7264. Brunel Way (340)

I came across this outstanding collaboration, intending to photograph its predecessor by Dibz and Fade who I had watched painting their collaboration, but as I have said, you snooze, you lose in this game and when I returned it had been painted over by this masterpiece. I think that this is probably my favourite collaboration of the year so far, oozing with talent.

To the left, Sled One has painted one of his magnificent cartoon-style creations, heavily loaded with political commentary. The piece is reflecting the rather unsettling rise of the appropriation of the St George Cross to represent anti-immigration (and for some, racist) sentiments, purporting to be patriotism. This is another division stoked up by the right wing parties, Reform and the Conservatives, as a wedge issue from which they expect to benefit.

Anti-immigration and racist sentiments are not particularly well-supported in Bristol, and Sled One has illustrated a large shoe squashing a gammon (“gammon” is a derogatory slang term for middle-aged, often ruddy-faced, white men who are perceived as being nationalistic, anti-immigrant, and particularly supportive of Brexit) attempting to paint a St George cross on the sole of the shoe. He is being squished. If only it was that simple to moderate this rise in anti-foreigner narrative masquerading as patriotism.

The middle section of this triptych is a superbly colourful piece of graffiti writing by Oust, spelling out OUSTER. Beautiful letters, beautiful fill colours, some nice flame bursts and bubbly background. A first-class piece of writing.

On the right is an outstanding cartoon portrait piece by Stivs, which I think is one of his best, and that is a high bar indeed. The stylised portrait draws on the Japanese anime genre and has so much movement and attitude about it. The piece is beautifully executed and looks like it could be a still from a film.

As I said before, an outstanding collaboration. Bravo! Sled One, Oust and Stivs.