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Pigeon pair abroad
opposite ends of the globe
we in the middle
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by Scooj
Month: July 2024
6201. M32 roundabout J3 (600)
What a wonderful surprise it was to come across this outstanding collaboration from Hypo and Ulow. Regular readers will be familiar with Hypo, especially as he has been so productive over the last year or so, but Ulow’s appearances are rare these days, so this was a real treat.
This collaboration is out of the top drawer. Hypo’s super-colourful writing is as good as I have seen from him and has a touch of Hemper in its presentation and depth… praise indeed. Ulow has an incredible talent for painting the perfect graffiti characters, and his dancer on the right hand side of the collaboration matches the energy of Hypo’s writing. This is a supremely good piece, and one of my favourite collaborations so far this year. Bravo!
6200. Dean Lane skate park (732)
This is the second piece (the first was by Deamze) I have seen in Bristol featuring Asterix and Obelix from the children’s comic book series written by Goscinny and illustrated by Uderzo, both, regrettably no longer with us, but their legacy lives on through apprentices who have carried on the series of books. I am something of an expert on Asterix, I was brought up on the books, and in my youth they were the only thing I would read (much to my family’s dismay), so I judge this remarkable piece by Fade and Dibz through critical lens.
Starting with Fade, the strong and on-point letters in black with orange drop shadows, are nothing more than I would expect. For me, though the writing is eclipsed with the appearance of Dogmatix, Obelix’s dog, at the bottom left.
Dogmatix, obviously had a non-speaking part in the books, other than the odd growl or woof, and Fade’s rendition of the little character is perfect, picking up on his personality faithfully.
The centrepiece, probably painted by both Fade and Dibz features the heroes of the piece, Asterix and Obelix. The large sidekick, Obelix is 100% spot on, everything about his is brilliant. Getting on to Asterix though, my hypercritical eye isn’t quite happy with the warrior’s face, which feels slightly elongated… there is something not right about the proportions. I’ll let it go though, because they have tapped in to something that is deeply rooted in my childhood.
Dibz rounds off the production piece by mirroring Fade’s style and colours to provide balance to the whole collaboration. Remarkable stuff really and a red-letter day for me on finding it. Below is the Deamze piece from 2018 before he emigrated to Tasmania.
6199. Cumberland Basin
There are basically three kinds of ‘new’ artist in Bristol (or any other city I might suppose); those who are hitting walls for the first time having practiced or expanding beyond their art studios; those who are already established artists who move to Bristol or nearby and start painting; and those established artists who are simply visiting or passing through the city and drop a piece or two, because they can.
It turns out that Dirtygypo has been writing in Bristol for at least a couple of years but has only just appeared on my radar. I guess I will have to rifle through my archives to see if I have earlier photographs of his work. Perhaps he has been hitting some of the more popular spots, or his pieces are lasting longer, whatever the reason, he has become more established recently. His work is exciting, colourful and busy, with irregular letters each filled and decorated differently. I am not sure what the letters spell, but I really rather like the frenetic appearance. Watch this space for more from Dirtygypo.
Late arrival
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Absent butterflies
with warmth emerge from hiding
at last the sun shines
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by Scooj
6198. Greenbank (125)
There is no doubt about it, I am really enjoying the fresh look of Zeks’ pieces combined with the fact that he is painting in Bristol a little more often these days, and long may that last. This is a straightforward piece of graffiti writing, with clearly defined letters and simple design – incorporating a little symmetry with the ‘Z’ and ‘S’.
I can’t put my finger on it, but there is something quite unique about Zeks’ writing. There is a modesty and uncomplicatedness, an authenticity, which really attracts me. Simple solid fills are accompanied by a striped pattern filling the letter gaps. A couple of arrows and some rings accessorise the letters a little, but none of it would work very well without the cream background. This is a great composition.
6197. Dean Lane skate park (731)
I expect that this piece, like most of his writing, was freestyled by Sled One. What I mean by that is that he most likely painted it straight off the top of his head, without a sketch in a black book, or anything like that. To be able to do that suggests not only confidence but also incredible talent.
Sled One has written SLED, with each letter being defined by a different colour/pattern regime, helping to pick them out. There are so many details and points of interest, but two that stand out are the barbed wire at the base of the ‘L’ and the downward facing arrow between the ‘E’ and ‘D’. All of these details combine to create a superb piece of wildstyle graffiti writing.
6196. Leicester
I have visited Leicester a couple of times recently, once in May and again earlier this week. On both occasions I have managed to snap a few outstanding pieces, largely, but not exclusively, from the ‘Bring the Paint’ festival. As many of you will know, I struggle just to keep up with new pieces in Bristol, let alone street art that I see on my travels, so I am grouping a few pieces together. These were photographed in May 2024.
This is an extraordinary anamorphic piece by Juandres Vera – really eye-catching, although a little awkward to photograph – it was behind a gate.
This is an enormous mural by Does, and I am guessing that the writing spells out DOES.
I have heard and seen quite a lot about Gent 48, but I think that this might be the first piece I have actually seen by the artist. Utterly outstanding.
Nuno Viegas has visited Bristol before for Upfest, so it was great to see this unbelievable piece combining two-dimensional bubble writing with an amazing 3D hand and spray can. Great reflections on the chrome can and shadows cast by it.
More collections from Leicester to come in due course.
Thursday doors – 18 July 2024, Assisi, Umbria, Italy
Doors 271 – Assisi doors, Umbria, Italy, July 2023 (Part III)
Rather later than anticipated – I had to drop my son off at Heathrow Airport this morning – I bring you the last instalment of doors from Assisi which my family I and visited almost exactly a year ago today. I am pressed for time, and will let the doors do the talking.
So we say farewell to Assisi… until next time. I have one final selection of doors from last year’s trip to Umbria, but next time I think I will be turning my attention to somewhere closer to home. May I wish you all a fabulous end of week and weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj
A memory
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By the French windows
drenched in golden summer sun
I snooze with a book
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by Scooj
- On recalling one of my favourite rooms in my grandparent’s house.
Natural adventures 