I would suggest that over the last year or so, Minto has had the most productive and high-profile period since his return to Bristol. Barely a week goes by without one of his deconstructed, elemental pieces appearing on some wall somewhere.
Minto has recently taken rather a liking to using a black backdrop for his pieces, perhaps because it helps to pick out each of the little components that make up his letters MINTO. This is a very busy piece with so much going on, and so many colours and shapes, all of which contribute brilliantly to the whole. Fine work from Minto.
Rather zingy
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