feels like a surprise when they hook up to paint together.

Fade, St Werburghs, Bristol, May 2024
Fade, St Werburghs, Bristol, May 2024

I was going to write that this might not be the tightest of pieces, but the more I look at it the better it gets I’m my view. The sumptuous colour palette of gold and light purple ticks all the boxes and turns a good wall into a great one. Fade has kept the purple flashes to a subtle minimum, with just enough colour to complement the wonderful gold writing. Lifting the letters further is the beautifully clean white accent line along the upper edges of the letters. Brilliant.

Pekoe, St Werburghs, Bristol, May 2024
Pekoe, St Werburghs, Bristol, May 2024

I wasn’t too sure about Pekoe’s portrait on first glance, but I am sure now that it is absolutely on point. The lady is wearing a gold hoody that frames a beautifully expressive face and flowing hair. The woman’s face looks quizzically amused about something, and seems to be suspended in that moment before breaking into laughter, at least that is what I see, and that is the joy of art, we each take home what we see. I really love this collaboration and look forward to their next project together.

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scooj

I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.

3 thoughts on “6032. St Werburghs tunnel (424)”

  1. really unimpressed how the lighting changes in the tunnel have destroyed the visibility of the work. My phone camera shows things better than my eyes. This work does come out well from the side with the gold reflecting light coming in from the St Werburgh’s side

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    1. I agree, the lighting in the tunnel is rubbish. Occasionally with the pieces in the middle I have to adjust the images to bring out the natural colours of the piece as if they were in daylight. I have always struggled with the tunnel.

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