Hypo has started to paint a little more frequently lately, and one might describe him as becoming Hypo-active (see what I did there?). This is another fine example of his work in the tunnel, a venue that he appears to favour.
On a light blue background, the letters, spelling HYPO, are nicely filled with a horizontal transition grading from, dark red at the bottom to sky blue at the top. The whole piece stands out from the wall thanks to a 3D drop shadow with horizontal lines adding depth. All in all a satisfying piece.
I am pretty sure that when I last posted a Hypo piece I said that his work was somewhat underrepresented on Natural Adventures, so I hope this post is in some small way addressing this.
Painted in the tunnel alongside his friends, this piece is a real beauty and pretty much on point. The letters spell Hypo, and have four tones of red making up the fills. There are some nice details and accent flashes, and a 3D drop-shadow with a disappearing point in the middle of the piece, something that Hypo certainly seems to favour. This is a really decent piece of writing from the artist.
Yet another hugely underrepresented writer on Natural Adventures is Hypo. There is no logical explanation, but he has painted a few pieces recently and perhaps I can address this imbalance, soon, I might even have enough pieces for a hypo gallery.
This piece, was painted alongside a Benjimagnetic piece in the tunnel, and is a superb design, both in colour selections and in the incorporation of a bilaterally symmetrical lower portion in brown. I can’t quite make out whether it spells a second word under HYPO. Excellent work from an excellent writer.
The curious thing about Upfest is that one is exposed to so many pieces in the space of such a short time that it can be overwhelming, and my coping mechanism is to take as many pictures as I can so that recall is enhanced when it comes to posting some time after the event.
This fabulous piece from Bristol-based Hypo passed be by on the day I took this picture. I kind of remember seeing a piece by him, but I didn’t commit it to my deep memory – thank goodness for my archive. This is a clean and sharp piece with interesting and legible letter shapes and that central fill is rather special. Always great to (re)discover work by Hypo.
Down on the M32 cycle path is thisrather nice quick one from Hypo that rather cleverly brings about some symmetry to his letters HYPO. I suggest that this is a quick one because although creative and imaginative, it is not perhaps as clean and crisp as it might be. This might sound like harsh criticism, but it is not, it is an observation only. Added to that, even pieces with a few ragged edges are hugely difficult to do and I always doff my cap in the direction of these artists.
Hypo, although not a regular on Natural Adventures does appear once in a while and as far as I can make out is one of the more established Bristol artists. I’m reasonably pleased with these pictures because with the overhang, the top half of pieces painted here are often in shade and I seem to have overcome that on this occasion. More nice work from Hypo.
This great piece, if you can see it, is by Hypo, whose work pops up every now and again, and although not the most prolific of Bristol artists, his work is always worth waiting for.
This ‘HYPO’ has an icy feel to it, which is perhaps exaggerated by what look like icicles hanging off some of the letters, and the red and yellow fills have a translucent look to them like ice lollies or stained glass. A fun piece wallowing in late summer sun.
Here are two artists we don’t get to see nearly enough of. Both are established artists on the Bristol scene, but neither of them is out painting walls every week so what a pleasant surprise to come across this collaboration from Hemper and Hypo in the tunnel last week.
Hemper has been painting walls in Bristol for a long time and is highly regarded by his peers, and it is easy to understand why. Here he writes HEMP in shades of blue set on a painted brick wall from which the render has broken off. There are so many things to admire asbout this piece of work, and as if that weren’t enough he also adds in a message about the roll-out of 5G in Bristol “I never asked for 5G”.
Hypo, on the left, continues with the blue theme and spells out his name with 3D block lettering emanating from two vanishing points. I have noticed that in most of his work Hypo is very keen on using vanishing points and it is a common thread that appears to be the basis of much of his work. The piece is beautifully presented and the accessories work really well, such as the stars, drips and the spotty background. Overall a very pleasing collaborative piece.
Painted during a bit of a paint-jam down on the cycle path a couple of weeks back, this is a nice bit of writing from Bristol-based artist Hypo. I have only seen a couple of his pieces from Upfest before, so it is great to see something beyond that ‘safe’ environment.
The writing is quite unusual with large spaces between the letters. If his name wasn’t so obviously part of this piece I think I would have difficulty in identifying it, as it isn’t like the other pieces I am more familiar with. Nice though.
I think this was the first time I saw anything by Hypo, but I think I might have been somewhat overwhelmed by the anti-May work by Peter Sheridan next to it that this piece passed me by a little. I am glad that I have had time to reflect and dig it out of archive.
I have noticed that Hypo likes to work with a vanishing point in the middle of his work, so that all 3D shading gravitates to the centre. I like the reasonably straightforward graff writing of this piece especially the splashes of white on the corners. At the bottom he recognises Mixie, Expo and Ulow as well as himself. A nice Upfest piece…below is his offering from 2017.
I don’t know Hypo, but I’m sure that if I met him, I would like him. I say this because his Upfest profile reads: ‘Local Bedminster painter who really should know better…’ and that’s it. Short and sweet.
Hypo’s piece was one that developed in stages as Upfest progressed, and I would guess that this was due to the rain interruptions. It was good to be able to capture the piece at different times.
I am really rather fond of this piece, but I can’t quite pin down why. The haunting landscape in the letters looks like a window into another dimension. The shading on the letters is really clever and leads the eye to a vanishing point (you can even see the string attached to the VP in the picture above) and the dripping spheres offer a distraction. I can’t help finding my eyes moving over the piece constantly…it is difficult to kow where to settle.
I can’t think that I have knowingly seen any of his work on the streets of Bristol but will keep my eyes and ears open for any news about him.